Exploring the History, Art and Music of the Holy Roman Empire

Exploring the History, Art and Music of the Holy Roman Empire PDF Author: Roman Friedrich
Publisher: Createspace Independent Publishing Platform
ISBN: 9781981894000
Category :
Languages : en
Pages : 170

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Book Description
The book is about exploring the history, art and music from London, Prague, Vienna, Salzburg, Budapest and Amsterdam during a 2017 trip. It focuses on the role played by these cities in the history of the Holy Roman Empire.

Exploring the History, Art and Music of the Holy Roman Empire

Exploring the History, Art and Music of the Holy Roman Empire PDF Author: Roman Friedrich
Publisher: Createspace Independent Publishing Platform
ISBN: 9781981894000
Category :
Languages : en
Pages : 170

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Book Description
The book is about exploring the history, art and music from London, Prague, Vienna, Salzburg, Budapest and Amsterdam during a 2017 trip. It focuses on the role played by these cities in the history of the Holy Roman Empire.

Sacred Music as Public Image for Holy Roman Emperor Ferdinand III

Sacred Music as Public Image for Holy Roman Emperor Ferdinand III PDF Author: Andrew H. Weaver
Publisher: Routledge
ISBN: 1317060288
Category : Music
Languages : en
Pages : 348

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Book Description
Ferdinand III played a crucial role both in helping to end the Thirty Years' War and in re-establishing Habsburg sovereignty within his hereditary lands, and yet he remains one of the most neglected of all Habsburg emperors. The underlying premise of Sacred Music as Public Image for Holy Roman Emperor Ferdinand III is that Ferdinand's accomplishments came not through diplomacy or strong leadership but primarily through a skillful manipulation of the arts, through which he communicated important messages to his subjects and secured their allegiance to the Catholic Church. An important locus for cultural activity at court, especially as related to the Habsburgs' political power, was the Emperor's public image. Ferdinand III offers a fascinating case study in monarchical representation, for the war necessitated that he revise the image he had cultivated at the beginning of his reign, that of a powerful, victorious warrior. Weaver argues that by focusing on the patronage of sacred music (rather than the more traditional visual and theatrical means of representation), Ferdinand III was able to uphold his reputation as a pious Catholic reformer and subtly revise his triumphant martial image without sacrificing his power, while also achieving his Counter-Reformation goal of unifying his hereditary lands under the Catholic church. Drawing upon recent methodological approaches to the representation of other early modern monarchs, as well as upon the theory of confessionalization, this book places the sacred vocal music composed by imperial musicians into the rich cultural, political, and religious contexts of mid-seventeenth-century Central Europe. The book incorporates dramatic productions such as opera, oratorio, and Jesuit drama (as well as works in other media), but the primary focus is the more numerous and more frequently performed Latin-texted paraliturgical genre of the motet, which has generally not been considered by scholars as a vehicle for monarchical representation. By examining the representation of this little-studied emperor during a crucial time in European history, this book opens a window into the unique world view of the Habsburgs, allowing for a previously untold narrative of the end of the Thirty Years' War as seen through the eyes of this important ruling family.

Sacred Music as Public Image for Holy Roman Emperor Ferdinand III

Sacred Music as Public Image for Holy Roman Emperor Ferdinand III PDF Author: Andrew H. Weaver
Publisher: Routledge
ISBN: 131706027X
Category : Music
Languages : en
Pages : 352

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Book Description
Ferdinand III played a crucial role both in helping to end the Thirty Years' War and in re-establishing Habsburg sovereignty within his hereditary lands, and yet he remains one of the most neglected of all Habsburg emperors. The underlying premise of Sacred Music as Public Image for Holy Roman Emperor Ferdinand III is that Ferdinand's accomplishments came not through diplomacy or strong leadership but primarily through a skillful manipulation of the arts, through which he communicated important messages to his subjects and secured their allegiance to the Catholic Church. An important locus for cultural activity at court, especially as related to the Habsburgs' political power, was the Emperor's public image. Ferdinand III offers a fascinating case study in monarchical representation, for the war necessitated that he revise the image he had cultivated at the beginning of his reign, that of a powerful, victorious warrior. Weaver argues that by focusing on the patronage of sacred music (rather than the more traditional visual and theatrical means of representation), Ferdinand III was able to uphold his reputation as a pious Catholic reformer and subtly revise his triumphant martial image without sacrificing his power, while also achieving his Counter-Reformation goal of unifying his hereditary lands under the Catholic church. Drawing upon recent methodological approaches to the representation of other early modern monarchs, as well as upon the theory of confessionalization, this book places the sacred vocal music composed by imperial musicians into the rich cultural, political, and religious contexts of mid-seventeenth-century Central Europe. The book incorporates dramatic productions such as opera, oratorio, and Jesuit drama (as well as works in other media), but the primary focus is the more numerous and more frequently performed Latin-texted paraliturgical genre of the motet, which has generally not been considered by scholars as a vehicle for monarchical representation. By examining the representation of this little-studied emperor during a crucial time in European history, this book opens a window into the unique world view of the Habsburgs, allowing for a previously untold narrative of the end of the Thirty Years' War as seen through the eyes of this important ruling family.

