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Author: Robert Stark
Publisher: Edinburgh University Press
ISBN: 0748646183
Category : Literary Criticism
Languages : en
Pages : 240
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Book Description
Traces the lyricism and musicality in Pound's early verse through to his radical Modernist style. Robert Stark argues that Pound learned how to write poetry more or less as if it was a foreign tongue - or poetic 'jargon' - with a unique lexicon, grammar, and even morphology, and that his most innovative poetry is the result of his ambivalent orientation towards different European literary traditions.Stark contextualizes Pound's poetic craft by examining his relationship to the Mediaeval and Classical originators of the methods he employs and by considering the practice and criticism of his immediate Victorian and Romantic predecessors. He explores the influence of poets such as Francois Villon, Guido Cavalcanti, Robert Burns, Robert Browning, Algernon Charles Swinburne and Walt Whitman on Pound's lyrical style. For Stark, Pound's multi-vocalism arises out of his interest in dialect and the acoustic qualities of speech which leads to a 'modern' barbarous language marked by polysemy and heterogeneity.
Author: Robert Stark
Publisher: Edinburgh University Press
ISBN: 0748646183
Category : Literary Criticism
Languages : en
Pages : 240
Get Book Here
Book Description
Traces the lyricism and musicality in Pound's early verse through to his radical Modernist style. Robert Stark argues that Pound learned how to write poetry more or less as if it was a foreign tongue - or poetic 'jargon' - with a unique lexicon, grammar, and even morphology, and that his most innovative poetry is the result of his ambivalent orientation towards different European literary traditions.Stark contextualizes Pound's poetic craft by examining his relationship to the Mediaeval and Classical originators of the methods he employs and by considering the practice and criticism of his immediate Victorian and Romantic predecessors. He explores the influence of poets such as Francois Villon, Guido Cavalcanti, Robert Burns, Robert Browning, Algernon Charles Swinburne and Walt Whitman on Pound's lyrical style. For Stark, Pound's multi-vocalism arises out of his interest in dialect and the acoustic qualities of speech which leads to a 'modern' barbarous language marked by polysemy and heterogeneity.
Author: Robert Stark
Publisher: Edinburgh University Press
ISBN: 0748674594
Category : Literary Criticism
Languages : en
Pages : 240
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Book Description
Traces the lyricism and musicality in Pound's early verse through to his radical Modernist style.
Author: Demetres P. Tryphonopoulos
Publisher: Modern Language Association
ISBN: 1603294503
Category : Language Arts & Disciplines
Languages : en
Pages : 171
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Book Description
Known for his maxim "Make it new," Ezra Pound played a principal role in shaping the modernist movement as a poet, translator, and literary critic. His works, with their complex structures and layered allusions, remain widely taught. Yet his known fascism, anti-Semitism, and misogyny raise issues about dangerous ideologies that influenced his work and that must be addressed in the classroom. The first section, "Materials," catalogs the print and digital editions of Pound's works, evaluates numerous secondary sources, and provides a history of Pound's critical contexts. The essays in the second section, "Approaches," offer strategies for guiding students toward a clearer understanding of Pound's difficult works and the context in which they were written.
