Author: Laurence Patrick Anthony Kitching
Publisher: Frankfurt am Main : P. Lang
ISBN:
Category : Drama
Languages : en
Pages : 236
Book Description
Europe's Itinerant Players and the Advent of German-language Theatre in Reval, Estonia
Author: Laurence Patrick Anthony Kitching
Publisher: Frankfurt am Main : P. Lang
ISBN:
Category : Drama
Languages : en
Pages : 236
Book Description
Publisher: Frankfurt am Main : P. Lang
ISBN:
Category : Drama
Languages : en
Pages : 236
Book Description
Russia's Theatrical Past
Author: Claudia R. Jensen
Publisher: Indiana University Press
ISBN: 0253056373
Category : Music
Languages : en
Pages : 283
Book Description
In the 17th century, only Moscow's elite had access to the magical, vibrant world of the theater. In Russia's Theatrical Past, Claudia Jensen, Ingrid Maier, Stepan Shamin, and Daniel C. Waugh mine Russian and Western archival sources to document the history of these productions as they developed at the court of the Russian tsar. Using such sources as European newspapers, diplomats' reports, foreign travel accounts, witness accounts, and payment records, they also uncover unique aspects of local culture and politics of the time. Focusing on Northern European theatrical traditions, the authors explore the concept of intertheater, which describes transmissions between performing traditions, and reveal how the Muscovite court's interest in theater and other musical entertainment was strongly influenced by diplomatic contacts. Russia's Theatrical Past, made possible by an international research collaborative, offers fresh insight into how and why Russians went to such great efforts to rapidly develop court theater in the 17th century.
Publisher: Indiana University Press
ISBN: 0253056373
Category : Music
Languages : en
Pages : 283
Book Description
In the 17th century, only Moscow's elite had access to the magical, vibrant world of the theater. In Russia's Theatrical Past, Claudia Jensen, Ingrid Maier, Stepan Shamin, and Daniel C. Waugh mine Russian and Western archival sources to document the history of these productions as they developed at the court of the Russian tsar. Using such sources as European newspapers, diplomats' reports, foreign travel accounts, witness accounts, and payment records, they also uncover unique aspects of local culture and politics of the time. Focusing on Northern European theatrical traditions, the authors explore the concept of intertheater, which describes transmissions between performing traditions, and reveal how the Muscovite court's interest in theater and other musical entertainment was strongly influenced by diplomatic contacts. Russia's Theatrical Past, made possible by an international research collaborative, offers fresh insight into how and why Russians went to such great efforts to rapidly develop court theater in the 17th century.
Lumen
Author: Canadian Society for Eighteenth-Century Studies
Publisher:
ISBN:
Category : Civilization, Modern
Languages : en
Pages : 194
Book Description
Publisher:
ISBN:
Category : Civilization, Modern
Languages : en
Pages : 194
Book Description
Sex, Love and Prostitution in Turn-of-the-century German-language Drama
Author: Rüdiger H. Mueller
Publisher: Frankfurt am Main : P. Lang
ISBN:
Category : Drama
Languages : en
Pages : 184
Book Description
Schnitzler's Reigen, Wedekind's Die Büchse der Pandora: Eine Monstretragoedie, and Thoma's Moral and Magdalena reflect the gender inequity and interaction of their time as described in contemporary non-literary texts. The works represent a creative participation in gender discourse, taking the side of social reformers who argued for a more equitable treatment of women, including prostitutes. The discrimination endured by prostitutes, however, is simply an extreme of what all women experienced. The dramas expose male oppression of females, while simultaneously portraying what women can do in order to achieve limited independence and self-determination. Women are victims rather than victimizers, and male hypocritical attitudes cause women's suffering.
Publisher: Frankfurt am Main : P. Lang
ISBN:
Category : Drama
Languages : en
Pages : 184
Book Description
Schnitzler's Reigen, Wedekind's Die Büchse der Pandora: Eine Monstretragoedie, and Thoma's Moral and Magdalena reflect the gender inequity and interaction of their time as described in contemporary non-literary texts. The works represent a creative participation in gender discourse, taking the side of social reformers who argued for a more equitable treatment of women, including prostitutes. The discrimination endured by prostitutes, however, is simply an extreme of what all women experienced. The dramas expose male oppression of females, while simultaneously portraying what women can do in order to achieve limited independence and self-determination. Women are victims rather than victimizers, and male hypocritical attitudes cause women's suffering.
