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Author: Georgina Hughes
Publisher: Boydell & Brewer
ISBN: 1837650675
Category : Biography & Autobiography
Languages : en
Pages : 287
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Book Description
A case study of a pioneering musician and an interdisciplinary appraisal of the larger social role of the artist. Dame Evelyn Glennie (b.1965) is the world's first full-time solo multi-percussionist, a sound creator and expert listener whose work continues to expand and diversify the remit of the contemporary performer in the twenty-first century. This book presents the first comprehensive study of Glennie's contribution to the evolution of an eclectic, experimental and fascinating instrumental discipline which wilfully eludes standardization. Glennie's sound journey also resonates in contexts extending beyond the discipline of music. She is a prominent female role model, an entrepreneur, a business and brand, a philanthropist and a profoundly deaf performer who has reframed discourse on what it means to truly listen. This book is both a case study of one pioneering musician and an interdisciplinary appraisal of the larger social role of the artist. An important reference source for percussionists, it is also intended to serve as a means of allowing the interested reader to engage with a medium that has become the heartbeat of contemporary culture.
Author: Georgina Hughes
Publisher: Boydell & Brewer
ISBN: 1837650675
Category : Biography & Autobiography
Languages : en
Pages : 287
Get Book Here
Book Description
A case study of a pioneering musician and an interdisciplinary appraisal of the larger social role of the artist. Dame Evelyn Glennie (b.1965) is the world's first full-time solo multi-percussionist, a sound creator and expert listener whose work continues to expand and diversify the remit of the contemporary performer in the twenty-first century. This book presents the first comprehensive study of Glennie's contribution to the evolution of an eclectic, experimental and fascinating instrumental discipline which wilfully eludes standardization. Glennie's sound journey also resonates in contexts extending beyond the discipline of music. She is a prominent female role model, an entrepreneur, a business and brand, a philanthropist and a profoundly deaf performer who has reframed discourse on what it means to truly listen. This book is both a case study of one pioneering musician and an interdisciplinary appraisal of the larger social role of the artist. An important reference source for percussionists, it is also intended to serve as a means of allowing the interested reader to engage with a medium that has become the heartbeat of contemporary culture.
Author: James Blades
Publisher: Kahn & Averill
ISBN: 9780995757431
Category :
Languages : en
Pages : 624
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Book Description
For many years, James Blades's famous book has been referred to as the percussionist's bible. It is established as the definitive reference work on the subject. Last updated by the author in 2005 and now back in print, this extended edition includes two additional chapters. The first covers the rise of the solo percussionist by the world's leading practitioner, Dame Evelyn Glennie who also contributes a new Foreword, while recent developments in orchestral percussion are covered by Neil Percy, Head of Timpani and Percussion at the Royal Academy of Music and Principal Percussionist of the London Symphony Orchestra.
