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Author: Aldon Lynn Nielsen
Publisher: University of Alabama Press
ISBN: 0817352791
Category : Literary Criticism
Languages : en
Pages : 330
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Book Description
Showcases brilliant and experimental work in African American poetry. Just prior to the Second World War, and even more explosively in the 1950s and 1960s, a far-reaching revolution in aesthetics and prosody by black poets ensued, some working independently and others in organized groups. Little of this new work was reflected in the anthologies and syllabi of college English courses of the period. Even during the 1970s, when African American literature began to receive substantial critical attention, the work of many experimental black poets continued to be neglected. Every Goodbye Ain’t Gone presents the groundbreaking work of many of these poets who carried on the innovative legacies of Melvin Tolson, Gwendolyn Brooks, and Robert Hayden. Whereas poetry by such key figures such as Amiri Baraka, Tolson, Jayne Cortez, Clarence Major, and June Jordan is represented, this anthology also elevates into view the work of less studied poets such as Russell Atkins, Jodi Braxton, David Henderson, Bob Kaufman, Stephen Jonas, and Elouise Loftin. Many of the poems collected in the volume are currently unavailable and some will appear in print here for the first time. Coeditors Aldon Lynn Nielsen and Lauri Ramey provide a critical introduction that situates the poems historically and highlights the ways such poetry has been obscured from view by recent critical and academic practices. The result is a record of experimentation, instigation, and innovation that links contemporary African American poetry to its black modernist roots and extends the terms of modern poetics into the future.
Author: Aldon Lynn Nielsen
Publisher: University of Alabama Press
ISBN: 0817352791
Category : Literary Criticism
Languages : en
Pages : 330
Get Book Here
Book Description
Showcases brilliant and experimental work in African American poetry. Just prior to the Second World War, and even more explosively in the 1950s and 1960s, a far-reaching revolution in aesthetics and prosody by black poets ensued, some working independently and others in organized groups. Little of this new work was reflected in the anthologies and syllabi of college English courses of the period. Even during the 1970s, when African American literature began to receive substantial critical attention, the work of many experimental black poets continued to be neglected. Every Goodbye Ain’t Gone presents the groundbreaking work of many of these poets who carried on the innovative legacies of Melvin Tolson, Gwendolyn Brooks, and Robert Hayden. Whereas poetry by such key figures such as Amiri Baraka, Tolson, Jayne Cortez, Clarence Major, and June Jordan is represented, this anthology also elevates into view the work of less studied poets such as Russell Atkins, Jodi Braxton, David Henderson, Bob Kaufman, Stephen Jonas, and Elouise Loftin. Many of the poems collected in the volume are currently unavailable and some will appear in print here for the first time. Coeditors Aldon Lynn Nielsen and Lauri Ramey provide a critical introduction that situates the poems historically and highlights the ways such poetry has been obscured from view by recent critical and academic practices. The result is a record of experimentation, instigation, and innovation that links contemporary African American poetry to its black modernist roots and extends the terms of modern poetics into the future.
Author: Joseph Nazel
Publisher: Holloway House Publishing
ISBN: 9780870677649
Category : Fiction
Languages : en
Pages : 260
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Book Description
"They said he was crazy, but he was merely mad, angry at the racist insanity he saw around him in the South of the '60s. They arrested him for fire-bombing a segregated toilet and put him away in a mental hospital, aptly named 'Limbo.' Released ten years later, he goes home to the housing projects of South Central Los Angeles, where he witnesses an entirely different kind of insanity--a black-on-black cruelty even more destructive than what he had gone south to protest."--Publisher's note on back cover
Author: Jim Small
Publisher: Lulu.com
ISBN: 1312588039
Category : Art
Languages : en
Pages : 100
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Book Description
Poetry and photography are universal languages spoken from the heart. When they converse together, the can flow like song. In this book, Heartstrings, you will meet siblings, a sister and brother who have joined forces to share their visions of life through their use of the lens and the pen. Although they live two thousand miles apart, they are able to combine their artistry in a way that brings their images and words together. Now this union has made it possible for you to make the journey as well, with beautiful and sometimes painful views into the world we live.
