Author: Pearl Amelia McHaney
Publisher: Univ. Press of Mississippi
ISBN: 9781604732320
Category : Literary Criticism
Languages : en
Pages : 112
Book Description
A centennial consideration of the great author's vision as expressed in her renowned photography
Eudora Welty as Photographer
Author: Pearl Amelia McHaney
Publisher: Univ. Press of Mississippi
ISBN: 9781604732320
Category : Literary Criticism
Languages : en
Pages : 112
Book Description
A centennial consideration of the great author's vision as expressed in her renowned photography
Publisher: Univ. Press of Mississippi
ISBN: 9781604732320
Category : Literary Criticism
Languages : en
Pages : 112
Book Description
A centennial consideration of the great author's vision as expressed in her renowned photography
Photographs
Author: Eudora Welty
Publisher: Univ. Press of Mississippi
ISBN: 1496823923
Category : Photography
Languages : en
Pages : 376
Book Description
Eudora Welty’s Photographs, originally published in 1989, serves as the definitive book of the critically acclaimed writer’s photographs. Her camera’s viewfinder captured deep compassion and her artist’s sensibilities. Photographs is a deeply felt documentation of 1930s Mississippi taken by a keenly observant photographer who showed the human side of her subjects. Also included in the book are pictures from Welty’s travels to New York, New Orleans, South Carolina, Mexico, and Europe in the 1930s, ’40s, and ’50s. The photographs in this edition are new digital scans of Welty’s original negatives and authentic prints, restoring the images to their original glory. It also features sixteen additional images, several of which were selected by Welty for her 1936 photography exhibit in New York City and have never before been reproduced for publication, along with a resonant, new foreword by Pulitzer Prize–winning writer and Mississippi native Natasha Trethewey.
Publisher: Univ. Press of Mississippi
ISBN: 1496823923
Category : Photography
Languages : en
Pages : 376
Book Description
Eudora Welty’s Photographs, originally published in 1989, serves as the definitive book of the critically acclaimed writer’s photographs. Her camera’s viewfinder captured deep compassion and her artist’s sensibilities. Photographs is a deeply felt documentation of 1930s Mississippi taken by a keenly observant photographer who showed the human side of her subjects. Also included in the book are pictures from Welty’s travels to New York, New Orleans, South Carolina, Mexico, and Europe in the 1930s, ’40s, and ’50s. The photographs in this edition are new digital scans of Welty’s original negatives and authentic prints, restoring the images to their original glory. It also features sixteen additional images, several of which were selected by Welty for her 1936 photography exhibit in New York City and have never before been reproduced for publication, along with a resonant, new foreword by Pulitzer Prize–winning writer and Mississippi native Natasha Trethewey.
One Time, One Place
Author: Eudora Welty
Publisher: Univ. Press of Mississippi
ISBN: 9780878058662
Category : Business & Economics
Languages : en
Pages : 136
Book Description
Collects photographs of Mississippians that Welty took in the 1930s when she worked for the Works Progress Administration.
Publisher: Univ. Press of Mississippi
ISBN: 9780878058662
Category : Business & Economics
Languages : en
Pages : 136
Book Description
Collects photographs of Mississippians that Welty took in the 1930s when she worked for the Works Progress Administration.
Country Churchyards
Author: Eudora Welty
Publisher: Univ. Press of Mississippi
ISBN: 9781578062355
Category : History
Languages : en
Pages : 116
Book Description
In her 91st year, this book includes 90 of Welty's photos along with a conversation in which she shares her impressions and memories of the 1930s and 1940s when she rambled through Mississippi cemeteries taking pictures.
Publisher: Univ. Press of Mississippi
ISBN: 9781578062355
Category : History
Languages : en
Pages : 116
Book Description
In her 91st year, this book includes 90 of Welty's photos along with a conversation in which she shares her impressions and memories of the 1930s and 1940s when she rambled through Mississippi cemeteries taking pictures.
Eudora Welty's Fiction and Photography
Author: Harriet Pollack
Publisher: New Southern Studies
ISBN: 9780820348704
Category : Literary Criticism
Languages : en
Pages : 0
Book Description
Drawing on the context in which the protection of the white female body is linked with guarding the U.S. southern body politic, Harriet Pollack traces a pattern in Eudora Welty's fiction in which a sheltered middle-class daughter is disturbed or delighted by an other-class woman who takes pleasure in "making a spectacle" of her corporeal self. Welty herself seeks a parallel self-exposure both through these stories that pair protected girls with at-risk flashers and through her photography's innovating representations of the black female body. Welty's escape from sheltering continues when, after finding herself in love with a man unwilling to acknowledge his homosexuality and so sharing the silence of his closet, she varies the plot of the other woman in a series of midcareer fictions. Additionally, Pollack addresses several critical controversies spawned by Welty's handling of other women's bodies. These concern the comic woman writer's relationship to issues of class and feminism, her puzzled-over and sometimes joyful rape plots, and her handling of race in fictions written when her region was immersed in its Jim Crow regulation of the black body. Two special features of the book are its significant reading of sixty-two visual images and its extensive work with Welty's unpublished manuscripts, in particular those begun during the turmoil of the civil rights struggle in the 1960s and continuing through the 1980s.
