Author: Mary E. McGann
Publisher: Liturgical Press
ISBN: 9780814628249
Category : Music
Languages : en
Pages : 88
Book Description
Exploring Music as Worship and Theology invites greater attention to the diverse cultural music emerging in our Christian assemblies and underscores the need for more dialogue between our theories of liturgy-music and the actual practice of local communities."--BOOK JACKET.
Exploring Music as Worship and Theology
Author: Mary E. McGann
Publisher: Liturgical Press
ISBN: 9780814628249
Category : Music
Languages : en
Pages : 88
Book Description
Exploring Music as Worship and Theology invites greater attention to the diverse cultural music emerging in our Christian assemblies and underscores the need for more dialogue between our theories of liturgy-music and the actual practice of local communities."--BOOK JACKET.
Publisher: Liturgical Press
ISBN: 9780814628249
Category : Music
Languages : en
Pages : 88
Book Description
Exploring Music as Worship and Theology invites greater attention to the diverse cultural music emerging in our Christian assemblies and underscores the need for more dialogue between our theories of liturgy-music and the actual practice of local communities."--BOOK JACKET.
The Spirit of Praise
Author: Monique M. Ingalls
Publisher: Penn State Press
ISBN: 0271070641
Category : Religion
Languages : en
Pages : 286
Book Description
In The Spirit of Praise, Monique Ingalls and Amos Yong bring together a multidisciplinary, scholarly exploration of music and worship in global pentecostal-charismatic Christianity at the beginning of the twenty-first century. The Spirit of Praise contends that gaining a full understanding of this influential religious movement requires close listening to its songs and careful attention to its patterns of worship. The essays in this volume place ethnomusicological, theological, historical, and sociological perspectives into dialogue. By engaging with these disciplines and exploring themes of interconnection, interface, and identity within musical and ritual practices, the essays illuminate larger social processes such as globalization, sacralization, and secularization, as well as the role of religion in social and cultural change. Aside from the editors, the contributors are Peter Althouse, Will Boone, Mark Evans, Ryan R. Gladwin, Birgitta J. Johnson, Jean Ngoya Kidula, Miranda Klaver, Andrew Mall, Kimberly Jenkins Marshall, Andrew M. McCoy, Martijn Oosterbaan, Dave Perkins, Wen Reagan, Tanya Riches, Michael Webb, and Michael Wilkinson.
Publisher: Penn State Press
ISBN: 0271070641
Category : Religion
Languages : en
Pages : 286
Book Description
In The Spirit of Praise, Monique Ingalls and Amos Yong bring together a multidisciplinary, scholarly exploration of music and worship in global pentecostal-charismatic Christianity at the beginning of the twenty-first century. The Spirit of Praise contends that gaining a full understanding of this influential religious movement requires close listening to its songs and careful attention to its patterns of worship. The essays in this volume place ethnomusicological, theological, historical, and sociological perspectives into dialogue. By engaging with these disciplines and exploring themes of interconnection, interface, and identity within musical and ritual practices, the essays illuminate larger social processes such as globalization, sacralization, and secularization, as well as the role of religion in social and cultural change. Aside from the editors, the contributors are Peter Althouse, Will Boone, Mark Evans, Ryan R. Gladwin, Birgitta J. Johnson, Jean Ngoya Kidula, Miranda Klaver, Andrew Mall, Kimberly Jenkins Marshall, Andrew M. McCoy, Martijn Oosterbaan, Dave Perkins, Wen Reagan, Tanya Riches, Michael Webb, and Michael Wilkinson.
