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Author: Anne MacVicar Grant
Publisher:
ISBN:
Category : Highlands (Scotland)
Languages : en
Pages : 694
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Book Description
Author: Anne MacVicar Grant
Publisher:
ISBN:
Category : Highlands (Scotland)
Languages : en
Pages : 694
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Book Description
Author: Samuel Halkett
Publisher:
ISBN:
Category : Anonyms and pseudonyms, English
Languages : en
Pages : 476
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Book Description
Author:
Publisher:
ISBN:
Category : Atheism
Languages : en
Pages : 314
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Book Description
Author: Lizanne Henderson
Publisher: Springer
ISBN: 1137313242
Category : History
Languages : en
Pages : 398
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Book Description
Taking an interdisciplinary perspective, Witchcraft and Folk Belief in the Age of Enlightenment represents the first in-depth investigation of Scottish witchcraft and witch belief post-1662, the period of supposed decline of such beliefs, an age which has been referred to as the 'long eighteenth century', coinciding with the Scottish Enlightenment. The late seventeenth and early eighteenth centuries were undoubtedly a period of transition and redefinition of what constituted the supernatural, at the interface between folk belief and the philosophies of the learned. For the latter the eradication of such beliefs equated with progress and civilization but for others, such as the devout, witch belief was a matter of faith, such that fear and dread of witches and their craft lasted well beyond the era of the major witch-hunts. This study seeks to illuminate the distinctiveness of the Scottish experience, to assess the impact of enlightenment thought upon witch belief, and to understand how these beliefs operated across all levels of Scottish society.
Author: St. Louis Public Library
Publisher:
ISBN:
Category :
Languages : en
Pages : 780
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Author: Edinburgh Select Subscription Library (EDINBURGH)
Publisher:
ISBN:
Category :
Languages : en
Pages : 446
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Book Description
Author: Sarah Dunnigan
Publisher: Edinburgh University Press
ISBN: 0748645411
Category : Literary Criticism
Languages : en
Pages : 225
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Book Description
This collection of essays explores the historical importance and imaginative richness of Scotland's extensive contribution to modes of traditional culture and expression: ballads, tales and storytelling, and song. Its underlying aim is to bring about a more dynamic and inclusive understanding of Scottish culture. Rooted in literary history and both comparative and interdisciplinary in scope, the volume covers the key aspects and genres of traditional literature, including the Gaelic tradition, from the medieval period to the present. Key theoretical and conceptual issues raised by the historical analysis of Scotland's rich store of ballad, song, and folk narrative are discussed in separate chapters. The volume also explores why and how Scottish literary writers have been inspired by traditional genres, modes, and motifs, and the intermingling of folk and literary traditions in writers such as Burns, Scott, and Hogg. It also uncovers the folkloric and mythopoetic materials of early Scottish literature, and the vitality of neglected aspects of Scottish popular culture.
Author: Signet Library (Great Britain)
Publisher:
ISBN:
Category : Law
Languages : en
Pages : 630
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Author: University of Aberdeen. Library
Publisher: Aberdeen : University Press
ISBN:
Category : Academic libraries
Languages : en
Pages : 556
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Book Description
Author: John G. Gibson
Publisher: McGill-Queen's Press - MQUP
ISBN: 0773550607
Category : Performing Arts
Languages : en
Pages : 497
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Book Description
The step-dancing of the Scotch Gaels in Nova Scotia is the last living example of a form of dance that waned following the great emigrations to Canada that ended in 1845. The Scotch Gael has been reported as loving dance, but step-dancing in Scotland had all but disappeared by 1945. One must look to Gaelic Nova Scotia, Cape Breton, and Antigonish County, to find this tradition. Gaelic Cape Breton Step-Dancing, the first study of its kind, gives this art form and the people and culture associated with it the prominence they have long deserved. Gaelic Scotland’s cultural record is by and large pre-literate, and references to dance have had to be sought in Gaelic songs, many of which were transcribed on paper by those who knew their culture might be lost with the decline of their language. The improved Scottish culture depended proudly on the teaching of dancing and the literate learning and transmission of music in accompaniment. Relying on fieldwork in Nova Scotia, and on mentions of dance in Gaelic song and verse in Scotland and Nova Scotia, John Gibson traces the historical roots of step-dancing, particularly the older forms of dancing originating in the Gaelic–speaking Scottish Highlands. He also places the current tradition as a development and part of the much larger British and European percussive dance tradition. With insight collected through written sources, tales, songs, manuscripts, book references, interviews, and conversations, Gaelic Cape Breton Step-Dancing brings an important aspect of Gaelic history to the forefront of cultural debate.
