Author: Efraim Karsh
Publisher: Taylor & Francis
ISBN: 9780714680637
Category : History
Languages : en
Pages : 288
Book Description
New edition of a study in which Karsh (Mediterranean Studies Programme at King's College, U. of London) takes issue with revisionist accounts of Israeli history. Through careful examination of the documentation they have used, as well as of sources that he believes were ignored, he suggests that for the most part the new historiography has violated every tenet of bona fide research, from reading into documents what is not there to making false descriptions of the contents of these documents. Annotation copyrighted by Book News, Inc., Portland, OR
Fabricating Israeli History
Fabricating History
Author: Barton R. Friedman
Publisher: Princeton University Press
ISBN: 1400859344
Category : Literary Criticism
Languages : en
Pages : 250
Book Description
Barton Friedman demonstrates the ways in which English men of letters in the nineteenth century attempted to grasp the dynamics of history and to fashion order, however fragile, out of its apparent chaos. The authors he discusses--Blake, Scott, Hazlitt, Carlyle, Dickens, and Hardy--found in the French Revolution an event more compelling as a paradigm of history than their own "Glorious Revolution." To them the French Revolution seemed universally significant--a microcosm, in short. For these writers maintaining the distinction between "history" and "fiction" was less important than making sense of epochal historical events in symbolic terms. Their works on the French Revolution and the Napoleonic Wars occupy the boundary between history and fiction, and Fabricating History advances the current lively discussion of that boundary. At the same time, this work explores questions about narrative strategies, as they are shaped by, or shape, events. Narratives incorporate the ideological and metaphysical preconceptions that the authors bring with them to their writing. "This is not to argue," Professor Friedman says, "that historical narratives are only about the mind manufacturing them or, more narrowly yet, about themselves as mere linguistic constructs. They illumine both the time and place they seek to re-create and, if by indirection, the time and place of the mind thinking them into being." Originally published in 1988. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Publisher: Princeton University Press
ISBN: 1400859344
Category : Literary Criticism
Languages : en
Pages : 250
Book Description
Barton Friedman demonstrates the ways in which English men of letters in the nineteenth century attempted to grasp the dynamics of history and to fashion order, however fragile, out of its apparent chaos. The authors he discusses--Blake, Scott, Hazlitt, Carlyle, Dickens, and Hardy--found in the French Revolution an event more compelling as a paradigm of history than their own "Glorious Revolution." To them the French Revolution seemed universally significant--a microcosm, in short. For these writers maintaining the distinction between "history" and "fiction" was less important than making sense of epochal historical events in symbolic terms. Their works on the French Revolution and the Napoleonic Wars occupy the boundary between history and fiction, and Fabricating History advances the current lively discussion of that boundary. At the same time, this work explores questions about narrative strategies, as they are shaped by, or shape, events. Narratives incorporate the ideological and metaphysical preconceptions that the authors bring with them to their writing. "This is not to argue," Professor Friedman says, "that historical narratives are only about the mind manufacturing them or, more narrowly yet, about themselves as mere linguistic constructs. They illumine both the time and place they seek to re-create and, if by indirection, the time and place of the mind thinking them into being." Originally published in 1988. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Fabricating Israeli History
Author: Efraim Karsh
Publisher: Psychology Press
ISBN: 9780714650111
Category : History
Languages : en
Pages : 292
Book Description
This text takes issue with the "new historians" exposing "Zionist narrative," arguing that they have ignored or misinterpreted much documentation in developing their analysis of Israel's history.
Publisher: Psychology Press
ISBN: 9780714650111
Category : History
Languages : en
Pages : 292
Book Description
This text takes issue with the "new historians" exposing "Zionist narrative," arguing that they have ignored or misinterpreted much documentation in developing their analysis of Israel's history.