Publisher: New Southern Studies
ISBN: 9780820348704
Category : Literary Criticism
Languages : en
Pages : 0
Book Description
Drawing on the context in which the protection of the white female body is linked with guarding the U.S. southern body politic, Harriet Pollack traces a pattern in Eudora Welty's fiction in which a sheltered middle-class daughter is disturbed or delighted by an other-class woman who takes pleasure in "making a spectacle" of her corporeal self. Welty herself seeks a parallel self-exposure both through these stories that pair protected girls with at-risk flashers and through her photography's innovating representations of the black female body. Welty's escape from sheltering continues when, after finding herself in love with a man unwilling to acknowledge his homosexuality and so sharing the silence of his closet, she varies the plot of the other woman in a series of midcareer fictions. Additionally, Pollack addresses several critical controversies spawned by Welty's handling of other women's bodies. These concern the comic woman writer's relationship to issues of class and feminism, her puzzled-over and sometimes joyful rape plots, and her handling of race in fictions written when her region was immersed in its Jim Crow regulation of the black body. Two special features of the book are its significant reading of sixty-two visual images and its extensive work with Welty's unpublished manuscripts, in particular those begun during the turmoil of the civil rights struggle in the 1960s and continuing through the 1980s.
Serious Daring
Author: Susan Letzler Cole
Publisher: University of Arkansas Press
ISBN: 1682260119
Category : Biography & Autobiography
Languages : en
Pages : 162
Book Description
Serious Daring is the story of the complementary journeys of two American women artists, celebrated fiction writer Eudora Welty and internationally acclaimed photographer Rosamond Purcell, each of whom initially practiced, but then turned from, the art form ultimately pursued by the other. For both Welty and Purcell, the art realized is full of the art seemingly abandoned. Welty’s short stories and novels use images of photographs, photographers, and photography. Purcell photographed books, texts, and writing. Both women make compelling art out of the seeming tension between literary and visual cultures. Purcell wrote a memoir in which photographs became endnotes. Welty re-emerged as a photographer through the publication of four volumes of what she called her “snapshots,” magnificent black-and-white photographs of small-town Mississippi and New York City life. Serious Daring is a fascinating look at how the road not taken can stubbornly accompany the chosen path, how what is seemingly left behind can become a haunting and vital presence in life and art.
Publisher: University of Arkansas Press
ISBN: 1682260119
Category : Biography & Autobiography
Languages : en
Pages : 162
Book Description
Serious Daring is the story of the complementary journeys of two American women artists, celebrated fiction writer Eudora Welty and internationally acclaimed photographer Rosamond Purcell, each of whom initially practiced, but then turned from, the art form ultimately pursued by the other. For both Welty and Purcell, the art realized is full of the art seemingly abandoned. Welty’s short stories and novels use images of photographs, photographers, and photography. Purcell photographed books, texts, and writing. Both women make compelling art out of the seeming tension between literary and visual cultures. Purcell wrote a memoir in which photographs became endnotes. Welty re-emerged as a photographer through the publication of four volumes of what she called her “snapshots,” magnificent black-and-white photographs of small-town Mississippi and New York City life. Serious Daring is a fascinating look at how the road not taken can stubbornly accompany the chosen path, how what is seemingly left behind can become a haunting and vital presence in life and art.
Exposing Mississippi
Author: Annette Trefzer
Publisher: Univ. Press of Mississippi
ISBN: 1496839404
Category : Photography
Languages : en
Pages : 304
Book Description
WINNER OF THE 2022 EUDORA WELTY PRIZE Internationally known as a writer, Eudora Welty has as well been spotlighted as a talented photographer. The prevalent idea remains that Welty simply took snapshots before she found her true calling as a renowned fiction writer. But who was Welty as a photographer? What did she see? How and why did she photograph? And what did Welty know about modern photography? In Exposing Mississippi: Eudora Welty's Photographic Reflections, Annette Trefzer elucidates Welty’s photographic vision and answers these questions by exploring her photographic archive and writings on photography. The photographs Welty took in the 1930s and ’40s frame her visual response to the cultural landscapes of the segregated South during the Depression. The photobook One Time, One Place, which was selected, curated, and shaped into a visual narrative by Welty herself, serves as a starting point and guide for the chapters on her spatial hermeneutic. The book is divided into sections by locations and offers how the framing of these areas reveals Welty’s radical commentary of the spaces her camera captured. There are over eighty images in Exposing Mississippi, including some never-before-seen archival photographs, and sections of the book draw on over three hundred more. The chapters on institutional, leisure, and memorial landscapes address how Welty’s photographs contribute to, reflect on, and intervene in customary visual constructions of the Depression-era South.
