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Author: Joseph Kerman
Publisher: Macmillan
ISBN: 0312593473
Category : Music
Languages : en
Pages : 475
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Book Description
DVD contains 30 minutes of video excerpts and 16 audio tracks, keyed to the text.
Author:
Publisher:
ISBN: 9781540039149
Category :
Languages : en
Pages :
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Book Description
(Boosey & Hawkes Concert Band). Written in 1943-44 as a ballet for Martha Graham, Appalachian Spring is one of Aaron Copland's most celebrated compositions and winner of the Pulitzer Prize in 1945. In this edition for concert band, Robert Longfield has skillfully adapted the most striking and beautiful sections from the orchestral suite. The work ranges in scope from delicate and soloistic to the overpowering force of the full ensemble, culminating with Copland's signature setting of "Simple Gifts." A wonderful opportunity for band members and their audiences to enjoy this beloved music from one of America's preeminent composers. Dur: 8:00
Author: Marcia Bonta
Publisher: University of Pittsburgh Press
ISBN: 9780822971467
Category : Nature
Languages : en
Pages : 212
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Book Description
Marcia Bonta is a naturalist-writer who has lived on a 500-acre mountain-top farm in central Pennsylvania for twenty years. Appalachian Spring is her personal account of that glorious spectacle - the coming of the spring to the woods and fields of Appalachia.The book begins with spring preliminaries in January and February when gray squirrels mate and the great horned owls conduct their courtship rites. Then, with the onset of true spring, the intricacies of the season unravel day by day in journal entries that combine Bonta's own meticulous observations with the research reported by botanists, entomologists, and other natural scientists.She recounts her hours spent watching an active red fox den or observing the drumming of a male ruffed grouse - all without the benefit of a blind. She discovers new-born fawns on the trail and hen turkeys with their poults in the field. A black bear peers into her sitting room window; deer play tag in her front yard.Birdwatching is an integral part of her spring ritual; she records both the return of nesting species and the passing through of migrants. She spends a blustery St. Patrick's Day following a flock of American pipits foraging in her field, discovers and watches an ovenbird nest beside her trail, and counts twenty-three species of wood warblers during one spectacular day in mid-May.Every aspect of the natural world catches her eye, from tthe life cycle of a tent caterpillar to the sex life of a jack-in-the-pulpit. But while she considers her book to ber her own love sone about the place and season on earth she loves most, she also mourns the continual exploitation of the natural earth by humanity for its own often superficial uses. She hopes, by recounting the wonders of the natural world, to convert others to what she calls the "third stage" in humanity's relationship with nature, that of empathy with all of nature for its own sake. "To know the earth better, to grasp a little of its workings, to look on it with awe and wonder as well as with respect, is to want to save it from destruction."
Author: Annegret Fauser
Publisher: Oxford University Press
ISBN: 019064687X
Category : Biography & Autobiography
Languages : en
Pages : 153
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Book Description
A commission and its context -- The creation of a dance piece -- Appalachian spring performed -- Americana between war and peace -- An American icon
Author: Aaron Copland
Publisher: A-R Editions, Inc.
ISBN: 1987204581
Category : Music
Languages : en
Pages : 295
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Book Description
Appalachian Spring is perhaps the most popular work by Aaron Copland (19001990). Composed as a ballet for the renowned choreographer Martha Graham (18941991), it was the result of a close collaboration between Copland and Graham, and the music quickly took on a life of its own. However, the best known versions of the score, those most frequently recorded and heard in concert, differ in form and musical content from the original ballet, which was scored for a chamber ensemble of thirteen instruments and premiered by the Martha Graham Dance Company at the Library of Congress on 30 October 1944. This edition presents the first completed engraving of the original version of Appalachian Spring, providing musicians and scholars access to the score as it has been performed for more than 75 years by the Graham Company. On each page of the score, the editors have included stills from the 1958 film of the ballet, with Graham dancing the lead role, in order to highlight the connection between music and dance. An introductory essay explores the creation of the work, the musical structure, the origins of and differences among multiple versions of the score, and the continued significance and influence of Coplands music. The critical commentary draws on manuscript and published sources, as well as Graham Company performance practice, to illuminate editorial decisions. The edition also includes appendices that present a comparison of historical tempi, markings from the Graham tradition for augmenting the orchestration, and a selected discography of different versions of the score.
