Author: Norman MacDermott
Publisher: London : Society for Theatre Research
ISBN:
Category : Performing Arts
Languages : en
Pages : 166

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Author: Christopher Murray
Publisher: McGill-Queen's Press - MQUP
ISBN: 0773586156
Category : Biography & Autobiography
Languages : en
Pages : 639

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Book Description
Se?O'Casey was the quintessential Dublin playwright. In critical works that include his Dublin Trilogy - The Shadow of a Gunman, Juno and the Paycock, and The Plough and the Stars - he portrayed the traumatic birth of a nation and delved into the Irish national character. Christopher Murray's Se?O'Casey: Writer at Work takes a fresh look at the last of the great writers of the Irish literary revival.

Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 312

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Author: Jim Rogers
Publisher: Random House
ISBN: 1588362906
Category : Business & Economics
Languages : en
Pages : 526

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Book Description
Drive . . . and grow rich! The bestselling author of Investment Biker is back from the ultimate road trip: a three-year drive around the world that would ultimately set the Guinness record for the longest continuous car journey. In Adventure Capitalist, legendary investor Jim Rogers, dubbed “the Indiana Jones of finance” by Time magazine, proves that the best way to profit from the global situation is to see the world mile by mile. “While I have never patronized a prostitute,” he writes, “I know that one can learn more about a country from speaking to the madam of a brothel or a black marketeer than from meeting a foreign minister.” Behind the wheel of a sunburst-yellow, custom-built convertible Mercedes, Rogers and his fiancée, Paige Parker, began their “Millennium Adventure” on January 1, 1999, from Iceland. They traveled through 116 countries, including many where most have rarely ventured, such as Saudi Arabia, Myanmar, Angola, Sudan, Congo, Colombia, and East Timor. They drove through war zones, deserts, jungles, epidemics, and blizzards. They had many narrow escapes. They camped with nomads and camels in the western Sahara. They ate silkworms, iguanas, snakes, termites, guinea pigs, porcupines, crocodiles, and grasshoppers. Best of all, they saw the real world from the ground up—the only vantage point from which it can be truly understood—economically, politically, and socially. Here are just a few of the author’s conclusions: • The new commodity bull market has started. • The twenty-first century will belong to China. • There is a dramatic shortage of women developing in Asia. • Pakistan is on the verge of disintegrating. • India, like many other large nations, will break into several countries. • The Euro is doomed to fail. • There are fortunes to be made in Angola. • Nongovernmental organizations (NGOs) are a scam. • Bolivia is a comer after decades of instability, thanks to gigantic amounts of natural gas. Adventure Capitalist is the most opinionated, sprawling, adventurous journey you’re likely to take within the pages of a book—the perfect read for armchair adventurers, global investors, car enthusiasts, and anyone interested in seeing the world and understanding it as it really is.

Author: Russell Jackson
Publisher: Bloomsbury Publishing
ISBN: 1350246085
Category : Drama
Languages : en
Pages : 233

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Book Description
This is the first book-length work to draw extensively on unpublished archive material to document the composition and reception of some of Noël Coward's most significant plays. It examines his working practices as a playwright, from manuscript to performance. This study argues that, while he did not embrace any of the more radical theatrical 'isms' of his time, Coward experimented with both form and content. He adapted the familiar 'well-made' formulas, while also emphasizing theatrical self-consciousness and an exploration of radical social and sexual relationships. After an overview of Coward's career and the reception of his plays, the work discusses selected texts from successive phases of Coward's career, including some unproduced or uncompleted work and perennially popular plays such as The Vortex, Hay Fever, Private Lives, Design for Living, Blithe Spirit and Present Laughter. This study also explores how, in the aftermaths of two world wars, as major changes in social and political circumstances suggested new approaches to dramaturgy, Coward's post-1945 work failed to achieve the same success he had enjoyed in earlier periods. The final chapter examines Coward's approach to his craft in response to the new theatrical and cultural environment, and the new freedom in the treatment of homosexuality represented by Suite in Three Keys and his final, uncompleted play, Age Cannot Wither.