Exploring Christian Song
Author: M. Jennifer Bloxam
Publisher: Lexington Books
ISBN: 1498549918
Category : Music
Languages : en
Pages : 259
Book Description
This essay collection celebrates the richness of Christian musical tradition across its two thousand year history and across the globe. Opening with a consideration of the fourth-century lamp-lighting hymn Phos hilaron and closing with reflections on contemporary efforts of Ghanaian composers to create Christian worship music in African idioms, the ten contributors engage with a broad ecumenical array of sacred music. Topics encompass Roman Catholic sacred music in medieval and Renaissance Europe, German Lutheran song in the eighteenth century, English hymnody in colonial America, Methodist hymnody adopted by Southern Baptists in the nineteenth century, and Genevan psalmody adapted to respond to the post-war tribulations of the Hungarian Reformed Church. The scope of the volume is further diversified by the inclusion of contemporary Christian topics that address the evangelical methods of a unique Orthodox Christian composer’s language, the shared aims and methods of African-American preaching and gospel music, and the affective didactic power of American evangelical “praise and worship” music. New material on several key composers, including Jacob Obrecht, J.S. Bach, George Philipp Telemann, C.P.E. Bach, Zoltan Kodály, and Arvo Pärt, appears within the book. Taken together, these essays embrace a stimulating variety of interdisciplinary analytical and methodological approaches, drawing on cultural, literary critical, theological, ritual, ethnographical, and media studies. The collection contributes to discussions of spirituality in music and, in particular, to the unifying aspects of Christian sacred music across time, space, and faith traditions. This collection celebrates the fifteenth anniversary of the Society for Christian Scholarship in Music.
Publisher: Lexington Books
ISBN: 1498549918
Category : Music
Languages : en
Pages : 259
Book Description
This essay collection celebrates the richness of Christian musical tradition across its two thousand year history and across the globe. Opening with a consideration of the fourth-century lamp-lighting hymn Phos hilaron and closing with reflections on contemporary efforts of Ghanaian composers to create Christian worship music in African idioms, the ten contributors engage with a broad ecumenical array of sacred music. Topics encompass Roman Catholic sacred music in medieval and Renaissance Europe, German Lutheran song in the eighteenth century, English hymnody in colonial America, Methodist hymnody adopted by Southern Baptists in the nineteenth century, and Genevan psalmody adapted to respond to the post-war tribulations of the Hungarian Reformed Church. The scope of the volume is further diversified by the inclusion of contemporary Christian topics that address the evangelical methods of a unique Orthodox Christian composer’s language, the shared aims and methods of African-American preaching and gospel music, and the affective didactic power of American evangelical “praise and worship” music. New material on several key composers, including Jacob Obrecht, J.S. Bach, George Philipp Telemann, C.P.E. Bach, Zoltan Kodály, and Arvo Pärt, appears within the book. Taken together, these essays embrace a stimulating variety of interdisciplinary analytical and methodological approaches, drawing on cultural, literary critical, theological, ritual, ethnographical, and media studies. The collection contributes to discussions of spirituality in music and, in particular, to the unifying aspects of Christian sacred music across time, space, and faith traditions. This collection celebrates the fifteenth anniversary of the Society for Christian Scholarship in Music.
Resonant Witness
Author: Jeremy S. Begbie
Publisher: Wm. B. Eerdmans Publishing
ISBN: 0802862772
Category : Music
Languages : en
Pages : 506
Book Description
Resonant Witness gathers together a wide, harmonious chorus of voices from across the musical and theological spectrum to show that music and theology can each learn much from the other and that the majesty and power of both are profoundly amplified when they do. With essays touching on J. S. Bach, Hildegard of Bingen, Martin Luther, Karl Barth, Olivier Messiaen, jazz improvisation, South African freedom songs, and more, this volume encourages musicians and theologians to pursue a more fruitful and sustained engagement with one another. What can theology do for music? Resonant Witness helps answer this question with an essential resource in the burgeoning interdisciplinary field of music and theology. Covering an impressively wide range of musical topics, from cosmos to culture and theology to worship, Jeremy Begbie and Steven Guthrie explore and map new territory with incisive contributions from the very best musicians, theologians, and philosophers. Bennett Zon Durham University This volume represents a burst of cross-disciplinary energy and insight that can be celebrated by musicians and theologians, music-lovers and God-lovers alike. John D. Witvliet (from afterword)
Publisher: Wm. B. Eerdmans Publishing
ISBN: 0802862772
Category : Music
Languages : en
Pages : 506
Book Description
Resonant Witness gathers together a wide, harmonious chorus of voices from across the musical and theological spectrum to show that music and theology can each learn much from the other and that the majesty and power of both are profoundly amplified when they do. With essays touching on J. S. Bach, Hildegard of Bingen, Martin Luther, Karl Barth, Olivier Messiaen, jazz improvisation, South African freedom songs, and more, this volume encourages musicians and theologians to pursue a more fruitful and sustained engagement with one another. What can theology do for music? Resonant Witness helps answer this question with an essential resource in the burgeoning interdisciplinary field of music and theology. Covering an impressively wide range of musical topics, from cosmos to culture and theology to worship, Jeremy Begbie and Steven Guthrie explore and map new territory with incisive contributions from the very best musicians, theologians, and philosophers. Bennett Zon Durham University This volume represents a burst of cross-disciplinary energy and insight that can be celebrated by musicians and theologians, music-lovers and God-lovers alike. John D. Witvliet (from afterword)
Music in Christian Worship
Author: Wilma A. Bailey
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 244
Book Description
"A collection of essays from experts (in music, philosophy, theology, and history) who write from the perspective that music for liturgical worship must be approached in an interdisciplinary manner, with attention to faithful theology, musical quality, accessibility to worshipers, and pastoral sensitivity"--Provided by publisher.
