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Author: Jacques Seligmann & Co
Publisher:
ISBN:
Category :
Languages : en
Pages : 64
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Author: Jacques Seligmann & Co
Publisher:
ISBN:
Category :
Languages : en
Pages : 64
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Book Description
Author: Metropolitan Museum of Art (New York, N.Y.). Library
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 946
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Author: Pennsylvania Academy of the Fine Arts
Publisher:
ISBN:
Category : Art, Modern
Languages : en
Pages : 28
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Author: New York Public Library. Research Libraries
Publisher:
ISBN:
Category : Library catalogs
Languages : en
Pages : 588
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Author: Association of American Painters and Sculptors
Publisher: Рипол Классик
ISBN: 5871491006
Category : History
Languages : en
Pages : 149
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Book Description
Commonly referred to as the Armory Show, the International Exhibition of Modern Art in 1913 was an enormous art exhibit featuring the works of early modern artists from Impressionism to Expressionism. The show was an important event in the history of American art, introducing the American public, who were accustomed to realistic art, to the experimental styles of the European avant-garde, including Fauvism, Cubism and Futurism. The show influenced American artists to work in these modern styles. Some of the well-known artists featured in this exhibit include Marcel Duchamp, Camille Pissarro, Mary Cassatt, Paul Cezanne, Paul Gauguin and Wassily Kandinsky.
Author:
Publisher:
ISBN:
Category : American literature
Languages : en
Pages : 628
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Author: Harvard University. Fine Arts Library
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 860
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Author: National Art Library (Great Britain)
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 656
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Author: Romy Golan
Publisher: Yale University Press
ISBN: 9780300063509
Category : Art
Languages : en
Pages : 254
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Golan argues that reactionary issues such as anti-urbanism, the return to the soil, regionalism, corporatism, xenophobia, and doubts about the new technology became central to cultural and art-historical discourse. Focusing on the overlap of avant-garde and middle-of-the-road production, she investigates the import of these issues not only in, painting, sculpture, and architecture (concentrating on the work of Leger, Picasso, Le Corbusier, Ozenfant, Derain, the Surrealists, and the so-called naifs), but also in the decorative arts, in the spectacle of world and colonial fairs, and in literature. Throughout she finds evidence that artists turned from the aesthetics of the machine age toward a more organic, naturalistic art. This leads her to ask whether the famous and momentous shift of the avant-garde from Paris to New York in 1939 did not, in fact, begin two decades earlier, in 1918.
Author: Phillips Collection
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 444
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