Author: Ezra Pound
Publisher: Penguin
ISBN: 1101007346
Category : Fiction
Languages : en
Pages : 452
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Book Description
Ezra Pound makes his Penguin Classics debut with this unique selection of his early poems and prose, edited with an introductory essay and notes by Pound expert Ira Nadel. The poetry includes such early masterpieces as “The Seafarer,” “Homage to Sextus Propertius,” “Hugh Selwyn Mauberley,” and the first eight of Pound’s incomparable “Cantos.” The prose includes a series of articles and critical pieces, with essays on Imagism, Vorticism, Joyce, and the well-known “Chinese Written Character as a Medium for Poetry.” First time in Penguin Classics Includes generous selections of Pound's poetry, as well as an assortment of prose
Author: Thomas F. Grieve
Publisher:
ISBN:
Category : Literary Criticism
Languages : en
Pages : 248
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Book Description
"Ezra Pound's Early Poetry and Poetics uniquely contributes to an understanding of Ezra Pound's seminal role in literary modernism. The book allows readers to judge more fully the reasons for Pound's influence on the direction twentieth-century poetry has taken. Central to this effort is Grieve's unfolding of Poundian "objectivity" in Pound's early poetry and poetics, which is shown to be not just an attitude toward reality but a self-conscious deconstruction of subjectivity as the privileged ground of poetry. Such a view takes issue with and corrects previous studies that have tended to relegate Pound's early poetry to the simplifications and naivetes of realism or failed romanticism."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
Author: Ira B. Nadel
Publisher: Cambridge University Press
ISBN: 1139462253
Category : Literary Criticism
Languages : en
Pages : 130
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Book Description
Ezra Pound is one of the most visible and influential poets of the twentieth century. He is also one of the most complex, his poetry containing historical and mythical allusions, experiments of form and style and often controversial political views. Yet Pound's life and work continue to fascinate. This Introduction, first published in 2005, is designed to help students reading Pound for the first time. Pound scholar Ira B. Nadel provides a guide to the rich webs of allusion and stylistic borrowings and innovations in Pound's writing. He offers a clear overview of Pound's life, works, contexts and reception history and his multidimensional career as a poet, translator, critic, editor, anthologist and impresario, a career that placed him at the heart of literary modernism. This invaluable and accessible introduction explains the huge contribution Pound made to the development of modernism in the early twentieth century.
Author: Joshua Blu Buhs
Publisher: University of Chicago Press
ISBN: 0226831485
Category : History
Languages : en
Pages : 395
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Book Description
"This book is about Charles Fort, his followers, and the surprising influence they have had on science fiction, the avant-garde, UFOlogy, and more broadly on the role of spirituality and conspiracy in the modern world. Fort was an author and maverick philosopher who wrote four non-fiction books about anomalies-rains of frogs, mysterious disappearances, unexplained lights in the sky-for which he offered hypotheses that even he did not (always) accept as true. His books developed into a monistic philosophy that denounced science as a machine for generating truth. In his view, science was a small part of a larger system in which truth and falsity were constantly transforming one into the other. This was not a rejection of the modern world but, instead, its fulfillment: Fort prophesied the next stage in intellectual evolution after the scientific era. He inspired four overlapping groups: members of the Fortean Society; science fiction fans and writers; avant-garde artists; and flying saucer enthusiasts. First We Must Think to New Worlds takes up each of these groups in turn to ask: How can the human imagination be expanded? What is the fundamental structure of the universe? And, how does power move? As they developed their responses, Fort's followers mixed Forteanism with Fundamentalism, New Agery, and conspiracy, as well as a host of other forms of modern enchantments, such as the ironic imagination, scientific wonder, and Theosophical syncretism. Each chapter is interrupted by and concludes with shorter sections that focus on particular Forteans or Fortean events as a way to deepen themes"--
Author: Francesca Mackenney
Publisher: Cambridge University Press
ISBN: 1009084089
Category : Literary Criticism
Languages : en
Pages : 255
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Book Description
In the long nineteenth century, scientists discovered striking similarities between how birds learn to sing and how children learn to speak. Tracing the 'science of birdsong' as it developed from the 'ingenious' experiments of Daines Barrington to the evolutionary arguments of Charles Darwin, Francesca Mackenney reveals a legacy of thought which informs, and consequently affords fresh insights into, a canonical group of poems about birdsong in the Romantic and Victorian periods. With a particular focus on the writings of Samuel Taylor Coleridge, the Wordsworth siblings, John Clare and Thomas Hardy, her book explores how poets responded to an analogy which challenged definitions of language and therefore of what it means to be human. Drawing together responses to birdsong in science, music and poetry, her distinctive interdisciplinary approach challenges many of the long-standing cultural assumptions which have shaped (and continue to shape) how we respond to other creatures in the Anthropocene.
Author: Vincent B. Sherry
Publisher: New York : Oxford University Press
ISBN: 0195076931
Category : Fascism and literature
Languages : en
Pages : 241
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Book Description
This study examines the relation between the aesthetic convictions and political opinions of the Anglo-American modernists, focusing on the collaboration between Pound and Lewis. It attempts to account for their parallel movements towards the parties of European fascism.
Author: Hélène Aji
Publisher: Presses Paris Sorbonne
ISBN: 9782840503125
Category : American poetry
Languages : en
Pages : 324
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Book Description
