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Author: John Castagno
Publisher: Scarecrow Press
ISBN: 1461658470
Category : Art
Languages : en
Pages : 312
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Book Description
John Castagno's Artists' Signatures and Monograms have become the standard reference source for galleries, museums, libraries, and collectors around the world. European Artists III: Signatures and Monograms From 1800, A Directory features an additional 2,800 artists and signatures. In addition to the standard signature entries, the book features sections for monograms and initials, common surname signatures, alternative surname signatures, and illegible signatures. It provides the researcher a reference tool not duplicated elsewhere—one that will save many hours of research.
Author: John Castagno
Publisher: Scarecrow Press
ISBN: 1461658470
Category : Art
Languages : en
Pages : 312
Get Book Here
Book Description
John Castagno's Artists' Signatures and Monograms have become the standard reference source for galleries, museums, libraries, and collectors around the world. European Artists III: Signatures and Monograms From 1800, A Directory features an additional 2,800 artists and signatures. In addition to the standard signature entries, the book features sections for monograms and initials, common surname signatures, alternative surname signatures, and illegible signatures. It provides the researcher a reference tool not duplicated elsewhere—one that will save many hours of research.
Author: John Castagno
Publisher:
ISBN: 9780810862081
Category : Art
Languages : en
Pages : 316
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Book Description
John Castagno's Artists' Signatures and Monograms have become the standard reference source for galleries, museums, libraries, and collectors around the world. Whether used to identify, authenticate, or verify signatures and works of both well-known and little-known artists, Castagno's work has no equal. In the first volume of European Artists Signatures and Monograms, 1800-1990 (Scarecrow, 1990), Castagno provided identification for more than 4,800 artists' signatures, along with biographical information and reference sources. The second volume, published by Scarecrow in 2007, identified an additional 2,100 artists and featured 3,000 signature examples. This third volume features an additional 2,800 artists and signatures. In addition to the standard signature entries, the book features sections for monograms and initials, common surname signatures, alternative surname signatures, and illegible signatures. Less than five percent of the entries in this volume are listed in the original volumes--and these are included to provide additional information about the artists. The use of European Artists III: Signatures and Monograms From 1800, A Directory provides the researcher a reference tool not duplicated elsewhere--one that will save many hours of research.
Author: Robert L. Feller
Publisher:
ISBN:
Category : Artists' materials
Languages : en
Pages : 240
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Book Description
Author: Jerome Bazin
Publisher: Central European University Press
ISBN: 9633860830
Category : Art
Languages : en
Pages : 531
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Book Description
This book presents and analyzes artistic interactions both within the Soviet bloc and with the West between 1945 and 1989. During the Cold War the exchange of artistic ideas and products united Europe?s avant-garde in a most remarkable way. Despite the Iron Curtain and national and political borders there existed a constant flow of artists, artworks, artistic ideas and practices. The geographic borders of these exchanges have yet to be clearly defined. How were networks, centers, peripheries (local, national and international), scales, and distances constructed? How did (neo)avant-garde tendencies relate with officially sanctioned socialist realism? The literature on the art of Eastern Europe provides a great deal of factual knowledge about a vast cultural space, but mostly through the prism of stereotypes and national preoccupations. By discussing artworks, studying the writings on art, observing artistic evolution and artists? strategies, as well as the influence of political authorities, art dealers and art critics, the essays in Art beyond Borders compose a transnational history of arts in the Soviet satellite countries in the post war period. ÿ
Author: Metropolitan Museum of Art (New York, N.Y.)
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 350
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Book Description
Author: Richard L. Creech
Publisher: Europa Law Publishing
ISBN: 9789076871837
Category : Law
Languages : en
Pages : 192
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Book Description
The European Economic Community, founded in 1957, consisted of six Member States with a combined total of four official languages. By 2004, this organization had evolved into a European Union of twenty-five Member States with more than twenty official languages among them. This increase has presented numerous challenges to the EU's internal linguistic regime, where formal policy has been, with some notable exceptions, to treat all of these languages equally. Some of these languages - English in particular - have been more equal than others. Languages that lack nation-wide official status in any Member State - such as Catalan and Welsh - have been overtly denied equal treatment. Furthermore, the multilingual nature of the EU has had significant implications for any Member State that wishes to regulate the use of language within its territory, as such regulation can interfere with the rights accorded to citizens of other Member States to participate in free commercial movement throughout the Union. Law and Language in the European Union - now in paperback - examines how, in the linguistic realm, the EU has responded to the tensions that lie behind this paradoxical motto.