Publisher: Univ. Press of Mississippi
ISBN: 1496839404
Category : Photography
Languages : en
Pages : 304
Book Description
WINNER OF THE 2022 EUDORA WELTY PRIZE Internationally known as a writer, Eudora Welty has as well been spotlighted as a talented photographer. The prevalent idea remains that Welty simply took snapshots before she found her true calling as a renowned fiction writer. But who was Welty as a photographer? What did she see? How and why did she photograph? And what did Welty know about modern photography? In Exposing Mississippi: Eudora Welty's Photographic Reflections, Annette Trefzer elucidates Welty’s photographic vision and answers these questions by exploring her photographic archive and writings on photography. The photographs Welty took in the 1930s and ’40s frame her visual response to the cultural landscapes of the segregated South during the Depression. The photobook One Time, One Place, which was selected, curated, and shaped into a visual narrative by Welty herself, serves as a starting point and guide for the chapters on her spatial hermeneutic. The book is divided into sections by locations and offers how the framing of these areas reveals Welty’s radical commentary of the spaces her camera captured. There are over eighty images in Exposing Mississippi, including some never-before-seen archival photographs, and sections of the book draw on over three hundred more. The chapters on institutional, leisure, and memorial landscapes address how Welty’s photographs contribute to, reflect on, and intervene in customary visual constructions of the Depression-era South.
New Essays on Eudora Welty, Class, and Race
Author: Harriet Pollack
Publisher: Univ. Press of Mississippi
ISBN: 1496826183
Category : Literary Criticism
Languages : en
Pages : 242
Book Description
Contributions by Jacob Agner, Susan V. Donaldson, Sarah Gilbreath Ford, Stephen M. Fuller, Jean C. Griffith, Ebony Lumumba, Rebecca Mark, Donnie McMahand, Kevin Murphy, Harriet Pollack, Christin Marie Taylor, Annette Trefzer, and Adrienne Akins Warfield The year 2013 saw the publication of Eudora Welty, Whiteness, and Race, a collection in which twelve critics changed the conversation on Welty’s fiction and photography by mining and deciphering the complexity of her responses to the Jim Crow South. The thirteen diverse voices in New Essays on Eudora Welty, Class, and Race deepen, reflect on, and respond to those seminal discussions. These essays freshly consider such topics as Welty’s uses of African American signifying in her short stories and her attention to public street performances interacting with Jim Crow rules in her unpublished photographs. Contributors discuss her adaptations of gothic plots, haunted houses, Civil War stories, and film noir. And they frame Welty’s work with such subjects as Bob Dylan’s songwriting, the idea and history of the orphan in America, and standup comedy. They compare her handling of whiteness and race to other works by such contemporary writers as William Faulkner, Richard Wright, Toni Morrison, Chester Himes, and Alice Walker. Discussions of race and class here also bring her masterwork The Golden Apples and her novel Losing Battles, underrepresented in earlier conversations, into new focus. Moreover, as a group these essays provide insight into Welty as an innovative craftswoman and modernist technician, busily altering literary form with her frequent, pointed makeovers of familiar story patterns, plots, and genres.
Publisher: Univ. Press of Mississippi
ISBN: 1496826183
Category : Literary Criticism
Languages : en
Pages : 242
Book Description
Contributions by Jacob Agner, Susan V. Donaldson, Sarah Gilbreath Ford, Stephen M. Fuller, Jean C. Griffith, Ebony Lumumba, Rebecca Mark, Donnie McMahand, Kevin Murphy, Harriet Pollack, Christin Marie Taylor, Annette Trefzer, and Adrienne Akins Warfield The year 2013 saw the publication of Eudora Welty, Whiteness, and Race, a collection in which twelve critics changed the conversation on Welty’s fiction and photography by mining and deciphering the complexity of her responses to the Jim Crow South. The thirteen diverse voices in New Essays on Eudora Welty, Class, and Race deepen, reflect on, and respond to those seminal discussions. These essays freshly consider such topics as Welty’s uses of African American signifying in her short stories and her attention to public street performances interacting with Jim Crow rules in her unpublished photographs. Contributors discuss her adaptations of gothic plots, haunted houses, Civil War stories, and film noir. And they frame Welty’s work with such subjects as Bob Dylan’s songwriting, the idea and history of the orphan in America, and standup comedy. They compare her handling of whiteness and race to other works by such contemporary writers as William Faulkner, Richard Wright, Toni Morrison, Chester Himes, and Alice Walker. Discussions of race and class here also bring her masterwork The Golden Apples and her novel Losing Battles, underrepresented in earlier conversations, into new focus. Moreover, as a group these essays provide insight into Welty as an innovative craftswoman and modernist technician, busily altering literary form with her frequent, pointed makeovers of familiar story patterns, plots, and genres.
