Author: Hye-gu Yi
Publisher: Seoul, Korea : Published for the Royal Asiatic Society, Korea Branch, by Seoul Computer Press
ISBN:
Category : Folk music
Languages : en
Pages : 312
Book Description
Essays on Korean Traditional Music
Author: Hye-gu Yi
Publisher: Seoul, Korea : Published for the Royal Asiatic Society, Korea Branch, by Seoul Computer Press
ISBN:
Category : Folk music
Languages : en
Pages : 312
Book Description
Publisher: Seoul, Korea : Published for the Royal Asiatic Society, Korea Branch, by Seoul Computer Press
ISBN:
Category : Folk music
Languages : en
Pages : 312
Book Description
Essays on Korean Traditional Music Culture
Author: O-sŏng Kwŏn
Publisher: 민속원
ISBN:
Category : Folk music
Languages : en
Pages : 264
Book Description
Publisher: 민속원
ISBN:
Category : Folk music
Languages : en
Pages : 264
Book Description
Hwang Byungki: Traditional Music and the Contemporary Composer in the Republic of Korea
Author: Andrew Killick
Publisher: Routledge
ISBN: 1351929356
Category : Music
Languages : en
Pages : 237
Book Description
Anyone who knows anything of Korean music probably knows something of Hwang Byungki. As a composer, performer, scholar, and administrator, Hwang has had an exceptional influence on the world of Korean traditional music for over half a century. During that time, Western-style music (both classical and popular) has become the main form of musical expression for most Koreans, while traditional music has taken on a special role as a powerful emblem of national identity. Through analysis of Hwang's life and works, this book addresses the broader question of traditional music's place in a rapidly modernizing yet intensely nationalistic society, as well as the issues faced by a composer working in an idiom in which the very concept of the individual composer was not traditionally recognized. It explores how new music for traditional instruments can provide a means of negotiating between a local identity and the modern world order. This is the first book in English about an Asian composer who writes primarily for traditional instruments. Following a thematic rather than a rigidly chronological approach, each chapter focuses on a particular area of interest or activity-such as Hwang's unique position in the traditional genre kayagum sanjo, his enduring interest in Buddhist culture and a meditative aesthetic, and his adoption of extended techniques and approaches from Western avant-garde music-and includes in-depth analysis of selected works, excerpts from which are provided on downloadable resources. The book draws on 25 years of personal acquaintance and study with Hwang Byungki as well as experience in playing his music.
Publisher: Routledge
ISBN: 1351929356
Category : Music
Languages : en
Pages : 237
Book Description
Anyone who knows anything of Korean music probably knows something of Hwang Byungki. As a composer, performer, scholar, and administrator, Hwang has had an exceptional influence on the world of Korean traditional music for over half a century. During that time, Western-style music (both classical and popular) has become the main form of musical expression for most Koreans, while traditional music has taken on a special role as a powerful emblem of national identity. Through analysis of Hwang's life and works, this book addresses the broader question of traditional music's place in a rapidly modernizing yet intensely nationalistic society, as well as the issues faced by a composer working in an idiom in which the very concept of the individual composer was not traditionally recognized. It explores how new music for traditional instruments can provide a means of negotiating between a local identity and the modern world order. This is the first book in English about an Asian composer who writes primarily for traditional instruments. Following a thematic rather than a rigidly chronological approach, each chapter focuses on a particular area of interest or activity-such as Hwang's unique position in the traditional genre kayagum sanjo, his enduring interest in Buddhist culture and a meditative aesthetic, and his adoption of extended techniques and approaches from Western avant-garde music-and includes in-depth analysis of selected works, excerpts from which are provided on downloadable resources. The book draws on 25 years of personal acquaintance and study with Hwang Byungki as well as experience in playing his music.
Contemporary Directions
Author: Nathan Hesselink
Publisher: Institute of East Asian Studies University of California - B
ISBN:
Category : Music
Languages : en
Pages : 284
Book Description
Publisher: Institute of East Asian Studies University of California - B
ISBN:
Category : Music
Languages : en
Pages : 284
Book Description
The Harvard Dictionary of Music
Author: Don Michael Randel
Publisher: Harvard University Press
ISBN: 9780674011632
Category : Music
Languages : en
Pages : 1020
Book Description
This classic reference work, the best one-volume music dictionary available, has been brought completely up to date in this new edition. Combining authoritative scholarship and lucid, lively prose, the Fourth Edition of The Harvard Dictionary of Music is the essential guide for musicians, students, and everyone who appreciates music. The Harvard Dictionary of Music has long been admired for its wide range as well as its reliability. This treasure trove includes entries on all the styles and forms in Western music; comprehensive articles on the music of Africa, Asia, Latin America, and the Near East; descriptions of instruments enriched by historical background; and articles that reflect today’s beat, including popular music, jazz, and rock. Throughout this Fourth Edition, existing articles have been fine-tuned and new entries added so that the dictionary fully reflects current music scholarship and recent developments in musical culture. Encyclopedia-length articles by notable experts alternate with short entries for quick reference, including definitions and identifications of works and instruments. More than 220 drawings and 250 musical examples enhance the text. This is an invaluable book that no music lover can afford to be without.
