Fables. By the Late Mr Gay. Volume the Second PDF Download
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Author: John Gay
Publisher:
ISBN:
Category : Fables, English
Languages : en
Pages : 0
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Book Description
Author: John Gay
Publisher:
ISBN:
Category : Fables, English
Languages : en
Pages : 0
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Book Description
Author: John Gay
Publisher:
ISBN:
Category : Illustrated books
Languages : en
Pages : 208
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Book Description
Author: John Gay
Publisher:
ISBN:
Category : Fables, English
Languages : en
Pages : 334
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Book Description
Author: John Gay
Publisher:
ISBN:
Category :
Languages : en
Pages : 240
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Book Description
Author: John Gay
Publisher:
ISBN:
Category :
Languages : en
Pages : 262
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Book Description
Author: American Art Association, Anderson Galleries (Firm)
Publisher:
ISBN:
Category :
Languages : en
Pages : 804
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Book Description
Author: Anderson Galleries, Inc
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 520
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Book Description
Author: John Gay
Publisher:
ISBN:
Category :
Languages : en
Pages : 398
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Book Description
Author: Harvard University. Library. Widener Collection
Publisher:
ISBN:
Category : English literature
Languages : en
Pages : 348
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Book Description
Author: Ronan Deazley
Publisher: Bloomsbury Publishing
ISBN: 1847310389
Category : Law
Languages : en
Pages : 290
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Book Description
Taking as its point of departure the lapse of the Licensing Act 1662 in 1695, this book examines the lead up to the passage of the Statute of Anne 1709 and charts the movement of copyright law throughout the eighteenth century, culminating in the House of Lords decision in Donaldson v Becket (1774). The established reading of copyright's development throughout this period, from the 1709 Act to the pronouncement in Donaldson, is that it was transformed from a publisher's right to an author's right; that is, legislation initially designed to regulate the marketplace of the bookseller and publisher evolved into an instrument that functioned to recognise the proprietary inevitability of an author's intellectual labours. The historical narrative which unfolds within this book presents a challenge to that accepted orthodoxy. The traditional analysis of the development of copyright in eighteenth-century Britain is revealed as exhibiting the character of long-standing myth, and the centrality of the modern proprietary author as the raison d'être of the copyright regime is displaced.