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 244
Book Description
"A collection of essays from experts (in music, philosophy, theology, and history) who write from the perspective that music for liturgical worship must be approached in an interdisciplinary manner, with attention to faithful theology, musical quality, accessibility to worshipers, and pastoral sensitivity"--Provided by publisher.
Resounding Truth
Author: Jeremy Begbie
Publisher: Baker Academic
ISBN: 0801026954
Category : Music
Languages : en
Pages : 416
Book Description
A world-renowned scholar and musician helps Christians respond with theological discernment to music.
Publisher: Baker Academic
ISBN: 0801026954
Category : Music
Languages : en
Pages : 416
Book Description
A world-renowned scholar and musician helps Christians respond with theological discernment to music.
Exploring the Worship Spectrum
Author: Zondervan,
Publisher: Zondervan
ISBN: 031086190X
Category : Religion
Languages : en
Pages : 273
Book Description
An exploration of what worship looks like from a biblical standpoint and why the topic of worship can be so contentious among Christians. Because worship is inherently theological--because it's a manifestation of humanity's response to God's holiness--it's important to take seriously how we worship and the roles it serves in personal displays of adoration and in community with other believers. Exploring the Worship Spectrum provides an overview, critique, and celebration of six prominent worship styles: Formal-Liturgical – represented by Paul Zahl Traditional Hymn-Based – represented by Harold Best Contemporary Music-Driven – represented by Joe Horness Charismatic – represented by Don Williams Blended – represented by Robert Webber Emerging – represented by Sally Morgenthaler This unique format allows those with a heart for worship to compare different perspectives and draw their own conclusions on what the Bible teaches. It allows readers to understand the various approaches to worship, carefully evaluate their strengths and weaknesses, and make personal choices without adopting a judgmental spirit. The Counterpoints series presents a comparison and critique of scholarly views on topics important to Christians that are both fair-minded and respectful of the biblical text. Each volume is a one-stop reference that allows readers to evaluate the different positions on a specific issue and form their own, educated opinion.
Publisher: Zondervan
ISBN: 031086190X
Category : Religion
Languages : en
Pages : 273
Book Description
An exploration of what worship looks like from a biblical standpoint and why the topic of worship can be so contentious among Christians. Because worship is inherently theological--because it's a manifestation of humanity's response to God's holiness--it's important to take seriously how we worship and the roles it serves in personal displays of adoration and in community with other believers. Exploring the Worship Spectrum provides an overview, critique, and celebration of six prominent worship styles: Formal-Liturgical – represented by Paul Zahl Traditional Hymn-Based – represented by Harold Best Contemporary Music-Driven – represented by Joe Horness Charismatic – represented by Don Williams Blended – represented by Robert Webber Emerging – represented by Sally Morgenthaler This unique format allows those with a heart for worship to compare different perspectives and draw their own conclusions on what the Bible teaches. It allows readers to understand the various approaches to worship, carefully evaluate their strengths and weaknesses, and make personal choices without adopting a judgmental spirit. The Counterpoints series presents a comparison and critique of scholarly views on topics important to Christians that are both fair-minded and respectful of the biblical text. Each volume is a one-stop reference that allows readers to evaluate the different positions on a specific issue and form their own, educated opinion.