Author: Donald Frederick Lach
Publisher: University of Chicago Press
ISBN: 9780226467504
Category : Asia
Languages : en
Pages : 432
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Book Description
First systematic, inclusive study of the impact of the high civilizations of Asia on the development of modern Western civilization.
Author: Catherine Barnard
Publisher: Bloomsbury Publishing
ISBN: 1847315518
Category : Law
Languages : en
Pages : 508
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Book Description
The Cambridge Yearbook of European Legal Studies provides a forum for the scrutiny of significant issues in EU Law, the law of the European Convention on Human Rights, and Comparative Law with a 'European' dimension, and particularly those issues which have come to the fore during the year preceding publication. The contributions appearing in the collection are commissioned by the Centre for European Legal Studies (CELS) Cambridge, a research centre in the Law Faculty of the University of Cambridge specialising in European legal issues. The papers presented are at the cutting edge of the fields which they address, and reflect the views of recognised experts drawn from the University world, legal practice, and the institutions of both the EU and its Member States. Inclusion of the comparative dimension brings a fresh perspective to the study of European law, and highlights the effects of globalisation of the law more generally, and the resulting cross fertilisation of norms and ideas that has occurred among previously sovereign and separate legal orders. The Cambridge Yearbook of European Legal Studies is an invaluable resource for those wishing to keep pace with legal developments in the fast moving world of European integration. INDIVIDUAL CHAPTERS Please click on the link below to purchase individual chapters from Volume 11 through Ingenta Connect: www.ingentaconnect.com SUBSCRIPTION TO SERIES To place an annual online subscription or a print standing order through Hart Publishing please click on the link below. Please note that any customers who have a standing order for the printed volumes will now be entitled to free online access. www.hartjournals.co.uk/cyels/subs Editorial Advisory Board: Albertina Albors-Llorens, John Bell, Alan Dashwood, Simon Deakin, David Feldman, Richard Fentiman, Angus Johnston, John Spencer Founding Editors: Alan Dashwood and Angela Ward
Author: Federiga Bindi
Publisher: Rowman & Littlefield
ISBN: 0815704631
Category : Political Science
Languages : en
Pages : 386
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Book Description
In a relatively short time, the European Union has become one of the world's most powerful and important bodies. Its critical role in international affairs extends to several different areas: economics; culture; the environment; and, of course, international security and foreign affairs. This important volume explains and evaluates EU foreign policy in all its confusing dimensions. Is there really any such thing as "European Union Foreign Policy"? If so, what is it? What are its goals and priorities, and how effective is it? How do outsiders perceive EU foreign policy, and what are the ramifications of those views? Those are just some of the questions this book tries to answer. In order to draw the most comprehensive picture possible of EU foreign policy, Federiga Bindi and her contributors dissect both "horizontal" and "vertical" issues. Vertical concerns focus on particular geographic regions, such as the EU's foreign policy toward Africa and Asia and its relations with the United States. Horizontal issues explore wider crosscutting themes that help explain the EU's foreign policy choices and operations, such as decisionmaking processes and procedures; European self-identity; and core priorities such as peace, democracy, and human rights. Contents Foreword by Giuliano Amato, former foreign minister and prime minister of Italy Part I. The New Tools of EU Foreign Policy II. US-EU Relations after the Elections III. EU Relations with the Rest of the Americas IV. Africa and Asia V. The EU and Its Neighbors VI. The EU, the Mediterranean, and the Middle East VII. Promoting Values and Models Abroad VIII. Conclusions: Assessing EU Foreign Policy
Author: Jonathan Vickery
Publisher: Campus Verlag
ISBN: 9783593505640
Category : Art and society
Languages : en
Pages : 0
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Book Description
Art and culture are marginalised from mainstream debates on democracy and society, particularly with the current turbulence in Europe and the global significance of a coherent European identity and sense of cultural unity. This book explores the power of participation in art works for the formation of public memory, for the commemoration of historical events, and for an urban landscape that articulates cultural identity and recognition. The public works of German conceptual artist Jochen Gerz are a fulcrum of our exploration, but the framework is more broadly the European experience of war, conflict, peace and reconciliation, with many other relevant works from the last 25 years in Europe under discussion. The common characteristic of art works under discussion is that people of different backgrounds are invited to participate, regardless of nationality, language, religion, political affiliation or class."