Author: Deborah Chenault Green
Publisher: iUniverse
ISBN: 0595604323
Category : Poetry
Languages : en
Pages : 142
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Book Description
At the age of forty-eight, I thought my dreams were over. Depressed, physically ill and emotionally bruised, I had all but given up. I had no hope and felt destined to a life of misery and gloom. Then something happened, I began to hear a voice speak to me. Was I crazy? God doesn't speak to "ordinary" people, does he? Well, he was speaking to me. At first I didn't know what to think, what to do, but then He told me to look back over my life and tell Him what I saw. What I saw was not what I expected; what I saw was evidence of God's goodness throughout my life. That's when I began to thank and praise Him. From that day my life changed drastically, on every level, in every aspect. I began to look at life in a new way, a more positive way. The more positive I began to think, the more positive things started to occur in my life. Those conversations with God led to the writing of this book.
Author: Anand Prahlad
Publisher: Univ. Press of Mississippi
ISBN: 9781604737691
Category : African American proverbs
Languages : en
Pages : 308
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Book Description
A groundbreaking study of proverbs in African-American speech from slave times to the present.
Author: Trudier Harris
Publisher: University of Alabama Press
ISBN: 0817318445
Category : Biography & Autobiography
Languages : en
Pages : 197
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Book Description
Defiance of the law, uses of indirection, moral lapses, and bad habits are as much a part of the folk-transmitted biography of King as they are a part of writers' depictions of him in literary texts. Harris first demonstrates that during the Black Arts Movement of the 1960s, when writers such as Nikki Giovanni, Sonia Sanchez, and LeRoi Jones (Amiri Baraka) were rising stars in African American poetry, King's philosophy of nonviolence was out of step with prevailing notions of militancy (Black Power), and their literature reflected that division. In the quieter times of the 1970s and 1980s and into the twenty-first century, however, treatments of King and his philosophy in African American literature changed. Writers who initially rejected him and nonviolence became ardent admirers and boosters, particularly in the years following his assassination. By the 1980s, many writers skeptical about King had reevaluated him and began to address him as a fallen hero.
Author: Teresa Hill
Publisher: R&L Education
ISBN: 1610481062
Category : Education
Languages : en
Pages : 127
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Book Description
Every Closed Eye Ain't Sleep: African American Perspectives on the Achievement Gap examines the origins and perpetuation of the achievement gap from the perspective of the African American community. Instead of accepting the achievement gap as an inevitable matter of fact, Every Closed Eye Ain't Sleep questions the fundamental beliefs that perpetuate the gap. Drawing on dialogue with African American community members, Teresa Hill advances a framework for understanding a predominant African American view of the educational process. She then juxtaposes this framework with the norms perpetrated by the educational establishment to demonstrate how disagreements about the roles and responsibilities of parents, teachers and students affect community members' experiences in schools. Every Closed Eye Ain't Sleep opens a dialogue about the achievement gap on different terms, analyzes the gap as an issue of social justice, and provides educational leaders and policymakers with ways to engage in the productive dialogue necessary to improve education for African American children.
Author: Itabari Njeri
Publisher: Vintage
ISBN: 9780679732426
Category : Biography & Autobiography
Languages : en
Pages : 260
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Book Description
Author: Sunny Hostin
Publisher: HarperCollins
ISBN: 0062994190
Category : Fiction
Languages : en
Pages : 354
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Book Description
New York Times Bestseller! The View cohost and New York Times bestselling author Sunny Hostin dazzles with this brilliant novel about a life-changing summer along the beaches of Martha's Vineyard. Welcome to Oak Bluffs, the most exclusive Black beach community in the country. Known for its gingerbread Victorian-style houses and modern architectural marvels, this picturesque town hugging the sea is a mecca for the crème de la crème of Black society—where Michelle and Barack Obama vacation and Meghan Markle has shopped for a house for her mom. Black people have lived in this pretty slip of the Vineyard since the 1600s and began buying property in the 1800s, making this posh town the embodiment of “old money.” Thirty years ago, Amelia Vaux Tanner and her husband built a house high on the bluffs, a cottage they named Chateau Laveau. For decades, “Ama” played host to American presidents, Wall Street titans, and cultural icons. But her favorite guests have always been her three “goddaughters:” Esperanza “Perry” Soto, a beautiful, talented Afro-Latina lawyer with Ama’s strong, yet guarded personality; Olivia Jones, a gifted Wall Street analyst with Ama’s brilliant, logical mind; and Billie Hayden, a gifted marine biologist and rule-breaker with Ama’s courageous free spirit. Growing up, these three goddaughters from different backgrounds came together each summer at Chateau Laveau. As adults, the cottage is a place this trio of successful yet very different women go to escape, to slow down from their hectic lives, share private time with Ama, and enjoy the gorgeous weather, cool water, and stunning views Oak Bluffs offers. This summer on the Bluffs, however, will be different. An era is ending: Ama, now nearing seventy-one, is moving to the south of France to reunite with her college sweetheart. She has invited Perry, Olivia, and Billie to spend one last golden summer together with her the way they did when they were kids. And when fall comes, she is going to give the house to one of them. Each of the women wants the house desperately. Each is grappling with a secret she fears will hurt her and her chances. By the end of summer, old ties will fray, new bonds will be created, and these three found sisters will discover they aren’t the only ones with something to hide. Ama has a few secrets of her own. What she has to give them is far more than property. Between Memorial Day and Labor Day, she will tell these surrogate daughters she fiercely loves and protects everything they never knew they needed to know.
