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Author: Colin Gordon Calloway
Publisher: U of Nebraska Press
ISBN: 9780803205840
Category : History
Languages : en
Pages : 364
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Book Description
For over three hundred years, the Indian peoples of North America have attracted the interest of diverse segments of German society?missionaries, writers, playwrights, anthropologists, filmmakers, hobbyists and enthusiasts, and even royalty. Today, German scholars continue to be drawn to Indians, as is the German public: tour groups from Germany frequent Plains reservations in the summer, and so-called Indianerclubs, where participants dress up in "authentic" Indian costume, are common. In this fascinating volume, scholars and writers illuminate the longstanding connection between Germans and the Indians. From a range of disciplines and occupations, the contributors probe the historical and cultural roots of the interactions between Germans and Indians and examine how such encounters have been represented in different media over the centuries. Particularly important are reflections and insights by modern Native American writers on this relationship. Of special concern is why such a connection has endured. As the contributors make clear, the encounters between Germans and Indians were also imagined, sometimes as fantasy, sometimes as projection, both resonating deeply with the cultural sensibilities and changing historical circumstances of Germans over the years.
Author: Colin Gordon Calloway
Publisher: U of Nebraska Press
ISBN: 9780803205840
Category : History
Languages : en
Pages : 364
Get Book Here
Book Description
For over three hundred years, the Indian peoples of North America have attracted the interest of diverse segments of German society?missionaries, writers, playwrights, anthropologists, filmmakers, hobbyists and enthusiasts, and even royalty. Today, German scholars continue to be drawn to Indians, as is the German public: tour groups from Germany frequent Plains reservations in the summer, and so-called Indianerclubs, where participants dress up in "authentic" Indian costume, are common. In this fascinating volume, scholars and writers illuminate the longstanding connection between Germans and the Indians. From a range of disciplines and occupations, the contributors probe the historical and cultural roots of the interactions between Germans and Indians and examine how such encounters have been represented in different media over the centuries. Particularly important are reflections and insights by modern Native American writers on this relationship. Of special concern is why such a connection has endured. As the contributors make clear, the encounters between Germans and Indians were also imagined, sometimes as fantasy, sometimes as projection, both resonating deeply with the cultural sensibilities and changing historical circumstances of Germans over the years.
Author: Katrin Sieg
Publisher: University of Michigan Press
ISBN: 9780472112821
Category : Art
Languages : en
Pages : 304
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Book Description
An exploration of the West German attempt to repress and refashion concepts of "race" after the Holocaust
Author: Daphne Brooks
Publisher: Duke University Press
ISBN: 9780822337225
Category : Biography & Autobiography
Languages : en
Pages : 492
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Book Description
Performance and identity in nineteenth and early twentieth-century Arican-American creative work.
Author: Gabrielle Cody
Publisher: Routledge
ISBN: 1136246568
Category : Art
Languages : en
Pages : 508
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Book Description
As the nature of contemporary performance continues to expand into new forms, genres and media, it requires an increasingly diverse vocabulary. Reading Contemporary Performance provides students, critics and creators with a rich understanding of the key terms and ideas that are central to any discussion of this evolving theatricality. Specially commissioned entries from a wealth of contributors map out the many and varied ways of discussing performance in all of its forms – from theatrical and site-specific performances to live and New Media art. The book is divided into two sections: Concepts - Key terms and ideas arranged according to the five characteristic elements of performance art: time; space; action; performer; audience. Methodologies and Turning Points - The seminal theories and ways of reading performance, such as postmodernism, epic theatre, feminisms, happenings and animal studies. Case Studies – entries in both sections are accompanied by short studies of specific performances and events, demonstrating creative examples of the ideas and issues in question. Three different introductory essays provide multiple entry points into the discussion of contemporary performance, and cross-references for each entry also allow the plotting of one’s own pathway. Reading Contemporary Performance is an invaluable guide, providing not just a solid set of familiarities, but an exploration and contextualisation of this broad and vital field.
Author: Mark Edward
Publisher: Bloomsbury Publishing
ISBN: 1350082961
Category : Performing Arts
Languages : en
Pages : 248
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Book Description
In recent years drag performance has moved from the fringes to emerge as a mainstream phenomenon, showcased on TV shows in the US and the UK. This collection offers a diverse range of critical engagements by drag performers, makers, scholars and writers reflecting on work from the UK, USA, Israel, Germany and Australia. Moving beyond discussions of gender theory, the essays consider contemporary drag performance practices, connecting them to the histories, communities and politics that produced them. Chapters range across discussions of drag kings in the US, UK and drag and activism; the influence of RuPaul on the generation of new forms of work in New York; transfeminist critiques of drag; 'bio'/faux queens; engagements with race and ethnicity through drag performance; drag andragogy; audience concerns; drag intersections with animal personas, and how drag performance relates to personal narratives of history and identity. Collectively the contributions focus on drag as a mode of performance that is diverse and that uncorsets the easy thought that drag is simply a cross dressing man in a dress or a woman in a suit.