Early Printed Music and Material Culture in Central and Western Europe

Early Printed Music and Material Culture in Central and Western Europe PDF Author: Andrea Lindmayr-Brandl
Publisher:
ISBN: 9781032000640
Category :
Languages : en
Pages :

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Book Description


Music and Philosophy in the Roman Empire

Music and Philosophy in the Roman Empire PDF Author: Francesco Pelosi
Publisher: Cambridge University Press
ISBN: 110883227X
Category : Art
Languages : en
Pages : 369

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Book Description
Explores the philosophical import and use of musical notions in crucial moments and authors of the Roman Imperial period.

Representing History, 900-1300

Representing History, 900-1300 PDF Author: Robert Allan Maxwell
Publisher: Penn State Press
ISBN: 0271036362
Category : Art
Languages : en
Pages : 290

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Book Description
"Brings together the disciplines of art, music, and history to explore the importance of the past to conceptions of the present in the central Middle Ages"--Provided by publisher.

Heart of Europe

Heart of Europe PDF Author: Peter H. Wilson
Publisher: Harvard University Press
ISBN: 0674058097
Category : History
Languages : en
Pages : 1025

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Book Description
An Economist and Sunday Times Best Book of the Year “Deserves to be hailed as a magnum opus.” —Tom Holland, The Telegraph “Ambitious...seeks to rehabilitate the Holy Roman Empire’s reputation by re-examining its place within the larger sweep of European history...Succeeds splendidly in rescuing the empire from its critics.” —Wall Street Journal Massive, ancient, and powerful, the Holy Roman Empire formed the heart of Europe from its founding by Charlemagne to its destruction by Napoleon a millennium later. An engine for inventions and ideas, with no fixed capital and no common language or culture, it derived its legitimacy from the ideal of a unified Christian civilization—though this did not prevent emperors from clashing with the pope for supremacy. In this strikingly ambitious book, Peter H. Wilson explains how the Holy Roman Empire worked, why it was so important, and how it changed over the course of its existence. The result is a tour de force that raises countless questions about the nature of political and military power and the legacy of its offspring, from Nazi Germany to the European Union. “Engrossing...Wilson is to be congratulated on writing the only English-language work that deals with the empire from start to finish...A book that is relevant to our own times.” —Brendan Simms, The Times “The culmination of a lifetime of research and thought...an astonishing scholarly achievement.” —The Spectator “Remarkable...Wilson has set himself a staggering task, but it is one at which he succeeds heroically.” —Times Literary Supplement

Imperial Splendor

Imperial Splendor PDF Author: Jeffrey F. Hamburger
Publisher: Giles
ISBN: 9781911282860
Category : Antiques & Collectibles
Languages : en
Pages : 216

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Book Description
A highly-illustrated history and survey of centers of book production and use within the Holy Roman Empire over the course of seven hundred years.

A History of Early Sacred Music

A History of Early Sacred Music PDF Author: Carol B. Reynolds
Publisher:
ISBN: 9780981999050
Category :
Languages : en
Pages : 156

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Book Description
Primary text for Professor Carol's multi-media course.This history of early sacred music and the forces that shaped it takes you deep into Old Testament times, ancient Greece and Rome, Medieval kings and conquests, and the establishment of Christianity in the Western World.

Sacred Music as Public Image for Holy Roman Emperor Ferdinand III

Sacred Music as Public Image for Holy Roman Emperor Ferdinand III PDF Author: Andrew H. Weaver
Publisher: Ashgate Publishing, Ltd.
ISBN: 9781409421191
Category : Music
Languages : en
Pages : 352

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Book Description
Ferdinand III played a crucial role both in helping to end the Thirty Years' War and in re-establishing Habsburg sovereignty within his hereditary lands. Ferdinand's accomplishments came not through diplomacy or strong leadership but through a skillful manipulation of the arts. Drawing upon recent methodological approaches to the representation of other early modern monarchs as well as upon the theory of confessionalization, Andrew Weaver places the sacred vocal music composed by imperial musicians into the rich cultural, political, and religious contexts of mid-seventeenth-century Central Europe.