Author: Brey
Publisher: iUniverse
ISBN: 0595505139
Category : Fiction
Languages : en
Pages : 138
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Book Description
This Ain't Over Chapter 1 I held Tori's bloody body close as she took her last breath. I was supposed to protect her. I am Spencer McNeel, and no one ever hurts what's mine. I shut my eyes tightly and in my mind replayed her final moments. We'd been living in Columbia for several months. Tori had been cut off from her friends and family. When I got home late and found Tori waiting for me in the office, I figured she was upset and homesick. Hey, baby, what's wrong? I said as I approached her. Was it you? she asked. What? Grey did you kill Grey? You need some sleep. Come to bed, and in the morning you'll forget this shit and save me the trouble of getting mad. I'm not going anywhere until you tell me. Look me in the eye and tell me. Just say it; just tell me you had nothing to do with Grey being shot. Tell me and I'll believe you. I'm begging you. Tori, I don't answer to anyone not you or anyone else. Now, I'm warning you, drop this shit and go to bed! Spare me the bullshit and tell me! Did you kill Grey?" Tori was screaming at the top of her lungs, and I was enraged. It all made sense to her now. She could put together the pieces: the phone call from me saying that everything would be the way it should be; the gun I planted that she knew couldn't have belonged to Grey; the lack of urgency the police had in solving his murder. I could see the wheels turning as she put it all together and saw me for the man I am. She continued watching me for an answer to confirm what she finally had figured out. As the argument escalated, I knew there was no need to deny that I was responsible for killing her fiancé so I could have her for myself. You want to know, huh? I try to protect you, and all I get from you is questions! Hell yeah, I killed him. I rolled up beside him, opened his door, and looked him right in the eye before I pulled the trigger. I reenacted the scene. He was nothing, and I did you a favor by saving you from making that mistake. You should be thanking me. You killed an innocent man, just for loving me, Tori said. Just for giving me something that you couldn't. He was the one who kept me safe; he was the one who would always be there, and you killed him. She backed away from me, but I knew there was nowhere for her to go. I'm leaving, and there's nothing you can say to stop me, she said. I played this game for far too long, and I cost a wonderful person his life. There ain't going to be much more of this bullshit about you loving that motherfucker and all that. Now get out of my face and carry your ass to bed before this turns ugly. Oh, it's already ugly. Fuck you! I'm getting my shit and getting as far away from you as a plane can carry me! Tori, you can't leave, I said with absolute confidence. I knew I'd be able to talk her out of this nonsense. She was mine, all mine. That motherfucker was in the way. He had to die. What can I say? You can't stop me! she yelled again. Tori, even if I would allow you to leave, even if I would allow that to happen you wouldn't be safe, and neither would I. My life and the lives of my family are resting in your hands, and I can't allow that. Fuck you. Good-bye, she said and turned her back to me. I had no patience left. You made a choice! You chose to stay. This discussion is over. I chose to stay because I thought I could trust you. She kept walking toward the door. I never cocked the gun I drew on her, but I heard one load behind me. You'd kill me? she asked as tears ran down her face. There's one way out, Tori. Don't make me do this. Forget Grey. I love you; I'll make it up to you. Can't you see I did all of this just so I could be with you? No one ever loved you like I do. Crack! One shot pierced the air. Tori's blood splattered over the desk behind her. I leap forward and caught her in my arms before she began to fall. I held her tightly to my chest and looked into her eyes. I stumbled as she went limp in my arms. I knew Chad was there, but I never thought he'd pull the
