Author: Rosalind Savill
Publisher:
ISBN: 9781916495715
Category :
Languages : en
Pages : 704
Book Description
Everyday Rococo: Madame de Pompadour and Sevres Porcelain is a year-on-year richly-illustrated chronology of her daily life and purchases
Everyday Rococo
Author: Rosalind Savill
Publisher:
ISBN: 9781916495715
Category :
Languages : en
Pages : 704
Book Description
Everyday Rococo: Madame de Pompadour and Sevres Porcelain is a year-on-year richly-illustrated chronology of her daily life and purchases
Publisher:
ISBN: 9781916495715
Category :
Languages : en
Pages : 704
Book Description
Everyday Rococo: Madame de Pompadour and Sevres Porcelain is a year-on-year richly-illustrated chronology of her daily life and purchases
French Baroque and Rococo Fashions
Author: Tom Tierney
Publisher: Courier Corporation
ISBN: 9780486423838
Category : Juvenile Nonfiction
Languages : en
Pages : 54
Book Description
French fashions from 1640–1775, depicted in 45 full-page black-and-white illustrations. Portraits of farmers, street vendors, and aristocrats, all with informative captions.
Publisher: Courier Corporation
ISBN: 9780486423838
Category : Juvenile Nonfiction
Languages : en
Pages : 54
Book Description
French fashions from 1640–1775, depicted in 45 full-page black-and-white illustrations. Portraits of farmers, street vendors, and aristocrats, all with informative captions.
New Sketches of Every-day Life
Author: Fredrika Bremer
Publisher:
ISBN:
Category :
Languages : en
Pages : 618
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 618
Book Description
Trouble Every Day
Author: Kate Robertson
Publisher: Liverpool University Press
ISBN: 1800343965
Category : Performing Arts
Languages : en
Pages : 121
Book Description
Transgressive both in its narrative and in its filmmaking, Trouble Every Day (2001) envisions the monster inside, unspeakable urges and an overwhelming need for complete incorporation. A plant discovered in the South American jungle produces in its test subjects a terrible, unnatural and uncontrollable hunger. Vicious, all-consuming desire begets excessive violence and a turn to cannibalism, which situates Trouble Every Day into a tradition of challenging cinema, a film maudit that pushes the boundaries of what can be shown on screen. But while it is certainly an unflinching film, it is deserving of reassessment as part of Clare Denis’ filmography as well as a broader cinematic lineage. Focusing on close textual analysis, this book delves into the surfeit of visual, literary, and non-fiction references that shape Trouble Every Day while thwarting attempts to firmly situate it. It considers its place in a lineage of films that push the boundary of taste and representation, aligned as much with Un Chien andalou (1929) as the New French Extremity. It also considers the film’s relationship to such sub-genres as classic monster movies, video nasties, mad science, gothic, vampire, body horror, and Italo-exploitation cannibal films, and directors such as Abel Ferrara, Brian de Palma, Jean Renoir and Jacques Tourneau. Drawing on a range of disciplines, including art, philosophy and phenomenology, this study explores how Trouble Every Day elicits a visceral response to a cinematic experience that beguiles and violates.
Publisher: Liverpool University Press
ISBN: 1800343965
Category : Performing Arts
Languages : en
Pages : 121
Book Description
Transgressive both in its narrative and in its filmmaking, Trouble Every Day (2001) envisions the monster inside, unspeakable urges and an overwhelming need for complete incorporation. A plant discovered in the South American jungle produces in its test subjects a terrible, unnatural and uncontrollable hunger. Vicious, all-consuming desire begets excessive violence and a turn to cannibalism, which situates Trouble Every Day into a tradition of challenging cinema, a film maudit that pushes the boundaries of what can be shown on screen. But while it is certainly an unflinching film, it is deserving of reassessment as part of Clare Denis’ filmography as well as a broader cinematic lineage. Focusing on close textual analysis, this book delves into the surfeit of visual, literary, and non-fiction references that shape Trouble Every Day while thwarting attempts to firmly situate it. It considers its place in a lineage of films that push the boundary of taste and representation, aligned as much with Un Chien andalou (1929) as the New French Extremity. It also considers the film’s relationship to such sub-genres as classic monster movies, video nasties, mad science, gothic, vampire, body horror, and Italo-exploitation cannibal films, and directors such as Abel Ferrara, Brian de Palma, Jean Renoir and Jacques Tourneau. Drawing on a range of disciplines, including art, philosophy and phenomenology, this study explores how Trouble Every Day elicits a visceral response to a cinematic experience that beguiles and violates.