From Antlütze to Angesicht
Author: Brent J. Holland
Publisher: Frankfurt am Main : P. Lang
ISBN:
Category : Literary Criticism
Languages : en
Pages : 136
Book Description
The formation of identity has always been an intriguing property of human culture. Today, identity is largely understood as the product of discursive economies and as a vector of language use. At the center of this socio-linguistic framework lies the locus of identity production itself, the inscribed body, which represents prevailing schemes of order. The inscription of identity onto the body is thus a social and not an individual process, the reaction to a coalition of arbitrary stimuli rather than an unchanging organic property of human life. In this respect, we can no longer take the transcendental nature of the individual, with whom we associate the modern subject, for granted. The question is, do the bodies of earlier periods also evince signs of the individual, or is this form purely a cultural neologism? This book attempts to formulate an answer.
Publisher: Frankfurt am Main : P. Lang
ISBN:
Category : Literary Criticism
Languages : en
Pages : 136
Book Description
The formation of identity has always been an intriguing property of human culture. Today, identity is largely understood as the product of discursive economies and as a vector of language use. At the center of this socio-linguistic framework lies the locus of identity production itself, the inscribed body, which represents prevailing schemes of order. The inscription of identity onto the body is thus a social and not an individual process, the reaction to a coalition of arbitrary stimuli rather than an unchanging organic property of human life. In this respect, we can no longer take the transcendental nature of the individual, with whom we associate the modern subject, for granted. The question is, do the bodies of earlier periods also evince signs of the individual, or is this form purely a cultural neologism? This book attempts to formulate an answer.
Franz Kafka's The Trial
Author: Paul M. Malone
Publisher: Frankfurt am Main : P. Lang
ISBN:
Category : Literary Criticism
Languages : en
Pages : 312
Book Description
"The low critical opinion of dramatic adaptations of prose works makes clear that the dramatic text is widely seen as unable to compete with the narrative text that it adapts. Privileging the text of a play as the site of meaning is inadequate, however, given the social nature of theatre; rather, the socio-historical context of a production must be investigated to flesh out the meaning of the text in dramatic production. In this study, four theatrical adaptations of Franz Kafka's novel The Trial (1925) from different decades and countries, and in three different languages, illustrate a history not only of Kafka reception, but also of society, politics and theatrical practice in western Europe and Canada. The diversity of these visions of Kafka's work pleads for the acceptance of dramatic adaptation as a creative form of interpretation, rather than as an ill-advised misappropriation, of its source."
Publisher: Frankfurt am Main : P. Lang
ISBN:
Category : Literary Criticism
Languages : en
Pages : 312
Book Description
"The low critical opinion of dramatic adaptations of prose works makes clear that the dramatic text is widely seen as unable to compete with the narrative text that it adapts. Privileging the text of a play as the site of meaning is inadequate, however, given the social nature of theatre; rather, the socio-historical context of a production must be investigated to flesh out the meaning of the text in dramatic production. In this study, four theatrical adaptations of Franz Kafka's novel The Trial (1925) from different decades and countries, and in three different languages, illustrate a history not only of Kafka reception, but also of society, politics and theatrical practice in western Europe and Canada. The diversity of these visions of Kafka's work pleads for the acceptance of dramatic adaptation as a creative form of interpretation, rather than as an ill-advised misappropriation, of its source."
History of the Literary Cultures of East-Central Europe
Author: Marcel Cornis-Pope
Publisher: John Benjamins Publishing
ISBN: 9027292353
Category : Literary Criticism
Languages : en
Pages : 540
Book Description
The third volume in the History of the Literary Cultures of East-Central Europe focuses on the making and remaking of those institutional structures that engender and regulate the creation, distribution, and reception of literature. The focus here is not so much on shared institutions but rather on such region-wide analogous institutional processes as the national awakening, the modernist opening, and the communist regimentation, the canonization of texts, and censorship of literature. These processes, which took place in all of the region’s cultures, were often asynchronous and subjected to different local conditions. The volume’s premise is that the national awakening and institutionalization of literature were symbiotically interrelated in East-Central Europe. Each national awakening involves a language renewal, an introduction of the vernacular and its literature in schools and universities, the creation of an infrastructure for the publication of books and journals, clashes with censorship, the founding of national academies, libraries, and theaters, a (re)construction of national folklore, and the writing of histories of the vernacular literature. The four parts of this volume are titled: (1) Publishing and Censorship, (2) Theater as a Literary Institution, (3) Forging Primal Pasts: The Uses of Folk Poetry, and (4) Literary Histories: Itineraries of National Self-images.
