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Author: Claire Jarvis
Publisher: JHU Press
ISBN: 1421419939
Category : Language Arts & Disciplines
Languages : en
Pages : 220
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Book Description
A groundbreaking approach to the Victorian marriage plot. How did realist novelists in the nineteenth and early twentieth centuries hint at sex while maintaining a safe distance from pornography? Metaphors helped: waves, oceans, blooms, and illuminations were all deployed in respectable realist novels to allude to the sexual act, allowing writers to portray companionate marriage while avoiding graphic description. But in Exquisite Masochism, Claire Jarvis argues that some Victorian novelists went even further, pushing formal boundaries by slyly developing scenes of displaced erotic desire to suggest impropriety, perversion, and danger. Through close readings of canonical works by Emily Brontë, Anthony Trollope, Thomas Hardy, and a modernist outlier, D. H. Lawrence, Jarvis reveals how writers’ varied use of specific character types—the dominant woman and the submissive man—in conjunction with decadent, descriptive scenes of sexual refusal creates a strong counter-narrative hinting at relationships beyond patriarchal and companionate marriage structures. By focusing on the exquisitely masochistic pleasure brought about by freezing, or suspending, the sexual charge, and by depicting quasi-contractual states on the periphery of marriage, including engagement, adultery, and widowhood, novelists disrupted the marriage plot’s insistence that erotic drives remain unfulfilled and that sexual connection could be satisfied only by genital act. Complicating our understanding of Victorian marriage ideology’s more well-trodden focus on a productive, nation-building ideal, Exquisite Masochism offers fascinating insight into our own culture’s debates around illicit sexuality, marriage, reproduction, and feminism.
Author: Claire Jarvis
Publisher: JHU Press
ISBN: 1421419939
Category : Language Arts & Disciplines
Languages : en
Pages : 220
Get Book Here
Book Description
A groundbreaking approach to the Victorian marriage plot. How did realist novelists in the nineteenth and early twentieth centuries hint at sex while maintaining a safe distance from pornography? Metaphors helped: waves, oceans, blooms, and illuminations were all deployed in respectable realist novels to allude to the sexual act, allowing writers to portray companionate marriage while avoiding graphic description. But in Exquisite Masochism, Claire Jarvis argues that some Victorian novelists went even further, pushing formal boundaries by slyly developing scenes of displaced erotic desire to suggest impropriety, perversion, and danger. Through close readings of canonical works by Emily Brontë, Anthony Trollope, Thomas Hardy, and a modernist outlier, D. H. Lawrence, Jarvis reveals how writers’ varied use of specific character types—the dominant woman and the submissive man—in conjunction with decadent, descriptive scenes of sexual refusal creates a strong counter-narrative hinting at relationships beyond patriarchal and companionate marriage structures. By focusing on the exquisitely masochistic pleasure brought about by freezing, or suspending, the sexual charge, and by depicting quasi-contractual states on the periphery of marriage, including engagement, adultery, and widowhood, novelists disrupted the marriage plot’s insistence that erotic drives remain unfulfilled and that sexual connection could be satisfied only by genital act. Complicating our understanding of Victorian marriage ideology’s more well-trodden focus on a productive, nation-building ideal, Exquisite Masochism offers fascinating insight into our own culture’s debates around illicit sexuality, marriage, reproduction, and feminism.
Author: Cheryl Glickauf-Hughes
Publisher: Jason Aronson
ISBN:
Category : Medical
Languages : en
Pages : 296
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Book Description
Rather, masochism is viewed as a self-defeating way of loving and individuating that reflects a pathology of object relations.
Author: Andrew Mangham
Publisher: Cambridge University Press
ISBN: 1108356354
Category : Literary Criticism
Languages : en
Pages : 271
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Book Description
Offering an authoritative account of the relationship between literature and medicine between approximately 1800 and 1900, this volume brings together leading scholars in the field to provide a valuable overview of how two dynamic fields influenced and shaped each during a period of revolutionary change. During the nineteenth century, medicine was being redefined as a subject in which experimental methodologies could transform the healing art, and was simultaneously branching off into new specialisms and subdivisions. Questions addressed in this volume include the influence of physics on poetry, the role of medical professionalism in fiction, the cultural and literary representation of sanitation, and the interdisciplinary nature of controversy and negligence. Along with its sister publication, Literature and Medicine in the Eighteenth Century, this volume offers a major critical overview of the study of literature and medicine.
Author: Daniel Wright
Publisher: JHU Press
ISBN: 1421425173
Category : Language Arts & Disciplines
Languages : en
Pages : 232
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Book Description
Introduction: To give a form to formless things -- Charlotte Bronte's contradictions -- Anthony Trollope's tautologies -- George Eliot's vagueness -- Henry James's generality -- Afterword: Queer fiction and the law
Author: Rachel Feder
Publisher: Quirk Books
ISBN: 1683693582
Category : Literary Criticism
Languages : en
Pages : 241
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Book Description
“A wildly entertaining read.”—The Washington Post What if we've been reading Jane Austen and romantic classics all wrong? A literary scholar offers a funny, brainy, eye-opening take on how our contemporary love stories are actually terrifying. Covering cultural touchstones ranging from Normal People to Taylor Swift and from Lord Byron to The Bachelor, The Darcy Myth is a book for anyone who loves thinking deeply about literature and culture—whether it’s Jane Austen or not. You already know Mr. Darcy—at least you think you do! The brooding, rude, standoffish romantic hero of Pride and Prejudice, Darcy initially insults and ignores the witty heroine, but eventually succumbs to her charms. It’s a classic enemies-to-lovers plot, and one that has profoundly influenced our cultural ideas about courtship. But what if this classic isn’t just a grand romance, but a horror novel about how scary love and marriage can be for women? In The Darcy Myth, literature scholar Rachel Feder unpacks Austen’s Gothic influences and how they’ve led us to a romantic ideal that’s halfway to being a monster story. Why is our culture so obsessed with cruel, indifferent romantic heroes (and sometimes heroines)? How much of that is Darcy’s fault? And, now that we know, what do we do about it?
