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Author: James Thrall Soby
Publisher:
ISBN: 9789491819001
Category : Prints
Languages : en
Pages : 0
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Book Description
Paul Klee, the Swiss German painter influenced by expressionism, cubism and surrealism, also produced a number of etchings in his early years, beginning in 1903. These works, remarkable for their technical proficiency, illustrate his evolution from a traditionalist to one of modern art's most daring masters. Previously published in 1945 and 1947, this third revised edition was issued by the Museum of Modern Art and by Graphic Matter in 2013 in a limited edition of 500, printed and bound by Trifolio, Verona. It beautifully reproduces each of Klee/s prints on fine paper, which are accompanied by original texts and an updated list of plates.
Author: James Thrall Soby
Publisher:
ISBN: 9789491819001
Category : Prints
Languages : en
Pages : 0
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Book Description
Paul Klee, the Swiss German painter influenced by expressionism, cubism and surrealism, also produced a number of etchings in his early years, beginning in 1903. These works, remarkable for their technical proficiency, illustrate his evolution from a traditionalist to one of modern art's most daring masters. Previously published in 1945 and 1947, this third revised edition was issued by the Museum of Modern Art and by Graphic Matter in 2013 in a limited edition of 500, printed and bound by Trifolio, Verona. It beautifully reproduces each of Klee/s prints on fine paper, which are accompanied by original texts and an updated list of plates.
Author:
Publisher:
ISBN:
Category : Middle Eastern philology
Languages : en
Pages : 708
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Book Description
Author:
Publisher:
ISBN:
Category : Japan
Languages : en
Pages : 594
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Book Description
Author: Christina Ionescu
Publisher: Cambridge Scholars Publishing
ISBN: 1443873098
Category : Design
Languages : en
Pages : 620
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Book Description
Hitherto relegated to the closets of art history and literary studies, book illustration has entered mainstream scholarship. The chapters of this collection offer only a glimpse of where a complete reconfiguration of the visual periphery of eighteenth-century texts might ultimately take us. The use of the gerund of the verb “to reconfigure” in the subtitle of this collection, instead of the corresponding noun, underlines the work-in-progress character of this interdisciplinary endeavour, which aims above all to discern new vistas while charting or revisiting landmarks in the rich field of eighteenth-century book illustration. The specific interpretive lenses through which contributors to this collection re-evaluate the visual periphery of the text cover an array of disciplines and areas of interest; among these, the most prominent are book history and print culture, art history and image theory, material and visual culture, word and image interaction, feminist theory and gender studies, history of medicine and technology. This spectrum could have been even less restrictive and more colourful if it were not for pragmatic and editorial considerations. Nonetheless, its plurality of vision provides a framework for an inclusive and multifaceted approach to eighteenth-century book illustration. Perhaps these essays are most valuable in the practical models they provide on how to tackle the interdisciplinary challenge that is the study of the eighteenth-century illustrated book. The collection as such is the first formal step in an effort to rethink or reconfigure the visual periphery of eighteenth-century texts. It has become clear that the study of the illustrated book of the Age of Enlightenment has the potential of yielding multiple findings, perspectives and discourses about a society immersed in visual culture, skilled in visual communication and reflected in the visual legacy it left behind.
Author: Friedrich von Wenckstern
Publisher:
ISBN:
Category :
Languages : en
Pages : 558
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Author: Ann Lewis
Publisher: Routledge
ISBN: 1351194658
Category : Literary Criticism
Languages : en
Pages : 361
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Book Description
"Eighteenth-century sensibilite has always been controversial. In fact, the term itself refers to complex forms of physical and emotional responsiveness, and Lewis's study investigates the fictional exploration of various key problems of sentimental response that were at the heart of eighteenth-century moral, epistemological and aesthetic debates. These are analysed in conjunction with some of the actual (often emotional) responses that the term, its fictions and images have provoked through time, including an indispensable survey of the varying construction of sensibilite as an object of study, and the polemics subtending its definition. The verbal evocation of the visual in the form of 'spectacles' and 'signs' was understood in the eighteenth century as having an especially powerful impact. Lewis provides a new reading of the theme of sensibility by analysing the 'textual images' in three best-selling novels from the mid-century: Graffigny's Lettres d'une Peruvienne, Marivaux's La Vie de Marianne and Rousseau's Julie. The examination of a largely neglected corpus of illustrations, understood as readings of each text, provides striking new evidence of the complexity, thematic richness and duplicity of these spectacles, whose power to provoke different reactions is perhaps their most interesting characteristic."
Author: Teylers Museum. Bibliotheek
Publisher:
ISBN:
Category : Classical literature
Languages : en
Pages : 1164
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Author: Janis Bergman-Carton
Publisher: Yale University Press
ISBN: 9780300053807
Category : Art
Languages : en
Pages : 288
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Book Description
Women in 19th-century French art were represented as victims of a harsh urban working-class life. This book offers the argument that this representation obscured the model woman of ideas, a prominent figure in the narratives of French national and sexual politics.
Author: Lauren Beck
Publisher: Rutgers University Press
ISBN: 1644530295
Category : Literary Criticism
Languages : en
Pages : 407
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Book Description
This volume presents in-depth and contextualized analyses of a wealth of visual materials. These documents provide viewers with a mesmerizing and informative glimpse into how the early modern world was interpreted by image-makers and presented to viewers during a period that spans from manuscript culture to the age of caricature. The premise of this collection responds to a fundamental question: how are early modern texts, objects, and systems of knowledge imaged and consumed through bimodal, hybrid, or intermedial products that rely on both words and pictures to convey meaning? The twelve contributors to this collection go beyond traditional lines of inquiry into word-and-image interaction to deconstruct visual dynamics and politics—to show how images were shaped, manipulated, displayed, and distributed to represent the material world, to propagate official and commercial messages, to support religious practice and ideology, or to embody relations of power. These chapters are anchored in various theoretical and disciplinary points of departure, such as the history of collections and collecting, literary theory and criticism, the histories of science, art history and visual culture, word-and-image studies, as well as print culture and book illustration. Authors draw upon a wide range of visual material hitherto insufficiently explored and placed in context, in some cases hidden in museums and archives, or previously assessed only from a disciplinary standpoint that favored either the image or the text but not both in relation to each other. They include manuscript illuminations representing compilers and collections, frontispieces and other accompanying plates published in catalogues and museographies, astronomical diagrams, mixed pictographic-alphabetic accounting documents, Spanish baroque paintings, illustrative frontispieces or series inspired by or designed for single novels or anthologies, anatomical drawings featured in encyclopedic publications, visual patterns of volcanic formations, engravings representing the New World that accompany non-fictional travelogues, commonplace books that interlace text and images, and graphic satire. Geographically, the collection covers imperial centers (Great Britain, France, the Netherlands, and Spain), as well as their colonial periphery (New France; Mexico; Central America; South America, in particular Brazil; parts of Africa; and the island of Ceylon). Emblematic and thought-provoking, these images are only fragments of the multifaceted and comprehensive visual mosaic created during the early modern period, but their consideration has far reaching implications.
Author: Pierre Bonnard
Publisher: Metropolitan Museum of Art
ISBN: 0810931001
Category : Grabados en color franceses
Languages : en
Pages : 274
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Book Description
Tentoonstellingscatalogus. Met bibliografie en register.
