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Author: Kevin Brophy
Publisher: Melbourne Univ. Publishing
ISBN: 9780522850567
Category : Language Arts & Disciplines
Languages : en
Pages : 258
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Book Description
These essays, stories and fragments are about writing. They explore the dilemmas of living as a writer, the subtleties and inspirations of reading as a writer, and the contradictions created when a writer tries to teach others how it is done.
Author: Kevin Brophy
Publisher: Melbourne Univ. Publishing
ISBN: 9780522850567
Category : Language Arts & Disciplines
Languages : en
Pages : 258
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Book Description
These essays, stories and fragments are about writing. They explore the dilemmas of living as a writer, the subtleties and inspirations of reading as a writer, and the contradictions created when a writer tries to teach others how it is done.
Author: Brophy, Kevin
Publisher: Melbourne Univ. Publishing
ISBN: 0522870392
Category : Literary Criticism
Languages : en
Pages :
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Book Description
This set of reflective essays about the writing life examines the poetics and politics of reading as a writer, teaching and learning about writing in an academic or informal setting, and pacing oneself through writing projects. Academic investigations about the medieval concept of the writer and the novelization of the poem accompany more practical discussions about keeping a writer's sketchbook and conducting research. The growth of creative writing programs and the particular role of the artist in Australian society is explored.
Author: Jenny Grosvenor
Publisher: Createspace Independent Publishing Platform
ISBN: 9781719043397
Category :
Languages : en
Pages : 330
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Book Description
Craft matters. Point of view matters-its controlling effect often overlooked in the study of authors' rhetorical choices. This book showcases creative writing from students in the University of Vermont Honors College course, Crafting Point of View, that evolved through experimentation. These writers tackled stylistic imitations of novelists, memoirists, and poets who chose unconventional points of view in their prosaic and poetic story telling: the dialect and direct-address of Celie's letters to God in Alice Walker's The Color Purple; the masterful and inventive manipulation of multiple points of view, sometimes within the same chapter or paragraph, in Lydia Davis's Collected Stories-predominantly "Break It Down"-and Abigail Thomas's Safekeeping; the surreal seemingness of "How to Tell a True War Story" in Tim O'Brien's metafictional The Things They Carried; the ways for means that poets like Maya Angelou, Donald Hall, and Jane Kenyon shift points of view, sometimes to alter the lens on pain; and the utilization of that "say you are...," "imagine this," all-inclusive assumedness of the second-person in Jay McInernay's Bright Lights, Big City and Mark Richard's House of Prayer No. 2. In the explorations that follow each story, essay, poem, or media message, student reflections on the crafting process will enlighten readers about the power and purpose of this often-undervalued element of style in writing: point of view.
Author: Phillips, Richard
Publisher: Policy Press
ISBN: 1447356004
Category : Social Science
Languages : en
Pages : 224
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Book Description
This groundbreaking book brings creative writing to social research. Its innovative format includes creatively written contributions by researchers from a range of disciplines, modelling the techniques outlined by the authors. The book is user-friendly and shows readers: • how to write creatively as a social researcher; • how creative writing can help researchers to work with participants and generate data; • how researchers can use creative writing to analyse data and communicate findings. Inviting beginners and more experienced researchers to explore new ways of writing, this book introduces readers to creatively written research in a variety of formats including plays and poems, videos and comics. It not only gives social researchers permission to write creatively but also shows them how to do so.
Author: Stephanie Vanderslice
Publisher: Bloomsbury Publishing
ISBN: 1474285074
Category : Language Arts & Disciplines
Languages : en
Pages : 256
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Book Description
Revised and updated throughout, this 10th-anniversary edition of Can Creative Writing Really Be Taught? is a significantly expanded guide to key issues and practices in creative writing teaching today. Challenging the myths of creative writing teaching, experienced and up-and-coming teachers explore what works in the classroom and workshop and what does not. Now brought up-to-date with new issues that have emerged with the explosion of creative writing courses in higher education, the new edition includes: · Guides to and case studies of workshop practice · Discussions on grading and the myth of “the easy A” · Explorations of the relationship between reading and writing · A new chapter on creative writing research · A new chapter on games, fan-fiction and genre writing · New chapters on identity and activism
Author: June Olivia Ferrill
Publisher:
ISBN:
Category : Creative writing (Higher education)
Languages : en
Pages : 360
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Book Description
Author: Graeme Harper
Publisher: John Wiley & Sons
ISBN: 1118325842
Category : Education
Languages : en
Pages : 101
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Book Description
This is a compelling look at the current state and future direction of creative writing by a preeminent scholar in the field. Explores the practice of creative writing, its place in the world, and its impact on individuals and communities Considers the process of creative writing as an art form and as a mode of communication Examines how new technology, notably the internet and cell phones, is changing the ways in which creative work is undertaken and produced Addresses such topics as writing as a cultural production, the education of a creative writer, the changing nature of communication, and different attitudes to empowerment
Author: Judith Allnatt
Publisher: HarperCollins UK
ISBN: 0007523009
Category : Fiction
Languages : en
Pages : 388
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Book Description
A beautiful and eerie story of love and memory from the author of The Moon Field.
Author: Sean Prentiss
Publisher: MSU Press
ISBN: 1628950234
Category : Literary Collections
Languages : en
Pages : 239
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Book Description
Though creative nonfiction has been around since Montaigne, St. Augustine, and Seneca, we’ve only just begun to ask how this genre works, why it functions the way it does, and where its borders reside. But for each question we ask, another five or ten questions roil to the surface. And each of these questions, it seems, requires a more convoluted series of answers. What’s more, the questions students of creative nonfiction are drawn to during class discussions, the ones they argue the longest and loudest, are the same ideas debated by their professors in the hallways and at the corner bar. In this collection, sixteen essential contemporary creative nonfiction writers reflect on whatever far, dark edge of the genre they find themselves most drawn to. The result is this fascinating anthology that wonders at the historical and contemporary borderlands between fiction and nonfiction; the illusion of time on the page; the mythology of memory; poetry, process, and the use of received forms; the impact of technology on our writerly lives; immersive research and the power of witness; a chronology and collage; and what we write and why we write. Contributors: Nancer Ballard, H. Lee Barnes, Kim Barnes, Mary Clearman Blew, Joy Castro, Robin Hemley, Judith Kitchen, Brenda Miller, Ander Monson, Dinty W. Moore, Sean Prentiss, Lia Purpura, Erik Reece, Jonathan Rovner, Bob Shacochis, and Joe Wilkins.
Author: Graeme Harper
Publisher: Bloomsbury Publishing
ISBN: 1137519924
Category : Language Arts & Disciplines
Languages : en
Pages : 134
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Book Description
In this dynamic exploration of the discipline of creative writing, Graeme Harper departs from the established 'how-to' model in a personal manifesto which analyses why human beings are, and have long been, passionate about writing. Illuminating the five essential keys to creative writing, directly related to the desire to undertake it, Harper analyses creative writing's past and ponders its future, drawing on theories of the self, cultural interaction, consumption and communication. Blending practice-based critical context with contemporary creative writing theory, this book is an ideal companion for undergraduate and postgraduate students of creative writing and literature. Lively and thought-provoking, it is an invaluable tool for all aspiring and established writers who wish to harness the positive effects of their craft.