Author: Fred D. Crawford
Publisher: Penn State Press
ISBN: 9780271017792
Category : Literary Criticism
Languages : en
Pages : 264

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SHAW 18 offers fourteen articles that illuminate aspects of Shaw's family history, relations with contemporaries, evolving reputation, and dramatic works. Dan H. Laurence presents an authoritative genealogy of the Shaw and Gurly sides of Shaw's family. Among discoveries that have long eluded Shaw's biographers is the birthdate of Elinor Agnes "Yuppy" Shaw, Shaw's sister. Michael W. Pharand assesses Shaw's intense dislike of Sarah Bernhardt. Stanley Weintraub analyzes Shaw's presence in the plays of Eugene O'Neill. Shaw's Advice to Irishmen, a newspaper account of Shaw's 1918 Dublin lecture "Literature in Ireland," records Shaw's comments on George Moore, J. M. Synge, and James Joyce. Robert G. Everding surveys Shaw festivals from 1916 in Ireland to the present-day Shaw festivals in Ontario and Milwaukee. In a review of Frank Harris on Bernard Shaw (1931), Richard Aldington dismisses Shaw as human being, thinker, and dramatist: "You must be a Shavian to admire and love Shaw the artist." In an interview with Leon Hugo, biographer Michael Holroyd discusses his biography of G.B.S., responses to his biography, and future work involving G.B.S. Jeffrey M. Wallmann argues that alienation in Shaw's plays enhances their contemporary value. Bernard F. Dukore investigates Shaw's reasons for discarding the original final act of The Philanderer. Rodelle Weintraub argues persuasively that You Never Can Tell requires the audience to choose between "Crampton's reality" and "Crampton's dream." Mark H. Sterner, weighing the various charges against Ann Whitefield's character in Man and Superman, concludes that Shaw's treatment of her and Tanner "as significantly different, but nevertheless equal . . . in itself was a revolutionary change in the status of sexual power relationships." Julie A. Sparks identifies W. W. Henley's sonnet "'Liza" as a likely source not only for some of Eliza's traits in Pygmalion but also for images in Man and Superman and Major Barbara. Charles A. Carpenter considers Buoyant Billions and Farfetched Fables in the context of Shaw's response to the birth of the atomic age. Paul Bauschatz, evaluating the differences between My Fair Lady and Pygmalion, illustrates why the film can reflect Shaw's play "only uneasily." SHAW 18 includes five reviews of recent additions to Shavian scholarship as well as John R. Pfeiffer's "Continuing Checklist of Shaviana."

Author: Nigel H. Morgan
Publisher:
ISBN:
Category : Stage lighting
Languages : en
Pages : 382

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Book Description
This book explores the practitioners, equipment, installations, techniques and procedures that led to lighting design being clearly established as an essential component of performance, and it charts the role of lighting in shaping performance styles and the visual aesthetic of theatre.

Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 522

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Author: John P. Cavanagh
Publisher: Macmillan Reference USA
ISBN:
Category : English drama
Languages : en
Pages : 520

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Author: John T. Soister
Publisher: McFarland
ISBN: 1476612781
Category : Performing Arts
Languages : en
Pages : 279

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Book Description
The career of Claude Rains is often, and unfairly, overshadowed by the careers of the ever-popular Karloff, Lugosi, Chaney and Rathbone, but few can dispute that he was truly one of the world's foremost character actors. The Invisible Man, ironically, made him quite the visible star. In his own inimitable way, Rains later became John Jasper (in Mystery of Edwin Drood), Louis Renault (Casablanca), Julius Caesar (Caesar and Cleopatra), and Mr. Dryden (Lawrence of Arabia). While concentrating on Rains' more than fifty films, this book also comprehensively examines his work in other media: the stage, radio, television and recordings. His only child, Jessica, in the foreword, provides a brief biography of her father. There are many rare photographs.