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 0
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Book Description
Author: Joseph Horowitz
Publisher: National Geographic Books
ISBN: 0393881245
Category : Music
Languages : en
Pages : 0
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Book Description
A Kirkus Reviews Best Nonfiction Book of 2021 A provocative interpretation of why classical music in America "stayed white"—how it got to be that way and what can be done about it. In 1893 the composer Antonín Dvorák prophesied a “great and noble school” of American classical music based on the “negro melodies” he had excitedly discovered since arriving in the United States a year before. But while Black music would foster popular genres known the world over, it never gained a foothold in the concert hall. Black composers found few opportunities to have their works performed, and white composers mainly rejected Dvorák’s lead. Joseph Horowitz ranges throughout American cultural history, from Frederick Douglass and Huckleberry Finn to George Gershwin’s Porgy and Bess and the work of Ralph Ellison, searching for explanations. Challenging the standard narrative for American classical music fashioned by Aaron Copland and Leonard Bernstein, he looks back to literary figures—Emerson, Melville, and Twain—to ponder how American music can connect with a “usable past.” The result is a new paradigm that makes room for Black composers, including Harry Burleigh, Nathaniel Dett, William Levi Dawson, and Florence Price, while giving increased prominence to Charles Ives and George Gershwin. Dvorák’s Prophecy arrives in the midst of an important conversation about race in America—a conversation that is taking place in music schools and concert halls as well as capitols and boardrooms. As George Shirley writes in his foreword to the book, “We have been left unprepared for the current cultural moment. [Joseph Horowitz] explains how we got there [and] proposes a bigger world of American classical music than what we have known before. It is more diverse and more equitable. And it is more truthful.”
Author: Earl Victor Shaffer
Publisher:
ISBN: 9780917953842
Category : Appalachian Trail
Languages : en
Pages : 0
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Book Description
The author's account of his four-month hike in 1948 of the entire length of the Appalachian Trail.
Author: Joseph Kerman
Publisher: Macmillan
ISBN: 0312593473
Category : Music
Languages : en
Pages : 475
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Book Description
DVD contains 30 minutes of video excerpts and 16 audio tracks, keyed to the text.
Author: Ken Fischer
Publisher: University of Michigan Press
ISBN: 0472127039
Category : Biography & Autobiography
Languages : en
Pages : 217
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Book Description
Housed on the campus of the University of Michigan in Ann Arbor, the University Musical Society is one of the oldest performing arts presenters in the country. A past recipient of the National Medal of Arts, the nation’s highest public artistic honor, UMS connects audiences with wide-ranging performances in music, dance, and theater each season.Between 1987 and 2017, UMS was led by Ken Fischer, who over three decades pursued an ambitious campaign to expand and diversify the organization’s programming and audiences—initiatives inspired by Fischer’s overarching philosophy toward promoting the arts, “Everybody In, Nobody Out.” The approach not only deepened UMS’s engagement with the university and southeast Michigan communities, it led to exemplary partnerships with distinguished artists across the world. Under Fischer’s leadership, UMS hosted numerous breakthrough performances, including the Vienna Philharmonic’s final tour with Leonard Bernstein, appearances by then relatively unknown opera singer Cecilia Bartoli, a multiyear partnership with the Royal Shakespeare Company, and artists as diverse as Yo-Yo Ma, Jawole Willa Jo Zollar, Elizabeth Streb, and Nusrat Fateh Ali Khan. Though peppered with colorful anecdotes of how these successes came to be, this book is neither a history of UMS nor a memoir of Fischer’s significant accomplishments with the organization. Rather it is a reflection on the power of the performing arts to engage and enrich communities—not by handing down cultural enrichment from on high, but by meeting communities where they live and helping them preserve cultural heritage, incubate talent, and find ways to make community voices heard.
Author: Matthew Mugmon
Publisher:
ISBN: 1580469647
Category : Biography & Autobiography
Languages : en
Pages : 242
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Book Description
"Although Aaron Copland (1900-1990) is often credited with creating an unmistakably American musical style, he was strongly attracted to the music of Gustav Mahler. Drawing extensively on archival and musical materials, this is the first detailed exploration of Copland's multifaceted relationship with Mahler's music and its lasting consequences for music in America. Matthew Mugmon demonstrates that Copland, inspired by Mahler's example, blended modernism and romanticism in shaping a vision for American music in the twentieth century, and that he did so through his multiple roles as composer, teacher, critic, and orchestral tastemaker. Copland's career-long engagement with Mahler's music intersected with Copland's own Jewish identity and with his links to such towering figures in American music as Nadia Boulanger, Serge Koussevitzky, and Leonard Bernstein"--
