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Author: Matthew Fox-Amato
Publisher: Oxford University Press
ISBN: 0190663952
Category : History
Languages : en
Pages : 420
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Book Description
Within a few years of the introduction of photography into the United States in 1839, slaveholders had already begun commissioning photographic portraits of their slaves. Ex-slaves-turned-abolitionists such as Frederick Douglass had come to see how sitting for a portrait could help them project humanity and dignity amidst northern racism. In the first decade of the medium, enslaved people had begun entering southern daguerreotype studios of their own volition, posing for cameras, and leaving with visual treasures they could keep in their pockets. And, as the Civil War raged, Union soldiers would orchestrate pictures with fugitive slaves that envisioned racial hierarchy as slavery fell. In these ways and others, from the earliest days of the medium to the first moments of emancipation, photography powerfully influenced how bondage and freedom were documented, imagined, and contested. By 1865, it would be difficult for many Americans to look back upon slavery and its fall without thinking of a photograph. Exposing Slavery explores how photography altered and was, in turn, shaped by conflicts over human bondage. Drawing on an original source base that includes hundreds of unpublished and little-studied photographs of slaves, ex-slaves, free African Americans, and abolitionists, as well as written archival materials, it puts visual culture at the center of understanding the experience of late slavery. It assesses how photography helped southerners to defend slavery, enslaved people to shape their social ties, abolitionists to strengthen their movement, and soldiers to pictorially enact interracial society during the Civil War. With diverse goals, these peoples transformed photography from a scientific curiosity into a political tool over only a few decades. This creative first book sheds new light on conflicts over late American slavery, while also revealing a key moment in the relationship between modern visual culture and racialized forms of power and resistance.
Author: Matthew Fox-Amato
Publisher: Oxford University Press
ISBN: 0190663952
Category : History
Languages : en
Pages : 420
Get Book Here
Book Description
Within a few years of the introduction of photography into the United States in 1839, slaveholders had already begun commissioning photographic portraits of their slaves. Ex-slaves-turned-abolitionists such as Frederick Douglass had come to see how sitting for a portrait could help them project humanity and dignity amidst northern racism. In the first decade of the medium, enslaved people had begun entering southern daguerreotype studios of their own volition, posing for cameras, and leaving with visual treasures they could keep in their pockets. And, as the Civil War raged, Union soldiers would orchestrate pictures with fugitive slaves that envisioned racial hierarchy as slavery fell. In these ways and others, from the earliest days of the medium to the first moments of emancipation, photography powerfully influenced how bondage and freedom were documented, imagined, and contested. By 1865, it would be difficult for many Americans to look back upon slavery and its fall without thinking of a photograph. Exposing Slavery explores how photography altered and was, in turn, shaped by conflicts over human bondage. Drawing on an original source base that includes hundreds of unpublished and little-studied photographs of slaves, ex-slaves, free African Americans, and abolitionists, as well as written archival materials, it puts visual culture at the center of understanding the experience of late slavery. It assesses how photography helped southerners to defend slavery, enslaved people to shape their social ties, abolitionists to strengthen their movement, and soldiers to pictorially enact interracial society during the Civil War. With diverse goals, these peoples transformed photography from a scientific curiosity into a political tool over only a few decades. This creative first book sheds new light on conflicts over late American slavery, while also revealing a key moment in the relationship between modern visual culture and racialized forms of power and resistance.
Author: Samuel W. Mitcham
Publisher: Simon and Schuster
ISBN: 1621578771
Category : History
Languages : en
Pages : 242
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Book Description
The Great Lie of the Civil War If you think the Civil War was fought to end slavery, you’ve been duped. In fact, as distinguished military historian Samuel Mitcham argues in his provocative new book, It Wasn’t About Slavery, no political party advocated freeing the slaves in the presidential election of 1860. The Republican Party platform opposed the expansion of slavery to the western states, but it did not embrace abolition. The real cause of the war was a dispute over money and self-determination. Before the Civil War, the South financed most of the federal government—because the federal government was funded by tariffs, which were paid disproportionately by the agricultural South that imported manufactured goods. Yet, most federal government spending and subsidies benefited the North. The South wanted a more limited federal government and lower tariffs—the ideals of Thomas Jefferson—and when the South could not get that, it opted for independence. Lincoln was unprepared when the Southern states seceded, and force was the only way to bring them—and their tariff money—back. That was the real cause of the war. A well-documented and compelling read by a master historian, It Wasn’t About Slavery will change the way you think about Abraham Lincoln, the Emancipation Proclamation, and the cause and legacy of America’s momentous Civil War.