Author: Bettina Papenburg, Kathrin Dreckmann
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3111014150
Category :
Languages : en
Pages : 258
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Book Description
Author: Valerie Weinstein
Publisher: Indiana University Press
ISBN: 0253040744
Category : Political Science
Languages : en
Pages : 278
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Book Description
How party propagandists worked behind the scenes to create unspoken racist messages in the German culture—even in the most lighthearted of movies. Today many Germans look back fondly on 1930s film comedies, viewing them as a part of the Nazi era that was not tainted with antisemitism. Here, Valerie Weinstein scrutinizes these comic productions and demonstrates that film comedy, despite its innocent appearance, was a critical component in the effort to separate “Jews” from “Germans” physically, economically, and artistically. Weinstein highlights how the German propaganda ministry used directives, pre- and post-production censorship, financial incentives, and influence over film critics and their judgments to replace Jewish “wit” with a slower, simpler, and more direct German “humor” that affirmed values that the Nazis associated with the Aryan race. Through contextualized analyses of historical documents and individual films, Weinstein reveals how humor, coded hints and traces, absences, and substitutes in Third Reich film comedy helped spectators imagine an abstract “Jewishness” and a “German” identity and community free from the former. As resurgent populist nationalism and overt racism continue to grow around the world today, Weinstein’s study helps us rethink racism and prejudice in popular culture and reconceptualize the relationships between film, humor, national identity, and race.
Author: Rebecca Braun
Publisher: Liverpool University Press
ISBN: 1789627311
Category : Language Arts & Disciplines
Languages : en
Pages : 352
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Book Description
This volume consists of a series of essays, written by leading scholars within the field, demonstrating the types of inquiry that can be pursued into the transnational realities underpinning German-language culture and history as these travel right around the globe. Contributions discuss the inherent cross-pollination of different languages, times, places and notions of identity within German-language cultures and the ways in which their construction and circulation cannot be contained by national or linguistic borders. In doing so, it is not the aim of the volume to provide a compendium of existing transnational approaches to German Studies or to offer its readers a series of survey chapters on different fields of study to date. Instead, it offers novel research-led chapters that pose a question, a problem or an issue through which contemporary and historical transcultural and transnational processes can be seen at work. Accordingly, each essay isolates a specific area of study and opens it up for exploration, providing readers, especially student readers, not just with examples of transnational phenomena in German language cultures but also with models of how research in these areas can be configured and pursued. Contributors: Angus Nicholls, Anne Fuchs, Benedict Schofield, Birgit Lang, Charlotte Ryland, Claire Baldwin, Dirk Weissmann, Elizabeth Anderson, James Hodkinson, Nicholas Baer, Paulo Soethe, Rebecca Braun, Sara Jones, Sebastian Heiduschke, Stuart Taberner and Ulrike Draesner.
Author: Marjorie Gelus
Publisher: U of Nebraska Press
ISBN: 9780803298590
Category : Social Science
Languages : en
Pages : 280
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Book Description
Women in German Yearbook is a refereed publication that presents a wide range of feminist approaches to all aspects of German literature, culture, and language, including pedagogy. Reflecting the interdisciplinary perspectives that inform feminist German studies, each issue contains critical studies that employ gender and other analytical categories to examine the work, history, life, literature, and arts of the German-speaking world.Marjorie Gelus is a professor of German at California State University at Sacramento. Helga W. Kraft is a professor of Germanic studies at the University of Illinois at Chicago.
Author: Lee Broughton
Publisher: Bloomsbury Publishing
ISBN: 0857727389
Category : Performing Arts
Languages : en
Pages : 288
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Book Description
The Western has always been inextricably linked to the USA, and studies have continually sought to connect its historical development to changes in American society and Hollywood innovations. Focusing new critical attention on films produced in Germany, Italy and Britain, this timely book offers a radical rereading of the evolutionary history of the Western and brings a vital international dimension to its study. Lee Broughton argues not only that European films possess a special significance in terms of the genre's global development, but also that many offered groundbreaking and progressive representations of traditional Wild West 'Others': Native Americans, African Americans and so-called 'strong women'. European Westerns investigates how the histories of Germany, Italy and Britain - and the idiosyncrasies of their respective national film industries - influenced representations of the self and 'Other', shedding light on the broader cultural, historical and political contexts that shaped European engagement with the genre.