Publisher: Harvard University Press
ISBN: 9780674011632
Category : Music
Languages : en
Pages : 1020
Book Description
This classic reference work, the best one-volume music dictionary available, has been brought completely up to date in this new edition. Combining authoritative scholarship and lucid, lively prose, the Fourth Edition of The Harvard Dictionary of Music is the essential guide for musicians, students, and everyone who appreciates music. The Harvard Dictionary of Music has long been admired for its wide range as well as its reliability. This treasure trove includes entries on all the styles and forms in Western music; comprehensive articles on the music of Africa, Asia, Latin America, and the Near East; descriptions of instruments enriched by historical background; and articles that reflect today’s beat, including popular music, jazz, and rock. Throughout this Fourth Edition, existing articles have been fine-tuned and new entries added so that the dictionary fully reflects current music scholarship and recent developments in musical culture. Encyclopedia-length articles by notable experts alternate with short entries for quick reference, including definitions and identifications of works and instruments. More than 220 drawings and 250 musical examples enhance the text. This is an invaluable book that no music lover can afford to be without.
Made in Korea
Author: Hyunjoon Shin
Publisher: Taylor & Francis
ISBN: 131764574X
Category : Music
Languages : en
Pages : 263
Book Description
Made in Korea: Studies in Popular Music serves as a comprehensive and thorough introduction to the history, sociology, and musicology of contemporary Korean popular music. Each essay covers the major figures, styles, and social contexts of pop music in Korea, first presenting a general description of the history and background of popular music in Korea, followed by essays, written by leading scholars of Korean music, that are organized into thematic sections: History, Institution, Ideology; Genres and Styles; Artists; and Issues.
Publisher: Taylor & Francis
ISBN: 131764574X
Category : Music
Languages : en
Pages : 263
Book Description
Made in Korea: Studies in Popular Music serves as a comprehensive and thorough introduction to the history, sociology, and musicology of contemporary Korean popular music. Each essay covers the major figures, styles, and social contexts of pop music in Korea, first presenting a general description of the history and background of popular music in Korea, followed by essays, written by leading scholars of Korean music, that are organized into thematic sections: History, Institution, Ideology; Genres and Styles; Artists; and Issues.
In Search of Korean Traditional Opera
Author: Andrew Killick
Publisher: University of Hawaii Press
ISBN: 0824860802
Category : Music
Languages : en
Pages : 293
Book Description
This is the first book on Korean opera in a language other than Korean. Its subject is ch’angguk, a form of musical theater that has developed over the last hundred years from the older narrative singing tradition of p’ansori. Andrew Killick examines the history and current practice of ch’angguk as an ongoing attempt to invent a traditional Korean opera form to compare with those of neighboring China and Japan. In this, the work addresses a growing interest within the fields of ethnomusicology and Asian studies in the adaptation of traditional arts to conditions in the modern world. Ch’angguk presents an intriguing case in that, unlike the "invented traditions" described in Hobsbawm and Ranger's influential book that were firmly established within a few years of their invention, ch’angguk remains in a marginal position relative to recognized traditional art forms such as South Korea’s "Important Intangible Cultural Properties" after more than a century. Performers, writers, directors, and historians have looked for ways to make the genre more traditional, including looking outside Korea for comparisons with traditional theater forms in other countries and for recognition of ch’angguk as a national art form by international audiences. For the benefit of readers who have not seen ch’angguk performed, the author begins with a detailed description of a typical performance, illustrated with photographs and musical examples, followed by a history of the genre—from its still disputed origins in the early twentieth century through a major revival under Japanese colonial rule and the flourishing of an all-female version (yosong kukkuk) after Liberation to the efforts of the National Changgeuk Company and others to establish ch’angguk as Korean traditional opera. Killick concludes with analyses of the stories and music of ch’angguk and a personal view on developing a Korean national theater form for international audiences.