Author: Evelyn Glennie
Publisher:
ISBN: 9781911221647
Category :
Languages : en
Pages : 138
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Book Description
"It is my belief that there is no such thing as silence," declares profoundly Evelyn Glennie. In Listen World!, the Grammy Award-winning percussionist challenges misconceptions about deafness, and asserts instead the incredible world of sound she lives in. Having dedicated her entire life to breaking boundaries, Glennie now seeks to transform the entire world - to listen, and to teach others to listen. Listen World! is an incredible insight into the mind behind a musical revolution. From innovative collaborations with choreographers to the incorporation of technology into her work, from her performance at the 2012 Olympic Opening Ceremony to her production of Shakespeare, Glennie has undoubtedly changed the way we think of sound in the world. More than that, her autobiography gives an unprecedented sense of the character, passion and heart behind it all. In listening to her story, every reader moves one step closer to the compassionate, sensitive, and individual new world she imagines. "I've never met anyone who listens with as much of herself--mind, body, and heart--as does Dame Evelyn Glennie. Her listening is a bridge, a profound and self-giving attentiveness that can heal what can't be cured. I was blessed to learn from Evelyn what it means to truly listen, and I trust you will be as well."--Michael Verde, Founder of Memory Bridge "In this immensely personal book, Evelyn Glennie asks us to listen with our whole being to the magic of music"--Keith Howard, Professor of Music, SOAS, University of London "This book is an invitation to tap into the wonders of listening, what that means to you and everything you engage in. What happens when you engage with the chatter in your head? When you travel to school and college. Is listening only about sound or can our whole body be a resonating chamber? Is listening about observing? How can we begin to enhance our relationship to 'listening' and how can it influence all the decisions you make from minute to minute? My experience is that listening is an activity that never sleeps... even when we are asleep we continue to listen! What an opportunity we have to re-engage, rethink, revisit our everyday lives to make what we do much more vivid and meaningful, and as a result, feel part of the wonders of the world?"-- Evelyn Glennie
Author: Shannon Stocker
Publisher: Penguin
ISBN: 0593109694
Category : Juvenile Nonfiction
Languages : en
Pages : 41
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Book Description
* Schneider Family Book Award Winner * A gorgeous and empowering picture book biography about Evelyn Glennie, a deaf woman, who became the first full-time solo percussionist in the world. (Cover may vary) "No. You can't," people said. But Evelyn knew she could. She had found her own way to listen. From the moment Evelyn Glennie heard her first note, music held her heart. She played the piano by ear at age eight, and the clarinet by age ten. But soon, the nerves in her ears began to deteriorate, and Evelyn was told that, as a deaf girl, she could never be a musician. What sounds Evelyn couldn’thear with her ears, though, she could feel resonate through her body as if she, herself, were a drum. And the music she created was extraordinary. Evelyn Glennie had learned how to listen in a new way. And soon, the world was listening too. "Radiant." —Publishers Weekly "Perfect for elementary school readers . . . Excellent." —SLJ "Beautiful." —A Mighty Girl “Lyrical . . . Expressive . . . Vibrant.” —Booklist “An intriguing, loving biography.” —Kirkus "Engaging [and] vibrant." —The Horn Book "Fantastic." —Book Riot
Author: Evelyn Glennie
Publisher: Vintage
ISBN: 9780099851202
Category : Deaf
Languages : en
Pages : 246
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Book Description
The autobiography of Evelyn Glennie, the world's first full-time virtuoso percussionist who, since the age of 12, has been profoundly deaf. It describes her upbringing on a remote Scottish farm, her childhood battles against being sent to a school for the deaf and the initial reluctance of the Royal Academy of Music even to interview her. After three outstanding years as a student, culminating in being awarded the prestigious Shell/LSO Gold Medal for Percussion and Piano, we are taken to her triumphant entry on to the professional music stage, worldwide tours, the excitement of recording her first album, and the honour of a solo concert and the 1989 Prom Season.
Author: Edna B. Chun
Publisher: Springer Nature
ISBN: 3031389204
Category : Music
Languages : en
Pages : 209
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Book Description
Designed as a practical resource, this book examines transformational and inclusive approaches to the teaching of music at the postsecondary level based on first-person interviews with renowned musicians and their students. At the heart of the study are musical/artistic perspectives and pedagogical approaches from leading artists and the insights of their students on the impact of the teaching and mentoring process. Through case studies with renowned musicians and their protégés, the book identifies common themes in teaching and mentoring across classical and jazz performance. Each case study is a master class with the artist that offers insight into the evolution of the individual’s musical career, their approach to teaching, and specific strategies for navigating the complexities of the music business environment. With remarkable candor, artists and their protégés share how they navigated significant obstacles in their career journeys. Including overcoming performance anxiety, disability and injury, lack of financial support, difficulty obtaining an agent and recording contracts, country location and stereotypes based on gender and nationality. The book serves as an important resource for music educators by offering concrete approaches to mentoring talented students, while also sharing specific strategies for aspiring professional musicians seeking to forge a career in a highly competitive musical market.