Fabricating History
Author: Barton R. Friedman
Publisher:
ISBN: 9780691606972
Category : English literature
Languages : en
Pages : 0
Book Description
Barton Friedman demonstrates the ways in which English men of letters in the nineteenth century attempted to grasp the dynamics of history and to fashion order, however fragile, out of its apparent chaos. The authors he discusses--Blake, Scott, Hazlitt, Carlyle, Dickens, and Hardy--found in the French Revolution an event more compelling as a paradigm of history than their own "Glorious Revolution." To them the French Revolution seemed universally significant--a microcosm, in short. For these writers maintaining the distinction between "history" and "fiction" was less important than making sense of epochal historical events in symbolic terms. Their works on the French Revolution and the Napoleonic Wars occupy the boundary between history and fiction, and Fabricating History advances the current lively discussion of that boundary. At the same time, this work explores questions about narrative strategies, as they are shaped by, or shape, events. Narratives incorporate the ideological and metaphysical preconceptions that the authors bring with them to their writing. "This is not to argue," Professor Friedman says, "that historical narratives are only about the mind manufacturing them or, more narrowly yet, about themselves as mere linguistic constructs. They illumine both the time and place they seek to re-create and, if by indirection, the time and place of the mind thinking them into being." Originally published in 1988. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Publisher:
ISBN: 9780691606972
Category : English literature
Languages : en
Pages : 0
Book Description
Barton Friedman demonstrates the ways in which English men of letters in the nineteenth century attempted to grasp the dynamics of history and to fashion order, however fragile, out of its apparent chaos. The authors he discusses--Blake, Scott, Hazlitt, Carlyle, Dickens, and Hardy--found in the French Revolution an event more compelling as a paradigm of history than their own "Glorious Revolution." To them the French Revolution seemed universally significant--a microcosm, in short. For these writers maintaining the distinction between "history" and "fiction" was less important than making sense of epochal historical events in symbolic terms. Their works on the French Revolution and the Napoleonic Wars occupy the boundary between history and fiction, and Fabricating History advances the current lively discussion of that boundary. At the same time, this work explores questions about narrative strategies, as they are shaped by, or shape, events. Narratives incorporate the ideological and metaphysical preconceptions that the authors bring with them to their writing. "This is not to argue," Professor Friedman says, "that historical narratives are only about the mind manufacturing them or, more narrowly yet, about themselves as mere linguistic constructs. They illumine both the time and place they seek to re-create and, if by indirection, the time and place of the mind thinking them into being." Originally published in 1988. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Fabricating Women
Author: Clare Haru Crowston
Publisher: Duke University Press
ISBN: 9780822326663
Category : Business & Economics
Languages : en
Pages : 532
Book Description
DIVA study of the seamstresses of late 17th and 18th-century France, who developed a quintessentially feminine occupation that became a major factor in the urban economy./div
Publisher: Duke University Press
ISBN: 9780822326663
Category : Business & Economics
Languages : en
Pages : 532
Book Description
DIVA study of the seamstresses of late 17th and 18th-century France, who developed a quintessentially feminine occupation that became a major factor in the urban economy./div
Fabricating Consumers
Author: Andrew Gordon
Publisher: Univ of California Press
ISBN: 0520267850
Category : Business & Economics
Languages : en
Pages : 302
Book Description
Since its early days of mass production in the 1850s, the sewing machine has been intricately connected with the global development of capitalism. Andrew Gordon traces the machine’s remarkable journey into and throughout Japan, where it not only transformed manners of dress, but also helped change patterns of daily life, class structure, and the role of women. As he explores the selling, buying, and use of the sewing machine in the early to mid-twentieth century, Gordon finds that its history is a lens through which we can examine the modern transformation of daily life in Japan. Both as a tool of production and as an object of consumer desire, the sewing machine is entwined with the emergence and ascendance of the middle class, of the female consumer, and of the professional home manager as defining elements of Japanese modernity.
Publisher: Univ of California Press
ISBN: 0520267850
Category : Business & Economics
Languages : en
Pages : 302
Book Description
Since its early days of mass production in the 1850s, the sewing machine has been intricately connected with the global development of capitalism. Andrew Gordon traces the machine’s remarkable journey into and throughout Japan, where it not only transformed manners of dress, but also helped change patterns of daily life, class structure, and the role of women. As he explores the selling, buying, and use of the sewing machine in the early to mid-twentieth century, Gordon finds that its history is a lens through which we can examine the modern transformation of daily life in Japan. Both as a tool of production and as an object of consumer desire, the sewing machine is entwined with the emergence and ascendance of the middle class, of the female consumer, and of the professional home manager as defining elements of Japanese modernity.
