Author: William Walton
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 208

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Author: Belgique. Commissariat général du gouvernement près l'exposition universelle internationale de Paris 1900
Publisher:
ISBN:
Category :
Languages : fr
Pages : 0

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Author: United States. Commission to the Paris Exposition, 1900
Publisher:
ISBN:
Category : Exposition universelle
Languages : en
Pages : 124

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Author:
Publisher:
ISBN:
Category : Art objects
Languages : en
Pages : 206

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Author: United States. Commission to the Paris Exposition
Publisher:
ISBN:
Category : Exposition universelle
Languages : en
Pages : 516

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Author: Oslo (Norway). Comité d'exposition de l'école primaire
Publisher:
ISBN:
Category :
Languages : da
Pages : 56

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Author:
Publisher:
ISBN:
Category :
Languages : en
Pages :

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Author:
Publisher:
ISBN:
Category : Exposition universelle internationale de 1900
Languages : fr
Pages : 23

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Author: James Penny Boyd
Publisher:
ISBN:
Category : Exposition universelle de 1889
Languages : en
Pages : 594

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Author: André|| Saglio
Publisher: Theclassics.Us
ISBN: 9781230247649
Category :
Languages : en
Pages : 30

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Ce livre historique peut contenir de nombreuses coquilles et du texte manquant. Les acheteurs peuvent generalement telecharger une copie gratuite scannee du livre original (sans les coquilles) aupres de l'editeur. Non reference. Non illustre. 1900 edition. Extrait: ...know better. "Into these smaller works, whether the 'Dream of Life'or the 'Cupid and Psyche, ' the sculptor infuses an astonishing amount of passion and sweetness, and reveals a sensuousness of which no one knowing him only by his Hugo or his Calais monument would believe him capable. Herein he displays hot sympathy with the erotic passion; but he proves a love not less deep for the marble, which he caresses into flesh or flowing hair and even voluptuous movement." Naturally, M. Mirbeau can do better than this. "And, as every one knows, the motifs which here develop and expand have been inspired by the inferno of Dante." This is a flat insult offered to the shade of the poet. "Concerning this imposing undertaking, there has been manifested a veritable agitation, increased to still greater proportions by the sight of certain scattered and disquieting fragments. From time to time, in the expositions litres there have appeared little groups, little figures of a strange passion, of a novelty of attitude and expression, of a violent symbolism, which for those with the traditional tastes shocked violently against the stupid and insignificant pretty, --a complete world of suffering and of voluptuousness howling under the lash of the lewd passions, rushing desperately at the nothingness of carnal possession, at the ferocious embraces of damned loves and infamous kisses. The bodies, stamped with the original evil, the evil of living, a prey to the fatality of sorrow, seek each other, pursue each other, clasp each other, penetrate each other, --spasms and bitings, --and fall again exhausted, soiled, vanquished, in that eternal struggle of the human animal against the ideal ungluttable and murderous....