Frameworks
Author: Paul Mitchell
Publisher: Merrell
ISBN:
Category : Art
Languages : en
Pages : 488
Book Description
Dist. for Merrell Holberton, London.
Publisher: Merrell
ISBN:
Category : Art
Languages : en
Pages : 488
Book Description
Dist. for Merrell Holberton, London.
Fragonard
Author: Perrin Stein
Publisher: Metropolitan Museum of Art
ISBN: 1588396010
Category : Art
Languages : en
Pages : 326
Book Description
One of the most forward-looking artists of the eighteenth century, Jean Honoré Fragonard (1732–1806) was a virtuoso draftsman whose works on paper count among the great achievements of his time. This book showcases Fragonard's mastery and experimentation in a range of media, from vivid red chalk to luminous brown wash, as well as etching, watercolor, and gouache. With essays that focus on the role of drawing in his creative process and provide a modern reevaluation of his graphic work, the book offers fresh perspectives on this innovative and independent artist, who began his career in the Rococo era but lived through and adapted to changing times in France, and who chose to leave the more defined path of official patronage in order to work for private clients. Unlike many earlier painters who used drawings primarily as preparatory tools, Fragonard explored their potential as works of art in their own right, ones that permitted him to work with great freedom and allowed his genius to shine. The 100 featured works come from New York collections, public and private, balancing a mix of well-loved masterpieces, new discoveries, and works that have long been out of the public eye. Fragonard: Drawing Triumphant illuminates the approach of a ceaselessly inventive artist whose draftsmanship was at the core of his remarkable body of work.
Publisher: Metropolitan Museum of Art
ISBN: 1588396010
Category : Art
Languages : en
Pages : 326
Book Description
One of the most forward-looking artists of the eighteenth century, Jean Honoré Fragonard (1732–1806) was a virtuoso draftsman whose works on paper count among the great achievements of his time. This book showcases Fragonard's mastery and experimentation in a range of media, from vivid red chalk to luminous brown wash, as well as etching, watercolor, and gouache. With essays that focus on the role of drawing in his creative process and provide a modern reevaluation of his graphic work, the book offers fresh perspectives on this innovative and independent artist, who began his career in the Rococo era but lived through and adapted to changing times in France, and who chose to leave the more defined path of official patronage in order to work for private clients. Unlike many earlier painters who used drawings primarily as preparatory tools, Fragonard explored their potential as works of art in their own right, ones that permitted him to work with great freedom and allowed his genius to shine. The 100 featured works come from New York collections, public and private, balancing a mix of well-loved masterpieces, new discoveries, and works that have long been out of the public eye. Fragonard: Drawing Triumphant illuminates the approach of a ceaselessly inventive artist whose draftsmanship was at the core of his remarkable body of work.
Treasury of Baroque and Rococo Designs
Author: William Bell Scott
Publisher:
ISBN: 9780486470436
Category : Decoration and ornament, Baroque
Languages : en
Pages : 0
Book Description
Drawn from a historic treasury of designs from France, Germany, and other European countries, this magnificent book and CD-ROM set overflows with 213 arresting black-and-white illustrations: architectural elements, distinctive woodcarvings and metalwork, jewelry, sculpture, and other decorative arts. The images are a delight to browse and applicable to many design projects.
Publisher:
ISBN: 9780486470436
Category : Decoration and ornament, Baroque
Languages : en
Pages : 0
Book Description
Drawn from a historic treasury of designs from France, Germany, and other European countries, this magnificent book and CD-ROM set overflows with 213 arresting black-and-white illustrations: architectural elements, distinctive woodcarvings and metalwork, jewelry, sculpture, and other decorative arts. The images are a delight to browse and applicable to many design projects.
