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Author: Jonathan Coe
Publisher: Houghton Mifflin Harcourt
ISBN: 054434376X
Category : Fiction
Languages : en
Pages : 291
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Book Description
An English public employee becomes embroiled in a Soviet plot while he oversees the construction of an authentic British pub being showcased at the 1958 World's Fair in Brussels.
Author: Jonathan Coe
Publisher: Houghton Mifflin Harcourt
ISBN: 054434376X
Category : Fiction
Languages : en
Pages : 291
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Book Description
An English public employee becomes embroiled in a Soviet plot while he oversees the construction of an authentic British pub being showcased at the 1958 World's Fair in Brussels.
Author: Gonzague Pluvinage
Publisher: Lannoo Uitgeverij
ISBN: 9782873865412
Category : Architecture
Languages : en
Pages : 216
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Book Description
The Atomium in Brussels is one of the tourist highlights of Belgium and was built specifically for the World Expo in 1958. Nearly 15,000 workers spent three years building the 2 km2 site, found on the Heysel plateau, seven kilometres northwest of Brussels. The site is best known for a giant model of a unit cell of an iron crystal (each sphere representing an atom), called the Atomium, which decades later remains one of the best known landmarks of Brussels. The 1958 Expo could be said to be a reflection of a changing society and of the economical, technical and social advances towards modernity that paved the way for the age of prosperity the Western World experienced in the sixties. The Expo ran for 6 months and was visited by over 42 million people. The exhibition features archived documents, such as the plans of the 1958 Expo, typical fifties objects, films of the time showing what was going on in the aisles of the Expo, several scale models including the Civil Engineering Arrow and the Place de Brouckère information centre, which transport the visitor back to the world of 58 and the spectacle of this unique event. As a symbol of these years of optimism, Expo 58 left an idyllic picture to the Belgians of a period of hope and utopia that can be discovered or rediscovered through the exhibition. SELLING POINTS: *Celebrating its 50th anniversary this year, Expo 58 is due to be featured in an exhibition taking place in the Atomium in Brussels. This lavishly illustrated book is the official catalogue that accompanies it *A fascinating look at a period of revolution in many areas of society, this book is perfect for those who wish to be transported to an age of excitement and fresh ideas, as well as those who can remember the fair itself and the anticipation that preceded it 100 b/w + 90 colour illustrations
Author: Rika Devos
Publisher: Routledge
ISBN: 1317179102
Category : Architecture
Languages : en
Pages : 329
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Book Description
This book investigates architecture as a form of diplomacy in the context of the Second World War at six major European international and national expositions that took place between 1937 and 1959. The volume gives a fascinating account of architecture assuming the role of the carrier of war-related messages, some of them camouflaged while others quite frank. The famous standoffs between the Stalinist Russia and the Nazi Germany in Paris 1937, or the juxtaposition of the USSR and USA pavilions in Brussels 1958, are examples of very explicit shows of force. The book also discusses some less known - and more subtle - messages, revealed through an examination of several additional pavilions in both Paris and Brussels; of a series of expositions in Moscow; of the Universal Exhibition in Rome that was planned to open in 1942; and of London’s South Bank Exposition of 1951: all of them related, in one way or another, to either an anticipation of the global war or to its horrific aftermaths. A brief discussion of three pre-World War II American expositions that are reviewed in the Epilogue supports this point. It indicates a significant difference in the attitude of American exposition commissioners, who were less attuned to the looming war than their European counterparts. The book provides a novel assessment of modern architecture’s involvement with national representation. Whether in the service of Fascist Italy or of Imperial Japan, of Republican Spain or of the post-war Franquista regime, of the French Popular Front or of socialist Yugoslavia, of the arising FRG or of capitalist USA, of Stalinist Russia or of post-colonial Britain, exposition architecture during the period in question was driven by a deep faith in its ability to represent ideology. The book argues that this widespread confidence in architecture’s ability to act as a propaganda tool was one of the reasons why Modernist architecture lent itself to the service of such different masters.