Author: Jonathan A. Allan
Publisher: Routledge
ISBN: 1351240005
Category : Social Science
Languages : en
Pages : 223
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Book Description
Men, Masculinities, and Popular Romance seeks to open a lively and accessible discussion between critical studies of men and masculinities and popular romance studies, especially its continued interest in what Janice Radway has called "the purity of his maleness." Popular romance novels, perhaps more than any other genre, explore sexuality and gender, creating an ideal space in which to consider and explore theoretical models that think seriously about gender. The romance novel has long been criticized and celebrated by feminist critics. How can these novels maintain, according to some, feminist ideals, while also upholding what Raewyn Connell has long theorized as "hegemonic masculinity"? This volume is an original and important contribution examining the previously underexamined nexus of masculinity and popular romance studies. It will be of key interest to undergraduates and postgraduates in Masculinities, Gender and Women’s Studies, and Literary Studies, and highly relevant to courses in Masculinity Studies, Pop Culture Studies, Queer Studies and Sexuality Studies.
Author: Dora Zhang
Publisher: University of Chicago Press
ISBN: 022672266X
Category : Literary Criticism
Languages : en
Pages : 257
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Book Description
The modern novel, so the story goes, thinks poorly of mere description—what Virginia Woolf called “that ugly, that clumsy, that incongruous tool.” As a result, critics have largely neglected description as a feature of novelistic innovation during the twentieth century. Dora Zhang argues that descriptive practices were in fact a crucial site of attention and experimentation for a number of early modernist writers, centrally Woolf, Henry James, and Marcel Proust. Description is the novelistic technique charged with establishing a common world, but in the early twentieth century, there was little agreement about how a common world could be known and represented. Zhang argues that the protagonists in her study responded by shifting description away from visualizing objects to revealing relations—social, formal, and experiential—between disparate phenomena. In addition to shedding new light on some of the best-known works of modernism, Zhang opens up new ways of thinking about description more broadly. She moves us beyond the classic binary of narrate-or-describe and reinvigorates our thinking about the novel. Strange Likeness will enliven conversations around narrative theory, affect theory, philosophy and literature, and reading practices in the academy.
Author: Joseph Epstein
Publisher: Houghton Mifflin Harcourt
ISBN: 9780618721931
Category : Literary Collections
Languages : en
Pages : 446
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Book Description
Writing as a memoirist, polemicist, literary critic, and amused observer of contemporary culture, the author of "Snobbery" and "Friendship" presents this engaging collection of essays that captures his witty, entertaining responses to the richness and variety of life.
Author: Kathryn Hughes
Publisher: JHU Press
ISBN: 1421448149
Category : Art
Languages : en
Pages : 427
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Book Description
How cat mania exploded in the early twentieth century, transforming cats from pests into beloved pets. In 1900, Britain and America were in the grip of a cat craze. An animal that had for centuries been seen as a household servant or urban nuisance had now become an object of pride and deep affection. From presidential and royal families who imported exotic breeds to working-class men competing for cash prizes for the fattest tabby, people became enthralled to the once-humble cat. Multiple industries sprung up to feed this new obsession, selling everything from veterinary services to leather bootees via dedicated cat magazines. Cats themselves were now traded for increasingly large sums of money, bolstered by elaborate pedigrees that claimed noble ancestry and promised aesthetic distinction. In Catland, Kathryn Hughes chronicles the cat craze of the early twentieth century through the life and career of Louis Wain. Wain's anthropomorphic drawings of cats in top hats falling in love, sipping champagne, golfing, driving cars, and piloting planes are some of the most instantly recognizable images from the era. His round-faced fluffy characters established the prototype for the modern cat, which cat "fanciers" were busily trying to achieve using their newfound knowledge of the latest scientific breeding techniques. Despite being a household name, Wain endured multiple bankruptcies and mental breakdowns, spending his last fifteen years in an asylum, drawing abstract and multicolored felines. But it was his ubiquitous anthropomorphic cats that helped usher the formerly reviled creatures into homes across Europe. Beautifully illustrated and based on new archival findings about Wain's life, the wider cat fancy, and the media frenzy it created, Catland chronicles the fascinating history of how the modern cat emerged.
Author: Kathleen Lubey
Publisher: Stanford University Press
ISBN: 1503633128
Category : Literary Criticism
Languages : en
Pages : 380
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Book Description
What Pornography Knows offers a new history of pornography based on forgotten bawdy fiction of the eighteenth century, its nineteenth-century republication, and its appearance in 1960s paperbacks. Through close textual study, Lubey shows how these texts were edited across time to become what we think pornography is—a genre focused primarily on sex. Originally, they were far more variable, joining speculative philosophy and feminist theory to sexual description. Lubey's readings show that pornography always had a social consciousness—that it knew, long before anti-pornography feminists said it, that women and nonbinary people are disadvantaged by a society that grants sexual privilege to men. Rather than glorify this inequity, Lubey argues, the genre's central task has historically been to expose its artifice and envision social reform. Centering women's bodies, pornography refuses to divert its focus from genital action, forcing readers to connect sex with its social outcomes. Lubey offers a surprising take on a deeply misunderstood cultural form: pornography transforms sexual description into feminist commentary, revealing the genre's deep knowledge of how social inequities are perpetuated as well as its plans for how to rectify them.