Publisher: John Benjamins Publishing
ISBN: 9027292353
Category : Literary Criticism
Languages : en
Pages : 540
Book Description
The third volume in the History of the Literary Cultures of East-Central Europe focuses on the making and remaking of those institutional structures that engender and regulate the creation, distribution, and reception of literature. The focus here is not so much on shared institutions but rather on such region-wide analogous institutional processes as the national awakening, the modernist opening, and the communist regimentation, the canonization of texts, and censorship of literature. These processes, which took place in all of the region’s cultures, were often asynchronous and subjected to different local conditions. The volume’s premise is that the national awakening and institutionalization of literature were symbiotically interrelated in East-Central Europe. Each national awakening involves a language renewal, an introduction of the vernacular and its literature in schools and universities, the creation of an infrastructure for the publication of books and journals, clashes with censorship, the founding of national academies, libraries, and theaters, a (re)construction of national folklore, and the writing of histories of the vernacular literature. The four parts of this volume are titled: (1) Publishing and Censorship, (2) Theater as a Literary Institution, (3) Forging Primal Pasts: The Uses of Folk Poetry, and (4) Literary Histories: Itineraries of National Self-images.
International Books in Print
Author:
Publisher:
ISBN:
Category : English imprints
Languages : en
Pages : 1294
Book Description
Publisher:
ISBN:
Category : English imprints
Languages : en
Pages : 1294
Book Description
Aastaraamat Eesti Teadusliku Seltsi Rootsis
Author: Eesti Teaduslik Selts Rootsis
Publisher:
ISBN:
Category : Periodicals
Languages : un
Pages : 420
Book Description
Publisher:
ISBN:
Category : Periodicals
Languages : un
Pages : 420
Book Description
Sophie's World
Author: Jostein Gaarder
Publisher: Farrar, Straus and Giroux
ISBN: 1466804270
Category : Fiction
Languages : en
Pages : 599
Book Description
A page-turning novel that is also an exploration of the great philosophical concepts of Western thought, Jostein Gaarder's Sophie's World has fired the imagination of readers all over the world, with more than twenty million copies in print. One day fourteen-year-old Sophie Amundsen comes home from school to find in her mailbox two notes, with one question on each: "Who are you?" and "Where does the world come from?" From that irresistible beginning, Sophie becomes obsessed with questions that take her far beyond what she knows of her Norwegian village. Through those letters, she enrolls in a kind of correspondence course, covering Socrates to Sartre, with a mysterious philosopher, while receiving letters addressed to another girl. Who is Hilde? And why does her mail keep turning up? To unravel this riddle, Sophie must use the philosophy she is learning—but the truth turns out to be far more complicated than she could have imagined.
Publisher: Farrar, Straus and Giroux
ISBN: 1466804270
Category : Fiction
Languages : en
Pages : 599
Book Description
A page-turning novel that is also an exploration of the great philosophical concepts of Western thought, Jostein Gaarder's Sophie's World has fired the imagination of readers all over the world, with more than twenty million copies in print. One day fourteen-year-old Sophie Amundsen comes home from school to find in her mailbox two notes, with one question on each: "Who are you?" and "Where does the world come from?" From that irresistible beginning, Sophie becomes obsessed with questions that take her far beyond what she knows of her Norwegian village. Through those letters, she enrolls in a kind of correspondence course, covering Socrates to Sartre, with a mysterious philosopher, while receiving letters addressed to another girl. Who is Hilde? And why does her mail keep turning up? To unravel this riddle, Sophie must use the philosophy she is learning—but the truth turns out to be far more complicated than she could have imagined.