Author: Matthew Fox-Amato
Publisher: Oxford University Press
ISBN: 0190663944
Category : History
Languages : en
Pages : 358
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Book Description
Within a few years of the introduction of photography into the United States in 1839, slaveholders had already begun commissioning photographic portraits of their slaves. Ex-slaves-turned-abolitionists such as Frederick Douglass had come to see how sitting for a portrait could help them project humanity and dignity amidst northern racism. In the first decade of the medium, enslaved people had begun entering southern daguerreotype studios of their own volition, posing for cameras, and leaving with visual treasures they could keep in their pockets. And, as the Civil War raged, Union soldiers would orchestrate pictures with fugitive slaves that envisioned racial hierarchy as slavery fell. In these ways and others, from the earliest days of the medium to the first moments of emancipation, photography powerfully influenced how bondage and freedom were documented, imagined, and contested. By 1865, it would be difficult for many Americans to look back upon slavery and its fall without thinking of a photograph. Exposing Slavery explores how photography altered and was, in turn, shaped by conflicts over human bondage. Drawing on an original source base that includes hundreds of unpublished and little-studied photographs of slaves, ex-slaves, free African Americans, and abolitionists, as well as written archival materials, it puts visual culture at the center of understanding the experience of late slavery. It assesses how photography helped southerners to defend slavery, enslaved people to shape their social ties, abolitionists to strengthen their movement, and soldiers to pictorially enact interracial society during the Civil War. With diverse goals, these peoples transformed photography from a scientific curiosity into a political tool over only a few decades. This creative first book sheds new light on conflicts over late American slavery, while also revealing a key moment in the relationship between modern visual culture and racialized forms of power and resistance.
Author: Craig Steven Wilder
Publisher: Bloomsbury Publishing USA
ISBN: 1608194027
Category : History
Languages : en
Pages : 433
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Book Description
A leading African-American historian of race in America exposes the uncomfortable truths about race, slavery and the American academy, revealing that our leading universities, dependent on human bondage, became breeding grounds for the racist ideas that sustained it.
Author: Dillon Burroughs
Publisher: New Hope Publishers
ISBN: 1596697776
Category : Religion
Languages : en
Pages : 222
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Book Description
Slavery still exists--here. Tens of millions of humans live in bondage worldwide, tens of thousands in the US. As seen recently on Fox News, Dillon Burroughs and Charles Powell bring awareness about what’s happening in our nation and world. The book and DVD teach about: - Human trafficking - Sexual exploitation - Forced labor - Agricultural slavery Not in My Town answers questions and promotes discussion about the slavery system that crisscrosses Atlanta, Orlando, Las Vegas, New York, California, Texas, North Carolina, Haiti, Amsterdam, India, Cambodia, and beyond. The authors’ gripping journey shocks but also motivates and provides resources to equip new generations of abolitionists from all corners of society and diverse worldviews who share the common call to stop injustice.
Author: E. Benjamin Skinner
Publisher: Simon and Schuster
ISBN: 0743290089
Category : History
Languages : en
Pages : 341
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Book Description
Based on four years of research in over a dozen countries across the globe, journalist Skinner provides a shocking expos of the inner workings of the modern-day slave trade. Maps.
Author: Margaret Ellen Newell
Publisher: Cornell University Press
ISBN: 0801456479
Category : History
Languages : en
Pages : 432
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Book Description
In Brethren by Nature, Margaret Ellen Newell reveals a little-known aspect of American history: English colonists in New England enslaved thousands of Indians. Massachusetts became the first English colony to legalize slavery in 1641, and the colonists' desire for slaves shaped the major New England Indian wars, including the Pequot War of 1637, King Philip's War of 1675–76, and the northeastern Wabanaki conflicts of 1676–1749. When the wartime conquest of Indians ceased, New Englanders turned to the courts to get control of their labor, or imported Indians from Florida and the Carolinas, or simply claimed free Indians as slaves.Drawing on letters, diaries, newspapers, and court records, Newell recovers the slaves' own stories and shows how they influenced New England society in crucial ways. Indians lived in English homes, raised English children, and manned colonial armies, farms, and fleets, exposing their captors to Native religion, foods, and technology. Some achieved freedom and power in this new colonial culture, but others experienced violence, surveillance, and family separations. Newell also explains how slavery linked the fate of Africans and Indians. The trade in Indian captives connected New England to Caribbean and Atlantic slave economies. Indians labored on sugar plantations in Jamaica, tended fields in the Azores, and rowed English naval galleys in Tangier. Indian slaves outnumbered Africans within New England before 1700, but the balance soon shifted. Fearful of the growing African population, local governments stripped Indian and African servants and slaves of legal rights and personal freedoms. Nevertheless, because Indians remained a significant part of the slave population, the New England colonies did not adopt all of the rigid racial laws typical of slave societies in Virginia and Barbados. Newell finds that second- and third-generation Indian slaves fought their enslavement and claimed citizenship in cases that had implications for all enslaved peoples in eighteenth-century America.