One Writer’s Garden
Author: Susan Haltom
Publisher: Univ. Press of Mississippi
ISBN: 1617031208
Category : Gardening
Languages : en
Pages : 295
Book Description
By the time she reached her late twenties, Eudora Welty (1909–2001) was launching a distinguished literary career. She was also becoming a capable gardener under the tutelage of her mother, Chestina Welty, who designed their modest garden in Jackson, Mississippi. From the beginning, Eudora wove images of southern flora and gardens into her writing, yet few outside her personal circle knew that the images were drawn directly from her passionate connection to and abiding knowledge of her own garden. Near the end of her life, Welty still resided in her parents' house, but the garden—and the friends who remembered it—had all but vanished. When a local garden designer offered to help bring it back, Welty began remembering the flowers that had grown in what she called “my mother's garden.” By the time Welty died, that gardener, Susan Haltom, was leading a historic restoration. When Welty's private papers were released several years after her death, they confirmed that the writer had sought both inspiration and a creative outlet there. This book contains many previously unpublished writings, including literary passages and excerpts from Welty's private correspondence about the garden. The authors of One Writer's Garden also draw connections between Welty's gardening and her writing. They show how the garden echoed the prevailing style of Welty's mother's generation, which in turn mirrored wider trends in American life: Progressive-era optimism, a rising middle class, prosperity, new technology, women's clubs, garden clubs, streetcar suburbs, civic beautification, conservation, plant introductions, and garden writing. The authors illustrate this garden's history—and the broader story of how American gardens evolved in the early twentieth century—with images from contemporary garden literature, seed catalogs, and advertisements, as well as unique historic photographs. Noted landscape photographer Langdon Clay captures the restored garden through the seasons.
Publisher: Univ. Press of Mississippi
ISBN: 1617031208
Category : Gardening
Languages : en
Pages : 295
Book Description
By the time she reached her late twenties, Eudora Welty (1909–2001) was launching a distinguished literary career. She was also becoming a capable gardener under the tutelage of her mother, Chestina Welty, who designed their modest garden in Jackson, Mississippi. From the beginning, Eudora wove images of southern flora and gardens into her writing, yet few outside her personal circle knew that the images were drawn directly from her passionate connection to and abiding knowledge of her own garden. Near the end of her life, Welty still resided in her parents' house, but the garden—and the friends who remembered it—had all but vanished. When a local garden designer offered to help bring it back, Welty began remembering the flowers that had grown in what she called “my mother's garden.” By the time Welty died, that gardener, Susan Haltom, was leading a historic restoration. When Welty's private papers were released several years after her death, they confirmed that the writer had sought both inspiration and a creative outlet there. This book contains many previously unpublished writings, including literary passages and excerpts from Welty's private correspondence about the garden. The authors of One Writer's Garden also draw connections between Welty's gardening and her writing. They show how the garden echoed the prevailing style of Welty's mother's generation, which in turn mirrored wider trends in American life: Progressive-era optimism, a rising middle class, prosperity, new technology, women's clubs, garden clubs, streetcar suburbs, civic beautification, conservation, plant introductions, and garden writing. The authors illustrate this garden's history—and the broader story of how American gardens evolved in the early twentieth century—with images from contemporary garden literature, seed catalogs, and advertisements, as well as unique historic photographs. Noted landscape photographer Langdon Clay captures the restored garden through the seasons.
Light Writing & Life Writing
Author: Timothy Dow Adams
Publisher: UNC Press Books
ISBN: 9780807847923
Category : Photography
Languages : en
Pages : 334
Book Description
On the surface, the use of photography in autobiography appears to have a straightforward purpose: to illustrate and corroborate the text. But in the wake of poststructuralism, the role of photography in autobiography is far from simple or one-dimensional
Publisher: UNC Press Books
ISBN: 9780807847923
Category : Photography
Languages : en
Pages : 334
Book Description
On the surface, the use of photography in autobiography appears to have a straightforward purpose: to illustrate and corroborate the text. But in the wake of poststructuralism, the role of photography in autobiography is far from simple or one-dimensional