Author: Oscar Trimboli
Publisher:
ISBN: 9780995377745
Category :
Languages : en
Pages : 156
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Book Description
Over 55% of your day is spent listening; yet only 2% of us have been trained in how to listen. What is poor listening costing you? Do you rush from meeting to meeting, your head buried in the last conversation you had, without time to think of the next? Or feel frustrated with unproductive discussions where the loudest in the room adds limited insight and drowns out everyone else? We usually think of these situations as communication problems; that we have not spoken our needs correctly or clearly. Yet, conflict, chaos and confusion are the costs of not listening. Many communication and listening books say the most important person in a conversation is the speaker - not true! This pocket-sized guide will help you to reconnect with your innate gift of deep listening, to create the right space to listen to yourself before you listen to others. You'll learn to listen beyond the words that are spoken, to add context and meaning and listen in to what's not being said. Deep Listening will help you move from confusion and conflict to thoughtful, insightful and powerful discussions that will transform not just your work, but your whole life.
Author: Harris M. Berger
Publisher: Oxford University Press
ISBN: 0190693878
Category : Music
Languages : en
Pages : 753
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Book Description
A source of profound insights into human existence and the nature of lived experience, phenomenology is among the most influential intellectual movements of the last hundred years. The Oxford Handbook of the Phenomenology of Music Cultures brings ideas from the phenomenological tradition of Continental European philosophy into conversation with theoretical, ethnographic, and historical work from ethnomusicology, anthropology, sound studies, folklore studies, and allied disciplines to develop new perspectives on musical practices and auditory cultures. With sustained theoretical meditations and evocative ethnography, the book's twenty-two chapters advance scholarship on topics at the heart of the study of music and culture today--from embodiment, atmosphere, and Indigenous ontologies, to music's capacity to reveal new possibilities of the person, the nature of virtuosity, issues in research methods, the role of memory, imagination, and states of consciousness in musical experience, and beyond. Thoroughly up-to-date, the handbook engages with both classical and contemporary phenomenology, as well as theoretical traditions that have drawn from it, such as affect theory or the German-language literature on cultural techniques. Together, these essays make major contributions to fundamental theory in the study of music and culture.
Author: Elena Mannes
Publisher: Bloomsbury Publishing USA
ISBN: 0802719961
Category : Music
Languages : en
Pages : 284
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Book Description
The award-winning creator of the documentary The Music Instinct traces the efforts of visionary researchers and musicians to understand the biological foundations of music and its relationship to the brain and the physical world. 35,000 first printing.
Author: Andrew Durkin
Publisher: Pantheon
ISBN: 0307911764
Category : Music
Languages : en
Pages : 538
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Book Description
Decomposition is a bracing, revisionary, and provocative inquiry into music—from Beethoven to Duke Ellington, from Conlon Nancarrow to Evelyn Glennie—as a personal and cultural experience: how it is composed, how it is idiosyncratically perceived by critics and reviewers, and why we listen to it the way we do. Andrew Durkin, best known as the leader of the West Coast–based Industrial Jazz Group, is singular for his insistence on asking tough questions about the complexity of our presumptions about music and about listening, especially in the digital age. In this winning and lucid study he explodes the age-old concept of musical composition as the work of individual genius, arguing instead that in both its composition and reception music is fundamentally a collaborative enterprise that comes into being only through mediation. Drawing on a rich variety of examples—Big Jay McNeely’s “Deacon’s Hop,” Biz Markie’s “Alone Again,” George Antheil’s Ballet Mécanique, Frank Zappa’s “While You Were Art,” and Pauline Oliveros’s “Tuning Meditation,” to name only a few—Durkin makes clear that our appreciation of any piece of music is always informed by neuroscientific, psychological, technological, and cultural factors. How we listen to music, he maintains, might have as much power to change it as music might have to change how we listen.