Author: Emily Kenway
Publisher: Pluto Press (UK)
ISBN: 9780745341224
Category :
Languages : en
Pages : 192
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Book Description
In 2017, over 5,000 victims of slavery were found in the UK, and their numbers are rising each year. From men working in Sports Direct warehouses for no pay, to the teenage Vietnamese girls trafficked into small town nail bars, modern slavery is all around us, operating in plain sight.But is this really slavery, and is it even a new phenomenon? Why has the British Conservative Party called it 'one of the great human rights issues of our time', when they usually ignore the exploitation of those at the bottom of the economic pile? The Truth About Modern Slavery reveals how these workers are being used as pawns in a political game. In order to create the 'hostile environment' towards immigrants in Britain, the state has to appear to be moral; identifying 'slaves' amidst a sea of other vulnerable workers allows them to divide and conquer.Blaming the media's complicity, rich philanthropists' opportunism and even the Labour Party's silence on the subject, The Truth About Modern Slavery is the first book to challenge the conventional narratives on modern slavery.
Author: Helena Woodard
Publisher: Univ. Press of Mississippi
ISBN: 1496824199
Category : Social Science
Languages : en
Pages : 191
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Book Description
At Senegal’s House of Slaves, Barack Obama’s presidential visit renewed debate about authenticity, belonging, and the myth of return—not only for the president, but also for the slave fort itself. At the African Burial Ground National Monument in New York, up to ten thousand slave decedents lie buried beneath the area around Wall Street, which some of them helped to build and maintain. Their likely descendants, whose activism produced the monument located at that burial site, now occupy its margins. The Bench by the Road slave memorial at Sullivan’s Isle near Charleston reflects the region’s centrality in slavery’s legacy, a legacy made explicit when the murder of nine black parishioners by a white supremacist led to the removal of the Confederate flag from the state’s capitol grounds. Helena Woodard considers whether the historical slave sites that have been commemorated in the global community represent significant progress for the black community or are simply an unforgiving mirror of the present. In Slave Sites on Display: Reflecting Slavery’s Legacy through Contemporary “Flash” Moments, Woodard examines how select modern-day slave sites can be understood as contemporary “flash” moments: specific circumstances and/or seminal events that bind the past to the present. Woodard exposes the complex connections between these slave sites and the impact of race and slavery today. Though they differ from one another, all of these sites are displayed as slave memorials or monuments and function as high-profile tourist attractions. They interpret a story about the history of Atlantic slavery relative to the lived experiences of the diaspora slave descendants that organize and visit the sites.
Author: Mary Grabar
Publisher: Simon and Schuster
ISBN: 1684512115
Category : History
Languages : en
Pages : 338
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Book Description
It’s the New “Big Lie” According the New York Times’s “1619 Project,” America was not founded in 1776, with a declaration of freedom and independence, but in 1619 with the introduction of African slavery into the New World. Ever since then, the “1619 Project” argues, American history has been one long sordid tale of systemic racism. Celebrated historians have debunked this, more than two hundred years of American literature disproves it, parents know it to be false, and yet it is being promoted across America as an integral part of grade school curricula and unquestionable orthodoxy on college campuses. The “1619 Project” is not just bad history, it is a danger to our national life, replacing the idea, goal, and reality of American unity with race-based obsessions that we have seen play out in violence, riots, and the destruction of American monuments—not to mention the wholesale rewriting of America’s historical and cultural past. In her new book, Debunking the 1619 Project, scholar Mary Grabar, shows, in dramatic fashion, just how full of flat-out lies, distortions, and noxious propaganda the “1619 Project” really is. It is essential reading for every concerned parent, citizen, school board member, and policymaker.
