Author: Astrid Swenson
Publisher: Cambridge University Press
ISBN: 0521117623
Category : History
Languages : en
Pages : 433
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Book Description
A richly illustrated book exploring the origins of the modern fascination for heritage, comparing preservation in France, Germany and England.
Author: Jan Dirk Baetens
Publisher: Studies in the History of Coll
ISBN: 9789004291980
Category : Art
Languages : en
Pages : 351
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Book Description
Art Crossing Bordersoffers a thought-provoking analysis of the internationalisation of the art market during the long nineteenth century. Twelve experts, dealing with a wide variety of geographical, temporal, and commercial contexts, explore how the gradual integration of art markets structurally depended on the simultaneous rise of nationalist modes of thinking, in unexpected and ambiguous ways. By presenting a radically international research perspective Art Crossing Bordersoffers a crucial contribution to the field of art market studies.
Author: Robert Verhoogt
Publisher: Amsterdam University Press
ISBN: 9053569138
Category : Art
Languages : en
Pages : 718
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Book Description
This illuminating study examines the cultural meaning of artistic reproduction in a refreshingly new context through its consideration of how three artists managed the reproduction of their work.
Author: Carina Rech
Publisher:
ISBN: 9789170613548
Category :
Languages : en
Pages :
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Author: Musée du Louvre
Publisher:
ISBN:
Category : Art
Languages : fr
Pages : 360
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Book Description
Author: Petra ten-Doesschate Chu
Publisher: Princeton University Press
ISBN: 0691268207
Category : Art
Languages : en
Pages : 304
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Book Description
A comprehensive reinterpretation of the pioneering and media-savvy artist The modern artist strives to be independent of the public's taste—and yet depends on the public for a living. Petra Chu argues that the French Realist Gustave Courbet (1819-1877) understood this dilemma perhaps better than any painter before him. In The Most Arrogant Man in France, Chu tells the fascinating story of how, in the initial age of mass media and popular high art, this important artist managed to achieve an unprecedented measure of artistic and financial independence by promoting his work and himself through the popular press. The Courbet who emerges in Chu's account is a sophisticated artist and entrepreneur who understood that the modern artist must sell—and not only make—his art. Responding to this reality, Courbet found new ways to "package," exhibit, and publicize his work and himself. Chu shows that Courbet was one of the first artists to recognize and take advantage of the publicity potential of newspapers, using them to create acceptance of his work and to spread an image of himself as a radical outsider. Courbet introduced the independent show by displaying his art in popular venues outside the Salon, and he courted new audiences, including women. And for a time Courbet succeeded, achieving a rare freedom for a nineteenth-century French artist. If his strategy eventually backfired and he was forced into exile, his pioneering vision of the artist's career in the modern world nevertheless makes him an intriguing forerunner to all later media-savvy artists.
Author: Brian W. Dippie
Publisher:
ISBN:
Category : History
Languages : en
Pages : 472
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Book Description
Traces the turns of U.S. Indian policy and the effects of white social attitudes on Indian assimilation.
Author: Musée royal du Luxembourg
Publisher:
ISBN:
Category :
Languages : fr
Pages : 251
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Book Description
Author: Peter Wagner
Publisher: Walter de Gruyter
ISBN: 3110882590
Category : Literary Criticism
Languages : en
Pages : 428
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Author:
Publisher:
ISBN:
Category : Art
Languages : fr
Pages : 0
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