Author: Sir William Godfrey Fothergill Jackson
Publisher:
ISBN:
Category : History
Languages : en
Pages : 392
Book Description
Forfatteren var britisk guvernør i Gibraltar 1978-1982 og har her skrevet om den berømte halvøs og dens befolknings historie fra de tidligste tider til vore dage.
The Rock of the Gibraltarians
Author: Sir William Godfrey Fothergill Jackson
Publisher:
ISBN:
Category : History
Languages : en
Pages : 392
Book Description
Forfatteren var britisk guvernør i Gibraltar 1978-1982 og har her skrevet om den berømte halvøs og dens befolknings historie fra de tidligste tider til vore dage.
Publisher:
ISBN:
Category : History
Languages : en
Pages : 392
Book Description
Forfatteren var britisk guvernør i Gibraltar 1978-1982 og har her skrevet om den berømte halvøs og dens befolknings historie fra de tidligste tider til vore dage.
Encounters with Popular Pasts
Author: Mike Robinson
Publisher:
ISBN: 9783319131849
Category :
Languages : en
Pages :
Book Description
This volume is based on the recognition that heritage is popular and popular culture is now readily transformed into heritage, whose meanings and myths reshape social life and political and economic realities, as well as re-make "tradition". The papers in this volume consider: What does popular heritage look like? To whom does it speak? Is it active in dissolving class and cultural boundaries or just in reproducing new ones? How do societies manage a heritage that is fluid, immediate and that straddles extremes of serious conflict and hedonistic frivolity? When and under what circumstances is the creation and expression of new cultural forms - popular culture - capable of being transformed into heritage?
Publisher:
ISBN: 9783319131849
Category :
Languages : en
Pages :
Book Description
This volume is based on the recognition that heritage is popular and popular culture is now readily transformed into heritage, whose meanings and myths reshape social life and political and economic realities, as well as re-make "tradition". The papers in this volume consider: What does popular heritage look like? To whom does it speak? Is it active in dissolving class and cultural boundaries or just in reproducing new ones? How do societies manage a heritage that is fluid, immediate and that straddles extremes of serious conflict and hedonistic frivolity? When and under what circumstances is the creation and expression of new cultural forms - popular culture - capable of being transformed into heritage?