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Author: Richard Taws
Publisher: Penn State Press
ISBN: 0271061898
Category : Art
Languages : en
Pages : 230
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Book Description
In revolutionary France the life of things could not be assured. War, shortage of materials, and frequent changes in political authority meant that few large-scale artworks or permanent monuments to the Revolution’s memory were completed. On the contrary, visual practice in revolutionary France was characterized by the production and circulation of a range of transitional, provisional, ephemeral, and half-made images and objects, from printed paper money, passports, and almanacs to temporary festival installations and relics of the demolished Bastille. Addressing this mass of images conventionally ignored in art history, The Politics of the Provisional contends that they were at the heart of debates on the nature of political authenticity and historical memory during the French Revolution. Thinking about material durability, this book suggests, was one of the key ways in which revolutionaries conceptualized duration, and it was crucial to how they imagined the Revolution’s transformative role in history. The Politics of the Provisional is the first book in the Art History Publication Initiative (AHPI), a collaborative grant from the Andrew W. Mellon Foundation. Thanks to the AHPI grant, this book is available on a variety of popular e-book platforms.
Author: Richard Taws
Publisher: Penn State Press
ISBN: 0271061898
Category : Art
Languages : en
Pages : 230
Get Book Here
Book Description
In revolutionary France the life of things could not be assured. War, shortage of materials, and frequent changes in political authority meant that few large-scale artworks or permanent monuments to the Revolution’s memory were completed. On the contrary, visual practice in revolutionary France was characterized by the production and circulation of a range of transitional, provisional, ephemeral, and half-made images and objects, from printed paper money, passports, and almanacs to temporary festival installations and relics of the demolished Bastille. Addressing this mass of images conventionally ignored in art history, The Politics of the Provisional contends that they were at the heart of debates on the nature of political authenticity and historical memory during the French Revolution. Thinking about material durability, this book suggests, was one of the key ways in which revolutionaries conceptualized duration, and it was crucial to how they imagined the Revolution’s transformative role in history. The Politics of the Provisional is the first book in the Art History Publication Initiative (AHPI), a collaborative grant from the Andrew W. Mellon Foundation. Thanks to the AHPI grant, this book is available on a variety of popular e-book platforms.
Author: Gerald W. R. Ward
Publisher:
ISBN: 0195313917
Category : Art
Languages : en
Pages : 848
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Book Description
"The Grove Encyclopedia of Materials and Techniques deals with all aspects of materials, techniques, conservation, and restoration in both traditional and nontraditional media, including ceramics, sculpture, metalwork, painting, works on paper, textiles, video, digital art, and more. Drawing upon the expansive scholarship in The Dictionary of Art and adding new entries, this work is a comprehensive reference resource for artists, art dealers, collectors, curators, conservators, students, researchers, and scholars." "Similar in design to The Grove Encyclopedia of Decorative Arts, this one-volume reference work contains articles of various lengths in alphabetical order. The shorter, more factual articles are combined with larger, multi-section articles tracing the development of materials and techniques in various geographical locations. The Encyclopedia provides unparalleled scope and depth, and it offers fully updated articles and bibliography as well as over 150 illustrations and color plates." "The Grove Encyclopedia of Materials and Techniques offers scholarly information on materials and techniques in art for anyone who studies, creates, collects, or deals in works of art. The entries are written to be accessible to a wide range of readers, and the work is designed as a reliable and convenient resource covering this essential area in the visual arts."
Author: William H. Schab Gallery
Publisher:
ISBN:
Category : Drawing
Languages : en
Pages : 164
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Book Description
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 460
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Book Description
Author: Yale University. Art Gallery. Associates
Publisher:
ISBN:
Category :
Languages : en
Pages : 68
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Book Description
Author: Metropolitan Museum of Art (New York, N.Y.). Library
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 938
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Book Description
Author: Sterling and Francine Clark Art Institute. Library
Publisher:
ISBN:
Category : Design
Languages : en
Pages : 128
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Book Description
Chiefly the books acquired by Sterling Clark beginning in Paris, 1911. Some 40 illustrations, eight in color, embellish this exhibition catalog. Roeper provides expert commentary. A charming piece of book art at a humble price. Available from Sterling and Francine Clark Art Institute, Museum Shop, 225 South Street, Williamstown, MA 01267. Annotation copyrighted by Book News, Inc., Portland, OR
Author: Alan Wintermute
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 310
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Book Description
Author: William H. Schab Gallery
Publisher:
ISBN:
Category : Drawing, European
Languages : en
Pages : 164
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Book Description
Author: British Museum
Publisher:
ISBN:
Category : Best books
Languages : en
Pages : 1024
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Book Description