Fabricating Pleasure
Author: Karin A. Wurst
Publisher: Wayne State University Press
ISBN: 9780814331316
Category : Games & Activities
Languages : en
Pages : 520
Book Description
Traces how the German middle class created a unique form of domestic culture that fused consumption with high culture in fashionable forms of entertainment. Entertainment, defined as occasions for creating pleasure, added an important dimension to the lifestyle and self-definition of the German middle class around the turn of the nineteenth century. Modern forms of culture and consumption appearing around this time not only enhanced pleasure in physical sensations but also enabled imaginary sensations in the absence of actual stimuli. Desiring, rather than having, became an important mode of cultural consumption, linking products and practices with self-image, serving to express social identity in an increasingly more anonymous society--a society where the modern freedom of choice brought with it a loss of tradition and the stability attached to it. Fabricating Pleasure traces the creation of this unique form of domestic culture, showing how the bourgeoisie of late-eighteenth- and early-nineteenth-century Germany fused consumption with high culture. Author Karin Wurst illuminates the sociohistorical context and the emergence of the modern middle class, its differentiation, and its conception of culture. In her thoughtful analysis, Wurst reconstructs the roles of Empfindsamkeit (sensibility) and the new love paradigm, examining the change in mentality they fostered through the reconceptualization of pleasure and entertainment. The book also discusses the relationship between print culture (using Bertuch's Journal des Luxus und der Moden as its prime example) and an increase in social mobility. From art and music to fashion and travel, Wurst places these popular forms of entertainment and pleasurable diversion in their social and historical contexts and also shows how they have remarkable bearing on present-day debates on cultural literacy.
Publisher: Wayne State University Press
ISBN: 9780814331316
Category : Games & Activities
Languages : en
Pages : 520
Book Description
Traces how the German middle class created a unique form of domestic culture that fused consumption with high culture in fashionable forms of entertainment. Entertainment, defined as occasions for creating pleasure, added an important dimension to the lifestyle and self-definition of the German middle class around the turn of the nineteenth century. Modern forms of culture and consumption appearing around this time not only enhanced pleasure in physical sensations but also enabled imaginary sensations in the absence of actual stimuli. Desiring, rather than having, became an important mode of cultural consumption, linking products and practices with self-image, serving to express social identity in an increasingly more anonymous society--a society where the modern freedom of choice brought with it a loss of tradition and the stability attached to it. Fabricating Pleasure traces the creation of this unique form of domestic culture, showing how the bourgeoisie of late-eighteenth- and early-nineteenth-century Germany fused consumption with high culture. Author Karin Wurst illuminates the sociohistorical context and the emergence of the modern middle class, its differentiation, and its conception of culture. In her thoughtful analysis, Wurst reconstructs the roles of Empfindsamkeit (sensibility) and the new love paradigm, examining the change in mentality they fostered through the reconceptualization of pleasure and entertainment. The book also discusses the relationship between print culture (using Bertuch's Journal des Luxus und der Moden as its prime example) and an increase in social mobility. From art and music to fashion and travel, Wurst places these popular forms of entertainment and pleasurable diversion in their social and historical contexts and also shows how they have remarkable bearing on present-day debates on cultural literacy.
Creating Country Music
Author: Richard A. Peterson
Publisher: University of Chicago Press
ISBN: 022611144X
Category : Music
Languages : en
Pages : 341
Book Description
In Creating Country Music, Richard Peterson traces the development of country music and its institutionalization from Fiddlin' John Carson's pioneering recordings in Atlanta in 1923 to the posthumous success of Hank Williams. Peterson captures the free-wheeling entrepreneurial spirit of the era, detailing the activities of the key promoters who sculpted the emerging country music scene. More than just a history of the music and its performers, this book is the first to explore what it means to be authentic within popular culture. "[Peterson] restores to the music a sense of fun and diversity and possibility that more naive fans (and performers) miss. Like Buck Owens, Peterson knows there is no greater adventure or challenge than to 'act naturally.'"—Ken Emerson, Los Angeles Times Book Review "A triumphal history and theory of the country music industry between 1920 and 1953."—Robert Crowley, International Journal of Comparative Sociology "One of the most important books ever written about a popular music form."—Timothy White, Billboard Magazine
Publisher: University of Chicago Press
ISBN: 022611144X
Category : Music
Languages : en
Pages : 341
Book Description
In Creating Country Music, Richard Peterson traces the development of country music and its institutionalization from Fiddlin' John Carson's pioneering recordings in Atlanta in 1923 to the posthumous success of Hank Williams. Peterson captures the free-wheeling entrepreneurial spirit of the era, detailing the activities of the key promoters who sculpted the emerging country music scene. More than just a history of the music and its performers, this book is the first to explore what it means to be authentic within popular culture. "[Peterson] restores to the music a sense of fun and diversity and possibility that more naive fans (and performers) miss. Like Buck Owens, Peterson knows there is no greater adventure or challenge than to 'act naturally.'"—Ken Emerson, Los Angeles Times Book Review "A triumphal history and theory of the country music industry between 1920 and 1953."—Robert Crowley, International Journal of Comparative Sociology "One of the most important books ever written about a popular music form."—Timothy White, Billboard Magazine
Fabricating Authenticity in Soviet Hungary
Author: Péter Apor
Publisher: Anthem Press
ISBN: 1783084197
Category : History
Languages : en
Pages : 229
Book Description
This book explores the memory of the First Hungarian Soviet Republic of 1919, which proved crucial for communist Hungarian political culture in the twentieth century. Apor approaches the topic in an innovative way, focusing on the understudied aspects of European memory cultures. Offering great insights on how a dictatorship remembers and the concept of authenticity, Apor’s study integrates the broad range of processes through which history is sought to be rendered authentic. The volume successfully reveals the crooked history of the retrospective revisions of the iconic First Republic between the years of its 30th and 40th anniversary, 1949 and 1959.
