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Author:
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ISBN:
Category : European Cinema and Television Year
Languages : en
Pages : 56
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Book Description
Author:
Publisher:
ISBN:
Category : European Cinema and Television Year
Languages : en
Pages : 56
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Book Description
Author: Josef Gugler
Publisher: University of Texas Press
ISBN: 029272327X
Category : Performing Arts
Languages : en
Pages : 385
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Book Description
*A timely window on the world of Middle Eastern cinema, this remarkable overview includes many essays that provide the first scholarly analysis of significant works by key filmmakers in the region.
Author: Ulrike H. Meinhof
Publisher: Routledge
ISBN: 113476989X
Category : Language Arts & Disciplines
Languages : en
Pages : 211
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Book Description
Worlds in Common? examines the newly emerging forms of language used in satellite television programmes, exploring a wide range of genres including twenty-four hour news broadcasting, culture channels, talk shows, local TV and European news. Focusing on the experiences of British and German viewers, the authors discuss these new forms of communication brought about by the technological and economic upheavals in Europe in the late 1990s. This interaction between media theories and media discourses, makes the book highly relevant for researchers in media and cultural studies as well as linguistics, and provides an important and innovatory link between these different approaches.
Author:
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Category : Bulletin quotidien Europe
Languages : en
Pages : 798
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Book Description
Author:
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ISBN:
Category :
Languages : en
Pages : 1068
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Author:
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ISBN:
Category : Inventory control
Languages : en
Pages : 678
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Book Description
Author: Sylvie Durmelat
Publisher: U of Nebraska Press
ISBN: 080323838X
Category : Performing Arts
Languages : en
Pages : 283
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Book Description
North African immigrants, once confined to France’s social and cultural margins, have become a strong presence in France’s national life. Similarly, descendants of immigrants from Morocco, Algeria, and Tunisia have gained mainstream recognition as filmmakers and as the subject of films. The first collective volume on this topic, Screening Integration offers a sustained critical analysis of this cinema. In particular, contributors evaluate how Maghrebi films have come to participate in, promote, and, at the same time, critique France’s integration. In the process, these essays reflect on the conditions that allowed for the burgeoning of this cinema in the first place, as well as on the social changes the films delineate. Screening Integration brings together established scholars in the fields of postcolonial, Francophone, and film studies to address the latest developments in this cinematic production. These authors explore the emergence of various genres that recast the sometimes fossilized idea of ethnic difference. Screening Integration provides a much-needed reference for those interested in comprehending the complex shifts in twenty-first-century French cinema and in the multicultural social formations that have become an integral part of contemporary France in the new millennium.
Author: Vinay Swamy
Publisher: Rowman & Littlefield
ISBN: 0739165372
Category : Literary Criticism
Languages : en
Pages : 209
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Book Description
Interpreting the Republic focuses on contemporary French literary and cinematic works (1986-2003) that reflect on what it means to belong to a nation such as France by giving voice to those who find themselves marginalized by French society. While citizenship and belonging can be, and indeed are, interpreted differently depending on the socio-cultural and political context, it is the foundational universalist republican principle of egalitarianism that has remained the sacred cow of French society. One of the major claims of this study is that the rigidity of French national discourse that attempts to impose a certain homogeneity in its official identificatory practices--all citizens are French, and thus difference (ethnic, sexual or other) ceases to matter--is but one of the many possible interpretations of the notion of the Republic. Vinay Swamy seeks to show how such supposedly unshakeable principles, too, can be, and often are, reinterpreted in novel ways by the works analyzed in this study, which carve out niches for their protagonists that are otherwise foreclosed in the French national space. Swamy examines the different tactics of identification deployed in works ranging from early "romans beurs" by Azouz Begag, Farida Belghoul and Soraya Nini, and Allah Superstar, the 2003 satirical novel by Y.B., to a number of films including Gazon maudit (1995), Ma vie en rose (1997), Le Placard (2001), Chouchou (2003), all of which (re)interpret the Republic in an effort to legitimize their protagonists' otherwise marginalized social position(s). He demonstrates how all these works put pressure, in a variety of ways, on an unacknowledged understanding of the institutional positions.
Author: Cait Coker
Publisher: McFarland
ISBN: 1476637334
Category : Literary Criticism
Languages : en
Pages : 252
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Book Description
The media vampire has roots throughout the world, far beyond the shores of the usual Dracula-inspired Anglo-American archetypes. Depending on text and context, the vampire is a figure of anxiety and comfort, humor and fear, desire and revulsion. These dichotomies gesture the enduring prevalence of the vampire in mass culture; it can no longer articulate a single feeling or response, bound by time and geography, but is many things to many people. With a global perspective, this collection of essays offers something new and different: a much needed counter-narrative of the vampire's evolution in popular culture. Divided by geography, this text emphasizes the vampiric as a globetrotting citizen du monde rather than an isolated monster.
Author: Kaya Davies Hayon
Publisher: Bloomsbury Publishing USA
ISBN: 1501336002
Category : Performing Arts
Languages : en
Pages : 193
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Book Description
Sensuous Cinema: The Body in Contemporary Maghrebi Film examines a cluster of recent films that feature Maghrebi(-French) people and position corporeality as a site through which subjectivity and self-other relations are constituted and experienced. These films are set in and between the countries of the Maghreb, France and, to a lesser degree, Switzerland, and often adopt a sensual aesthetic that prioritizes embodied knowledge, the interrelation of the senses and the material realities of emotional experience. However, despite the importance of the body in these films, no study to date has taken corporeality as its primary point of concern. This new addition to the Thinking Cinema series interweaves corporeal phenomenology with theological and feminist scholarship on the body from the Maghreb and the Middle East to examine how Maghrebi(-French) people of different genders, ethnicities, sexualities, ages and classes have been represented corporeally in contemporary Maghrebi and French cinemas. Via detailed textual and phenomenological analyses of films such as Red Satin (Amari 2002), Exiles (Gatlif 2004), Couscous (Kechiche 2007) and Salvation Army (Taïa 2014), Kaya Hayon Davies conveys the pivotal role that corporeality plays in articulating identity and the emotions in these films.
