Exemplum

Exemplum PDF Author: Robert Walter Hans Peter Scheller
Publisher: Amsterdam University Press
ISBN: 9789053561300
Category : Art
Languages : en
Pages : 468

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Book Description
During the Middle Ages, artistic ideas were transmitted from one region to another and passed on from one generation to the next, in the form of drawings. This kind of handmade reproduction, 'exemplum' in Latin, was used to record the form and content of works of art. Some of those drawings have survived in 'model books'. The author presents a fascinating account of many and various aspects of these drawings with special emphasis on how they contribute to our understanding of the genesis of medieval works of art. Exemplum will be a standard work of reference for many years to come

Exemplum

Exemplum PDF Author: Robert Walter Hans Peter Scheller
Publisher: Amsterdam University Press
ISBN: 9789053561300
Category : Art
Languages : en
Pages : 468

Get Book Here

Book Description
During the Middle Ages, artistic ideas were transmitted from one region to another and passed on from one generation to the next, in the form of drawings. This kind of handmade reproduction, 'exemplum' in Latin, was used to record the form and content of works of art. Some of those drawings have survived in 'model books'. The author presents a fascinating account of many and various aspects of these drawings with special emphasis on how they contribute to our understanding of the genesis of medieval works of art. Exemplum will be a standard work of reference for many years to come

Exemplum

Exemplum PDF Author: John D. Lyons
Publisher: Princeton University Press
ISBN: 1400860814
Category : Literary Criticism
Languages : en
Pages : 332

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Book Description
Examples, crucial links between discourse and society's view of reality, have until now been largely neglected in literary criticism. In the first book-length study of the rhetoric of example, John Lyons situates this figure by comparing it with more frequently studied tropes such as metaphor and synecdoche, discusses meanings of the terms example and exemplum, and proposes a set of descriptive concepts for the study of example in early modern literature. Tracing its paradoxical nature back to Aristotle's Rhetoric, Lyons shows how exemplary rhetoric is caught between often competing aims of persuasive general statement and accurate representation. In French and Italian texts of the sixteenth and seventeenth centuries this dual task was rendered still more challenging by a transition to new sources of examples as the age of discovery brought increased emphasis on observation. The writers of this period were aware of a crisis in exemplary rhetoric, a situation in which serious questions were raised about how authors and audience would find a common ground in interpreting representative instances. Lyons's focus on the strategy of example leads to new readings of six major writers--Machiavelli, Marguerite de Navarre, Montaigne, Pascal, Descartes, and Marie de Lafayette. Originally published in 1990. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

The Exemplum in the Early Religious and Didactic Literature of England

The Exemplum in the Early Religious and Didactic Literature of England PDF Author: Joseph Albert Mosher
Publisher:
ISBN:
Category : English literature
Languages : en
Pages : 178

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Book Description


Exemplum tractatus de fontibus juris, and other Latin pieces of Lord Bacon [extracted from the “De Augmentis Scientiarum]. Translated by James Glassford

Exemplum tractatus de fontibus juris, and other Latin pieces of Lord Bacon [extracted from the “De Augmentis Scientiarum]. Translated by James Glassford PDF Author: Francis Bacon
Publisher:
ISBN:
Category :
Languages : en
Pages : 230

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Book Description


Exemplum sine exemplo, in orbe christiano, vel etiam ethnico, nempe serenissimi regis Caroli, magnæ Britanniæ,&Hyberniæ augustissimi monarchæ à nonnullis subditis suis, scilicet rebellibus ... crudelitèr&indignè obtruncati&capite percussi, etc. [Elegiac verses.]

Exemplum sine exemplo, in orbe christiano, vel etiam ethnico, nempe serenissimi regis Caroli, magnæ Britanniæ,&Hyberniæ augustissimi monarchæ à nonnullis subditis suis, scilicet rebellibus ... crudelitèr&indignè obtruncati&capite percussi, etc. [Elegiac verses.] PDF Author: Charles I (King of England)
Publisher:
ISBN:
Category :
Languages : en
Pages : 8

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Book Description


"Exempla" in Context

Author: Fritz Kemmler
Publisher: Gunter Narr Verlag
ISBN: 9783878084464
Category : Poetry
Languages : en
Pages : 254

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Book Description


The Medieval Imagination

The Medieval Imagination PDF Author: Jacques Le Goff
Publisher: University of Chicago Press
ISBN: 9780226470856
Category : Education
Languages : en
Pages : 308

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Book Description
To write this history of the imagination, Le Goff has recreated the mental structures of medieval men and women by analyzing the images of man as microcosm and the Church as mystical body; the symbols of power such as flags and oriflammes; and the contradictory world of dreams, marvels, devils, and wild forests. "Le Goff is one of the most distinguished of the French medieval historians of his generation . . . he has exercised immense influence."—Maurice Keen, New York Review of Books "The whole book turns on a fascinating blend of the brutally materialistic and the generously imaginative."—Tom Shippey, London Review of Books "The richness, imaginativeness and sheer learning of Le Goff's work . . . demand to be experienced."—M. T. Clanchy, Times Literary Supplement

The Language of Art

The Language of Art PDF Author: Moshe Barasch
Publisher: NYU Press
ISBN: 9780814712559
Category : Art
Languages : en
Pages : 388

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Book Description
The argument moves from the art and civilization of ancient Egypt to that of modern Europe and effortlessly reveals a full and surprising range of language in art - from the magical to the impious, from the ambiguous to the didactic, scientific, and propagandistic.

Manuscript Diversity, Meaning, and Variance in Juan Manuel's El Conde Lucanor

Manuscript Diversity, Meaning, and Variance in Juan Manuel's El Conde Lucanor PDF Author: Laurence De Looze
Publisher: University of Toronto Press
ISBN: 0802090575
Category : Literary Criticism
Languages : en
Pages : 377

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Book Description
Juan Manuel's El Conde Lucanor was arguably one of the great masterworks of early modern Spain. Although the work appears in five very different manuscript versions from the fourteenth to the sixteenth centuries, most modern editions of El Conde Lucanor have neglected to account for the fact that it was part of a manuscript tradition, and that its meaning is substantially affected when its original forms are not taken in to account. With Manuscript Diversity, Meaning, and Variance in Juan Manuel's El Conde Lucanor, Laurence de Looze demonstrates how the meaning of Juan Manuel's work changes depending on how the work is 'performed' in particular manuscripts. This study proceeds from the assumption that, in a pre-printing press world, each new copy or 'performance' of a work creates new meaning. By adopting this approach and by focusing on Parts II-V of the texts, de Looze argues that El Conde Lucanor raises questions about the interretation, intelligibility, and the production of knowledge. De Looze's complex and nuanced reading sheds new light on an important work and makes a significant contribution to medieval studies, Spanish studies, and the history of the book.

Marlowe and the Popular Tradition

Marlowe and the Popular Tradition PDF Author: Ruth Lunney
Publisher: Manchester University Press
ISBN: 9780719061189
Category : Drama
Languages : en
Pages : 264

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Book Description
Lunney explores Marlowe's engagement with the traditions of the popular stage in the 1580s and early 1590s and offers a new approach to his major plays in terms of staging and audience response, as well as providing a new account of English drama in these important but largely neglected years.