Publisher: Anthem Press
ISBN: 1783084197
Category : History
Languages : en
Pages : 229
Book Description
This book explores the memory of the First Hungarian Soviet Republic of 1919, which proved crucial for communist Hungarian political culture in the twentieth century. Apor approaches the topic in an innovative way, focusing on the understudied aspects of European memory cultures. Offering great insights on how a dictatorship remembers and the concept of authenticity, Apor’s study integrates the broad range of processes through which history is sought to be rendered authentic. The volume successfully reveals the crooked history of the retrospective revisions of the iconic First Republic between the years of its 30th and 40th anniversary, 1949 and 1959.
Fabricating Lureland
Author: Julia Winckler
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3110734095
Category : History
Languages : en
Pages : 496
Book Description
Through the analysis of surviving archival traces, this book constructs a history of the imagination and memory of the town of Peacehaven. Built as a speculative development atop iconic chalk cliffs on the Sussex Coast and marketed as a garden city by the sea, the estate quickly attracted adverse publicity. Influential voices such as the Bloomsbury group’s Virginia and Leonard Woolf, architect and writer Clough Williams-Ellis and the Campaign for the Protection of Rural England soon began to criticise it as a blot on the rolling, pastoral downland. Instead of reading and appraising Peacehaven’s story in a polarized way, this book breaks new ground by critically interpreting visual representations and commissioned photographs of the Estate and re-evaluating propositions from its inception, which aspired to secure improved public health and home ownership in direct response to the negative impact of industrialization and WWI. Focusing on the interwar period and tracing mutating agendas, the book investigates contested marketing and construction narratives through Histoire Croisée methodology and its intercrossings with memory and the imagination. By combining visual and creative research methods with oral history, multi-layered narratives of place come into focus. The study tracks the visual programme of the developer’s in-house magazine, Peacehaven Post, alongside previously underexplored blueprints, photographs, postcards and promotional guidebooks, and considers the garden city narrative as a form of social Utopia. Garden city ideals are once again evoked in debates as a potential solution to the ongoing national housing shortage, giving this research additional urgency as new large-scale redevelopment erases many of the few and fast disappearing original landmarks.
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3110734095
Category : History
Languages : en
Pages : 496
Book Description
Through the analysis of surviving archival traces, this book constructs a history of the imagination and memory of the town of Peacehaven. Built as a speculative development atop iconic chalk cliffs on the Sussex Coast and marketed as a garden city by the sea, the estate quickly attracted adverse publicity. Influential voices such as the Bloomsbury group’s Virginia and Leonard Woolf, architect and writer Clough Williams-Ellis and the Campaign for the Protection of Rural England soon began to criticise it as a blot on the rolling, pastoral downland. Instead of reading and appraising Peacehaven’s story in a polarized way, this book breaks new ground by critically interpreting visual representations and commissioned photographs of the Estate and re-evaluating propositions from its inception, which aspired to secure improved public health and home ownership in direct response to the negative impact of industrialization and WWI. Focusing on the interwar period and tracing mutating agendas, the book investigates contested marketing and construction narratives through Histoire Croisée methodology and its intercrossings with memory and the imagination. By combining visual and creative research methods with oral history, multi-layered narratives of place come into focus. The study tracks the visual programme of the developer’s in-house magazine, Peacehaven Post, alongside previously underexplored blueprints, photographs, postcards and promotional guidebooks, and considers the garden city narrative as a form of social Utopia. Garden city ideals are once again evoked in debates as a potential solution to the ongoing national housing shortage, giving this research additional urgency as new large-scale redevelopment erases many of the few and fast disappearing original landmarks.