Music, Theology, and Justice
Author: Michael O'Connor
Publisher: Lexington Books
ISBN: 1498538673
Category : Music
Languages : en
Pages : 251
Book Description
Music does not make itself. It is made by people: professionals and amateurs, singers and instrumentalists, composers and publishers, performers and audiences, entrepreneurs and consumers. In turn, making music shapes those who make it—spiritually, emotionally, physically, mentally, socially, politically, economically—for good or ill, harming and healing. This volume considers the social practice of music from a Christian point of view. Using a variety of methodological perspectives, the essays explore the ethical and doctrinal implications of music-making. The reflections are grouped according to the traditional threefold ministry of Christ: prophet, priest, and shepherd: the prophetic role of music, as a means of articulating protest against injustice, offering consolation, and embodying a harmonious order; the pastoral role of music: creating and sustaining community, building peace, fostering harmony with the whole of creation; and the priestly role of music: in service of reconciliation and restoration, for individuals and communities, offering prayers of praise and intercession to God. Using music in priestly, prophetic, and pastoral ways, Christians pray for and rehearse the coming of God’s kingdom—whether in formal worship, social protest, concert performance, interfaith sharing, or peacebuilding. Whereas temperance was of prime importance in relation to the ethics of music from antiquity to the early modern period, justice has become central to contemporary debates. This book seeks to contribute to those debates by means of Christian theological reflection on a wide range of musics: including monastic chant, death metal, protest songs, psalms and worship music, punk rock, musical drama, interfaith choral singing, Sting, and Daft Punk.
Publisher: Lexington Books
ISBN: 1498538673
Category : Music
Languages : en
Pages : 251
Book Description
Music does not make itself. It is made by people: professionals and amateurs, singers and instrumentalists, composers and publishers, performers and audiences, entrepreneurs and consumers. In turn, making music shapes those who make it—spiritually, emotionally, physically, mentally, socially, politically, economically—for good or ill, harming and healing. This volume considers the social practice of music from a Christian point of view. Using a variety of methodological perspectives, the essays explore the ethical and doctrinal implications of music-making. The reflections are grouped according to the traditional threefold ministry of Christ: prophet, priest, and shepherd: the prophetic role of music, as a means of articulating protest against injustice, offering consolation, and embodying a harmonious order; the pastoral role of music: creating and sustaining community, building peace, fostering harmony with the whole of creation; and the priestly role of music: in service of reconciliation and restoration, for individuals and communities, offering prayers of praise and intercession to God. Using music in priestly, prophetic, and pastoral ways, Christians pray for and rehearse the coming of God’s kingdom—whether in formal worship, social protest, concert performance, interfaith sharing, or peacebuilding. Whereas temperance was of prime importance in relation to the ethics of music from antiquity to the early modern period, justice has become central to contemporary debates. This book seeks to contribute to those debates by means of Christian theological reflection on a wide range of musics: including monastic chant, death metal, protest songs, psalms and worship music, punk rock, musical drama, interfaith choral singing, Sting, and Daft Punk.
Worship and the World to Come
Author: Glenn Packiam
Publisher: InterVarsity Press
ISBN: 0830849327
Category : Religion
Languages : en
Pages : 222
Book Description
How is our Christian hope both expressed and experienced in contemporary worship? In this Dynamics of Christian Worship volume, pastor, theologian, and songwriter Glenn Packiam explores what Christians sing about when they sing about hope and what kind of hope they experience when they worship together.
Publisher: InterVarsity Press
ISBN: 0830849327
Category : Religion
Languages : en
Pages : 222
Book Description
How is our Christian hope both expressed and experienced in contemporary worship? In this Dynamics of Christian Worship volume, pastor, theologian, and songwriter Glenn Packiam explores what Christians sing about when they sing about hope and what kind of hope they experience when they worship together.
What Is Worship Music?
Author: Paul S. Jones
Publisher: P & R Publishing
ISBN: 9781596381988
Category : Music
Languages : en
Pages : 43
Book Description
Too much of the debate surrounding different worship styles center on personal music preferences. Paul Jones, respected author on church musicianship and worship, takes one step further back and asks the question 'What is the music for?'. Looking at biblical and historical sources, he builds a structure to help us all understand where we should be directing our energies and attention - and how to increase the value of our worshipful singing.
Publisher: P & R Publishing
ISBN: 9781596381988
Category : Music
Languages : en
Pages : 43
Book Description
Too much of the debate surrounding different worship styles center on personal music preferences. Paul Jones, respected author on church musicianship and worship, takes one step further back and asks the question 'What is the music for?'. Looking at biblical and historical sources, he builds a structure to help us all understand where we should be directing our energies and attention - and how to increase the value of our worshipful singing.