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Author: Valentina Gamberi
Publisher: Berghahn Books
ISBN: 1800730357
Category : Art
Languages : en
Pages : 197
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Book Description
Representing a cutting-edge study of the junction between theoretical anthropology, material culture studies, religious studies and museum anthropology, this study examines the interaction between the human and the nonhuman in a museum setting usually defined as ‘non-Western’, ‘non-scientific’ and ‘religious.’ Combining an on-site analysis of exhibitive spaces with archival research and interviews with museum curators, the chapters highlight contradictions of museum practices, and suggests that museum practitioners use museum spaces and artefacts as a way of formulating new theoretical stances in material culture studies, thus viewing museums as producers of theories together with affective engagements.
Author: Valentina Gamberi
Publisher: Berghahn Books
ISBN: 1800730357
Category : Art
Languages : en
Pages : 197
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Book Description
Representing a cutting-edge study of the junction between theoretical anthropology, material culture studies, religious studies and museum anthropology, this study examines the interaction between the human and the nonhuman in a museum setting usually defined as ‘non-Western’, ‘non-scientific’ and ‘religious.’ Combining an on-site analysis of exhibitive spaces with archival research and interviews with museum curators, the chapters highlight contradictions of museum practices, and suggests that museum practitioners use museum spaces and artefacts as a way of formulating new theoretical stances in material culture studies, thus viewing museums as producers of theories together with affective engagements.
Author: Petra Lange-Berndt
Publisher: Whitechapel: Documents of Cont
ISBN: 9780262528092
Category : Art
Languages : en
Pages : 0
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Book Description
"Materiality has reappeared as a highly contested topic in recent art. Modernist criticism tended to privilege form over matter--considering material as the essentialized basis of medium specificity--and technically based approaches in art history reinforced connoisseurship through the science of artistic materials. But in order to engage critically with the meaning, for example, of hair in David Hammons's installations, milk in the work of Dieter Roth, or latex in the sculptures of Eva Hesse, we need a very different set of methodological tools. This anthology focuses on the moments when materials become willful actors and agents within artistic processes, entangling their audience in a web of connections. It investigates the role of materiality in art that attempts to expand notions of time, space, process, or participation. And it looks at the ways in which materials obstruct, disrupt, or interfere with social norms, emerging as impure formations and messy, unstable substances. It reexamines the notion of "dematerialization"; addresses materialist critiques of artistic production; surveys relationships between matter and bodies, from the hierarchies of gender to the abject and phobic; explores the vitality of substances; and addresses the concepts of intermateriality and transmateriality emerging in the hybrid zones of digital experimentation." -- Publisher's description.
Author: Francesco Bellandi
Publisher: Emerald Group Publishing
ISBN: 1787438430
Category : Business & Economics
Languages : en
Pages : 442
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Book Description
This book offers an integrated perspective of materiality from the different angles of accounting, auditing, internal controls, management commentary, financial analysis, management control, forensic analysis, sustainability reporting, corporate responsibility, assurance standards, integrated reporting, and limited legal considerations.
Author: Krzysztof Ziarek
Publisher: Northwestern University Press
ISBN: 081011836X
Category : Art
Languages : en
Pages : 363
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Book Description
In this groundbreaking volume, Krzysztof Ziarek rethinks modern experience by bringing together philosophical critiques of modernity and avant-garde poetry. Ziarek explores, through selective readings of avant-garde poetry, the key aspects of the radical critique of experience: technology, everydayness, event, and sexual difference. To that extent, The Historicity of Experience is less a book about the avant-garde than a critique of experience through the avant-garde. Ziarek reads the avant-garde in dialogue with the work of some of the major critics of modernity (Martin Heidegger, Walter Benjamin, Jean-François Lyotard, and Luce Irigaray) to show how avant-garde experiments bear critically on the issue of modern experience and its technological organization. The four poets Ziarek considers—Gertrude Stein, Velimir Khlebnikov, Miron Biaoszewski, and Susan Howe—demonstrate the broad reach of and variety of forms taken by the avant-garde revision of experience and aesthetics. Moreover, this quartet illustrates how the main operative concepts and strategies of the avant-garde underpinned the practices of canonical writers. A profound philosophical meditation on language, modernity, and the everyday, The Historicity of Experience offers a fundamental reconceptualization of the avant-garde in relation to experience.