Publisher: University of Hawaii Press
ISBN: 0824860802
Category : Music
Languages : en
Pages : 293
Book Description
This is the first book on Korean opera in a language other than Korean. Its subject is ch’angguk, a form of musical theater that has developed over the last hundred years from the older narrative singing tradition of p’ansori. Andrew Killick examines the history and current practice of ch’angguk as an ongoing attempt to invent a traditional Korean opera form to compare with those of neighboring China and Japan. In this, the work addresses a growing interest within the fields of ethnomusicology and Asian studies in the adaptation of traditional arts to conditions in the modern world. Ch’angguk presents an intriguing case in that, unlike the "invented traditions" described in Hobsbawm and Ranger's influential book that were firmly established within a few years of their invention, ch’angguk remains in a marginal position relative to recognized traditional art forms such as South Korea’s "Important Intangible Cultural Properties" after more than a century. Performers, writers, directors, and historians have looked for ways to make the genre more traditional, including looking outside Korea for comparisons with traditional theater forms in other countries and for recognition of ch’angguk as a national art form by international audiences. For the benefit of readers who have not seen ch’angguk performed, the author begins with a detailed description of a typical performance, illustrated with photographs and musical examples, followed by a history of the genre—from its still disputed origins in the early twentieth century through a major revival under Japanese colonial rule and the flourishing of an all-female version (yosong kukkuk) after Liberation to the efforts of the National Changgeuk Company and others to establish ch’angguk as Korean traditional opera. Killick concludes with analyses of the stories and music of ch’angguk and a personal view on developing a Korean national theater form for international audiences.
The Garland Encyclopedia of World Music
Author: Ruth M. Stone
Publisher: Routledge
ISBN: 135154411X
Category : Music
Languages : en
Pages : 3969
Book Description
The Garland Encyclopedia of World Music is a ten-volume reference work, organized geographically by continent to represent the musics of the world in nine volumes. The tenth volume houses reference tools and descriptive information about the encyclopedia’s structure, criteria for inclusion and other information specific to the field of ethnomusicology. An award-winning reference, its contributions are from top researchers around the world who were active in fieldwork and from key institutions with programs in ethnomusicology. GEWM has become a familiar acronym, and it remains highly revered for its scholarship, uncontested in being the sole encompassing reference work with a broad survey of world music. More than 9,000 pages, with musical illustrations, photographs and drawings, it is accompanied by 300+ audio examples.
Publisher: Routledge
ISBN: 135154411X
Category : Music
Languages : en
Pages : 3969
Book Description
The Garland Encyclopedia of World Music is a ten-volume reference work, organized geographically by continent to represent the musics of the world in nine volumes. The tenth volume houses reference tools and descriptive information about the encyclopedia’s structure, criteria for inclusion and other information specific to the field of ethnomusicology. An award-winning reference, its contributions are from top researchers around the world who were active in fieldwork and from key institutions with programs in ethnomusicology. GEWM has become a familiar acronym, and it remains highly revered for its scholarship, uncontested in being the sole encompassing reference work with a broad survey of world music. More than 9,000 pages, with musical illustrations, photographs and drawings, it is accompanied by 300+ audio examples.
Perspectives on Korean Music: Creating Korean music : tradition, innovation and the discourse of identity
Author: Keith Howard
Publisher: Ashgate Publishing, Ltd.
ISBN: 9780754657293
Category : Music
Languages : en
Pages : 272
Book Description
This volume asks what Koreans consider makes music Korean, and how meaning is ascribed to musical creation. Keith Howard explores specific aspects of creativity that are designed to appeal to a new audience that is increasingly westernized yet proud of its indigenous heritage--updates of tradition, compositions, and collaborative fusions. He charts the development of the Korean music scene over the last 25 years and interprets the debates, claims and statistics by incorporating the voices of musicians, composers, scholars and critics.
Publisher: Ashgate Publishing, Ltd.
ISBN: 9780754657293
Category : Music
Languages : en
Pages : 272
Book Description
This volume asks what Koreans consider makes music Korean, and how meaning is ascribed to musical creation. Keith Howard explores specific aspects of creativity that are designed to appeal to a new audience that is increasingly westernized yet proud of its indigenous heritage--updates of tradition, compositions, and collaborative fusions. He charts the development of the Korean music scene over the last 25 years and interprets the debates, claims and statistics by incorporating the voices of musicians, composers, scholars and critics.
The Garland Encyclopedia of World Music
Author: Robert C. Provine
Publisher: Routledge
ISBN: 1351544292
Category : Music
Languages : en
Pages : 2195
Book Description
This volume explores not only the close ties that link the cultures and musics of East and Northeast Asia, but also the distinctive features that separate them.
Publisher: Routledge
ISBN: 1351544292
Category : Music
Languages : en
Pages : 2195
Book Description
This volume explores not only the close ties that link the cultures and musics of East and Northeast Asia, but also the distinctive features that separate them.