Author: Gaia Caramellino
Publisher: Leuven University Press
ISBN: 9462701822
Category : Architecture
Languages : en
Pages : 329
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Book Description
Throughout the twentieth century housing displays have proven to be a singular genre of architectural and design exhibitions. By crossing geographies and adopting multiple scales of observation – from domestic space to urban visions – this volume investigates a set of unexplored events devoted to housing and dwelling, organised by technical, professional, cultural or governmental institutions from the interwar years to the Cold War. The book offers a first critical assessment of twentieth-century housing exhibits and explores the role of exhibitions in the codification of notions of domesticity, social models, policies, and architectural and urban discourse. At the intersection of housing studies and the history of exhibitions, The Housing Project not only offers a novel angle on architectural history but also enriches scholarly perspectives in urban studies, cultural and media history, design, and consumption studies. This publication is GPRC-labeled (Guaranteed Peer-Reviewed Content). Contributors: Tamara Bjažić Klarin, Gaia Caramellino, John Crosse, Stéphanie Dadour, Rika Devos, Fredie Floré, Johanna Hartmann, Erin McKellar, Laetitia Overney, José Parra-Martínez, Mathilde Simonsen Dahl, Eva Storgaard, Ludovica Vacirca
Author: Jonathan Coe
Publisher: Europa Editions
ISBN: 1609457935
Category : Fiction
Languages : en
Pages : 213
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Book Description
A NEW YORK TIMES EDITORS’ CHOICE FROM THE AWARD-WINNING AUTHOR OF THE ROTTERS’ CLUB AND MIDDLE ENGLAND In the heady summer of 1977, a naïve young woman called Calista sets out from Athens to venture into the wider world. On a Greek island that has been turned into a film set, she finds herself working for the famed Hollywood director Billy Wilder, about whom she knows almost nothing. But the time she spends in this glamorous, unfamiliar new life will change her for good. While Calista is thrilled with her new adventure, Wilder himself is living with the realization that his star may be on the wane. Rebuffed by Hollywood, he has financed his new film with German money, and when Calista follows him to Munich for the shooting of further scenes, she finds herself joining him on a journey of memory into the dark heart of his family history. In a novel that is at once a tender coming-of-age story and an intimate portrait of one of cinema’s most intriguing figures, Jonathan Coe turns his gaze on the nature of time and fame, of family and the treacherous lure of nostalgia. When the world is catapulting towards change, do you hold on for dear life or decide it's time to let go? “Outstanding... In a sense, the novel toward which Coe’s fiction has always been heading.”—Los Angeles Review of Books
Author: Anthony Chibbaro
Publisher: Arcadia Publishing
ISBN: 9780738506821
Category : History
Languages : en
Pages : 132
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Book Description
From December 1901 to May 1902, the City of Charleston, South Carolina, hosted the only world's fair ever held on Palmetto State soil. Officially known as the South Carolina Interstate and West Indian Exposition, or more commonly as the Charleston Exposition, the event was eagerly anticipated by Charlestonians in hopes that it would boost business ad industry. Even an unusually cold winter could not deter the 675,000 people who visited this landmark celebration in South Carolina history. With the arrival of the Exposition's 100th anniversary, a renewed interest has been sparked in the story that surrounds it. People from all over the country flocked to the Charleston Exposition to tour the detailed building erected in what is now known as Hampton Park. Appearances from President Theodore Roosevelt and author Samuel Clemens; shows with Jim Key, the famous intelligent horse; and the display of the Liberty Bell, on loan from Philadelphia, were just a few of the highlights that enticed visitors to come to South Carolina's Lowcountry. Readers of The Charleston Exposition will experience this almost forgotten event, from its conception, through its planning and construction, to the fair's arrival and completion.
Author: Stefanie Pukallus
Publisher: Springer
ISBN: 3030032671
Category : History
Languages : en
Pages : 330
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Book Description
This book argues that early European Commission officials envisaged an integrated civil Europe from the outset. Largely overlooked is the fact that between 1951 and 1972 there was a group of European Commission (and before that the High Authority) officials who wished to build a Civil Europe to sit alongside an economic and political Europe. This Civil Europe was, it was hoped, to become home to a European citizenry equipped with a European civil consciousness that complemented their national and local loyalties. To this end these officials pioneered a series of civil initiatives designed to begin the process of building Civil Europe. This book analyses three such civil initiatives: the building of the first European School, the European Community’s participation in Expo 58 and the production of the European Community’s own documentaries. From the start Europe was designed and conceived of in terms of a European general civil public and not solely in terms dictated by economic and political interests.
Author: Jonathan Coe
Publisher:
ISBN: 9780140252972
Category :
Languages : en
Pages : 27
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Book Description
Author: Jan Zofka
Publisher: Taylor & Francis
ISBN: 1000883132
Category : History
Languages : en
Pages : 284
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Book Description
This volume examines relations between the People’s Republic of China (PRC) and socialist Eastern European states during the Cold War. The chapters take previous findings on government policy and China’s role as a global player in the Cold War game as a starting point to locate the PRC in the socialist world and assess levels of interaction beyond diplomatic and governmental relations. By focusing on transfers and interconnections and the social dimension of governmental interactions, the primary goal of this book is to explore structures, institutions, and spaces of interaction between China and Eastern Europe and their potential autonomy from political conjunctures. The guiding question that the book raises is: To what extent did Chinese and Eastern European players, outside the range of the power centres, have room to manoeuvre beyond the agendas of the Kremlin, national governments, or party leaderships? The question of the relative autonomy becomes especially vibrant against the backdrop of the development of Sino–Soviet relations from alliance to split to reconciliation through the Cold War era. This book contributes to the growing scholarship on East-South and intra-bloc relations from the perspective of global and transnational history and will be of interest to researchers, students and policy makers in the fields of History, East European and Russian studies, International Relations and politics. The chapters in this book were originally published as a special issue of Cold War History.
Author: Karen Fiss
Publisher: University of Chicago Press
ISBN: 0226252019
Category : Architecture
Languages : en
Pages : 297
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Book Description
Franco-German cultural exchange reached its height at the 1937 Paris World’s Fair, where the Third Reich worked to promote an illusion of friendship between the two countries. Through the prism of this decisive event, Grand Illusion examines the overlooked relationships among Nazi elites and French intellectuals. Their interaction, Karen Fiss argues, profoundly influenced cultural production and normalized aspects of fascist ideology in 1930s France, laying the groundwork for the country’s eventual collaboration with its German occupiers. Tracing related developments across fine arts, film, architecture, and mass pageantry, Fiss illuminates the role of National Socialist propaganda in the French decision to ignore Hitler’s war preparations and pursue an untenable policy of appeasement. France’s receptiveness toward Nazi culture, Fiss contends, was rooted in its troubled identity and deep-seated insecurities. With their government in crisis, French intellectuals from both the left and the right demanded a new national culture that could rival those of the totalitarian states. By examining how this cultural exchange shifted toward political collaboration, Grand Illusion casts new light on the power of art to influence history.