Art of the Everyday
Author: Ruth Bernard Yeazell
Publisher: Princeton University Press
ISBN: 9780691127262
Category : Art
Languages : en
Pages : 294
Book Description
Realist novels are celebrated for their detailed attention to ordinary life. But two hundred years before the rise of literary realism, Dutch painters had already made an art of the everyday--pictures that served as a compelling model for the novelists who followed. By the mid-1800s, seventeenth-century Dutch painting figured virtually everywhere in the British and French fiction we esteem today as the vanguard of realism. Why were such writers drawn to this art of two centuries before? What does this tell us about the nature of realism? In this beautifully illustrated and elegantly written book, Ruth Yeazell explores the nineteenth century's fascination with Dutch painting, as well as its doubts about an art that had long challenged traditional values. After showing how persistent tensions between high theory and low genre shaped criticism of novels and pictures alike, Art of the Everyday turns to four major novelists--Honoré de Balzac, George Eliot, Thomas Hardy, and Marcel Proust--who strongly identified their work with Dutch painting. For all these writers, Dutch art provided a model for training themselves to look closely at the particulars of middle-class life. Yet even as nineteenth-century novelists strove to create illusions of the real by modeling their narratives on Dutch pictures, Yeazell argues, they chafed at the model. A concluding chapter on Proust explains why the nineteenth century associated such realism with the past and shows how the rediscovery of Vermeer helped resolve the longstanding conflict between humble details and the aspirations of high art.
Publisher: Princeton University Press
ISBN: 9780691127262
Category : Art
Languages : en
Pages : 294
Book Description
Realist novels are celebrated for their detailed attention to ordinary life. But two hundred years before the rise of literary realism, Dutch painters had already made an art of the everyday--pictures that served as a compelling model for the novelists who followed. By the mid-1800s, seventeenth-century Dutch painting figured virtually everywhere in the British and French fiction we esteem today as the vanguard of realism. Why were such writers drawn to this art of two centuries before? What does this tell us about the nature of realism? In this beautifully illustrated and elegantly written book, Ruth Yeazell explores the nineteenth century's fascination with Dutch painting, as well as its doubts about an art that had long challenged traditional values. After showing how persistent tensions between high theory and low genre shaped criticism of novels and pictures alike, Art of the Everyday turns to four major novelists--Honoré de Balzac, George Eliot, Thomas Hardy, and Marcel Proust--who strongly identified their work with Dutch painting. For all these writers, Dutch art provided a model for training themselves to look closely at the particulars of middle-class life. Yet even as nineteenth-century novelists strove to create illusions of the real by modeling their narratives on Dutch pictures, Yeazell argues, they chafed at the model. A concluding chapter on Proust explains why the nineteenth century associated such realism with the past and shows how the rediscovery of Vermeer helped resolve the longstanding conflict between humble details and the aspirations of high art.
Made in Sheffield
Author: Massimiliano Mollona
Publisher: Berghahn Books
ISBN: 1845459024
Category : Social Science
Languages : en
Pages : 214
Book Description
In 1900, Sheffield was the tenth largest city in the world. Cutlery “made in Sheffield” was used across the globe, and the city built armored plate for the navy in the run-up to the First World War. Today, however, Sheffield’s derelict Victorian shop floors and industrial buildings are hidden behind new leisure developments and shopping centers. Based on an extended period of research in two local steel factories, this book combines a lively, descriptive account with a wide-ranging critique of post-industrial capitalism. Its central argument is that recent government attempts to engineer Britain’s transition to a post-industrial and classless society have instead created volatile post-industrial spaces marked by informal labor, industrial sweatshops and levels of risk and deprivation that divide citizens along lines of gender, age, and class. The author discovers a link between production and reproduction, and demonstrates the centrality of kinship relations, child and female labor, and intra-household exchanges to the economic process of de-industrialization. Paradoxically, government policies have reinvigorated working-class militancy, spawned local industrial clusters and re-embedded the economy in the spatial and social structure of the neighborhood.
Publisher: Berghahn Books
ISBN: 1845459024
Category : Social Science
Languages : en
Pages : 214
Book Description
In 1900, Sheffield was the tenth largest city in the world. Cutlery “made in Sheffield” was used across the globe, and the city built armored plate for the navy in the run-up to the First World War. Today, however, Sheffield’s derelict Victorian shop floors and industrial buildings are hidden behind new leisure developments and shopping centers. Based on an extended period of research in two local steel factories, this book combines a lively, descriptive account with a wide-ranging critique of post-industrial capitalism. Its central argument is that recent government attempts to engineer Britain’s transition to a post-industrial and classless society have instead created volatile post-industrial spaces marked by informal labor, industrial sweatshops and levels of risk and deprivation that divide citizens along lines of gender, age, and class. The author discovers a link between production and reproduction, and demonstrates the centrality of kinship relations, child and female labor, and intra-household exchanges to the economic process of de-industrialization. Paradoxically, government policies have reinvigorated working-class militancy, spawned local industrial clusters and re-embedded the economy in the spatial and social structure of the neighborhood.
Every Saturday
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 848
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 848
Book Description