Author: Simonetta Falasca-Zamponi
Publisher: Oxford University Press
ISBN: 0192887513
Category : History
Languages : en
Pages : 353
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Book Description
On July 25, 1943, news of Mussolini's resignation and subsequent arrest stunned Italians leaving them dumbfounded. After two decades, fascism had fallen without any advance warning. As festive events marked the incredible outcome and reminders of the past were destroyed, an uncontainable joy seemed to pervade Italians. But what did people actually celebrate? How did they understand the bygone dictatorship, which was soon to be reincarnated in the Italian Social Republic (RSI)? Drawing on more than one hundred diaries written by ordinary citizens (and some prominent figures as well) and inspired by Raymond Williams's concept of structures of feeling, the book examines Italians' perspectives on fascism at a very critical moment in their history. With the country mired in a devastating war further complicated by the September 8, 1943 armistice with the Allies and subsequent German occupation—followed by the eruption of an Italian-against-Italian conflict, the switching of alliances, and the declaration of war against Germany on October 13, 1943—the fast pace of history seemed to deflect Italians' attention from their immediate past. Amidst the daily experience of bombings, hunger, displacement, and death, coming to terms with twenty years of dictatorship turned out to be an arduous enterprise. Whether those who had lived under the fascist regime wished 'not to think of it and not to speak any more about it' as philosopher Benedetto Croce maintained, it is hard to ascertain. In truth, little is known of what Italians felt and thought about fascism after its precipitous demise. This book remedies the gap in historical scholarship by assessing how Italians confronted their present and negotiated their past during the two years from the fall of the regime to the definitive defeat of the RSI and the end of the world war in May 1945. By bringing to life the cultural imaginaries and practices of the past, the book raises ostensibly intractable questions on the epochal impact of what often appears as inconsequential: the typically unseen and seemingly banal power of everyday experiences.
Author: Elizabeth Wood
Publisher: Left Coast Press
ISBN: 1611326524
Category : Art
Languages : en
Pages : 177
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Book Description
What if museums could harness the emotional and intellectual connections people have to personal and everyday objects to create richer visitor experiences? In this book, Elizabeth Wood and Kiersten Latham present the Object Knowledge Framework, a tool for using objects to connect museum visitors to themselves, to others, and to their world. They discuss the key concepts underpinning our lived experience of objects and how museums can learn from them. Then they walk readers through concrete methods for transforming visitor-object experiences, including exercises and strategies for teams developing exhibit themes, messages, and content, and participatory experiences.
Author: Martin McQuillan
Publisher: Bloomsbury Publishing
ISBN: 1780931018
Category : Literary Criticism
Languages : en
Pages : 249
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Book Description
This book is available as open access through the Bloomsbury Open Access programme and is available on www.bloomsburycollections.com. What is the relationship between theory and practice in the creative arts today? In Critical Practice, Martin McQuillan offers a critical interrogation of the idea of practice-led research. He goes beyond the recent vocabulary of research management to consider the more interesting question of the emergence of a cultural space in which philosophy, theory, history and practice are becoming indistinguishable. McQuillan considers the work of a number of writers and thinkers who cross the divide between theoretical and creative practice, including Alain Badiou and Terry Eagleton, and the longer tradition of 'theory-writing' that runs through the work of Hélène Cixous, Roland Barthes and Louis Althusser. His aim is to elucidate the contemporary ramifications of a relationship that has been contested throughout the long history of philosophy, from Plato's dialogues to Derrida's 'Envois'.
Author: Aaron Marcus
Publisher: Springer
ISBN: 3030235351
Category : Computers
Languages : en
Pages : 659
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Book Description
The four-volume set LNCS 11583, 11584, 11585, and 11586 constitutes the proceedings of the 8th International Conference on Design, User Experience, and Usability, DUXU 2019, held as part of the 21st International Conference, HCI International 2019, which took place in Orlando, FL, USA, in July 2019. The total of 1274 papers and 209 posters included in the 35 HCII 2019 proceedings volumes was carefully reviewed and selected from 5029 submissions. DUXU 2019 includes a total of 167 regular papers, organized in the following topical sections: design philosophy; design theories, methods, and tools; user requirements, preferences emotions and personality; visual DUXU; DUXU for novel interaction techniques and devices; DUXU and robots; DUXU for AI and AI for DUXU; dialogue, narrative, storytelling; DUXU for automated driving, transport, sustainability and smart cities; DUXU for cultural heritage; DUXU for well-being; DUXU for learning; user experience evaluation methods and tools; DUXU practice; DUXU case studies.
Author: Zoe Laughlin
Publisher: Elsevier Inc. Chapters
ISBN: 0128055839
Category : Technology & Engineering
Languages : en
Pages : 23
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Book Description
Here we discuss multidisciplinary work on a sensoaesthetic theory of materials, studying and unraveling the interconnected nature of how we perceive the sensorial aspects of materials in relation to core physical properties. We consider the definition of material from scientific and artistic perspectives, and describe how experiments undertaken by a multidisciplinary team within the Institute of Making worked to draw these sides together in a coherent and productive fashion. The relationship between the objects created for studying the sound and taste of materials, and how their physical properties affect aesthetic perception of the objects, will be introduced as an innovative methodology for investigating material–user interactions.
Author: Theresa Schilhab
Publisher: Aarhus Universitetsforlag
ISBN: 8772193581
Category : Literary Criticism
Languages : en
Pages : 161
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Book Description
We read e-books and printed books. But are there differences in how and where we read? And what opportunities does a digital reading environment bring for writers and designers? The materiality of reading explores the experience of reading by examining the interaction between the reader and the object of reading. Bringing together an array of disciplinary perspectives such as neurobiology, embodied reading and typography, we aim to understand how the materiality of the text enhances reader engagement with digital and physical books. The papers of this anthology are the result of academic discussions and empirical explorations at universities in Zadar, Vilnius, Reading and Stavanger as the authors are all members of the European research initiative, ‘Evolution of Reading in the Age of Digitisation’ (E-READ).
