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Author: P. Guha-Thakurta
Publisher: Routledge
ISBN: 1136385533
Category : Social Science
Languages : en
Pages : 254
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Book Description
This is Volume V out of eleven that form a collection on India, its History, Economy and Society. First published in 1930, this book looks at the origin and development of Bengali Drama and contains matter for historians, as well as direct criticism of what the author considers to be genuinely dramatic in the literature of Bengal, past or present.
Author: P. Guha-Thakurta
Publisher: Routledge
ISBN: 1136385533
Category : Social Science
Languages : en
Pages : 254
Get Book Here
Book Description
This is Volume V out of eleven that form a collection on India, its History, Economy and Society. First published in 1930, this book looks at the origin and development of Bengali Drama and contains matter for historians, as well as direct criticism of what the author considers to be genuinely dramatic in the literature of Bengal, past or present.
Author: Kishore C. Padhy
Publisher: Sarup & Sons
ISBN: 9788176251082
Category : India
Languages : en
Pages : 148
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Book Description
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Category : India
Languages : en
Pages : 788
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Category :
Languages : en
Pages : 520
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Author: Partha Chatterjee
Publisher: Columbia University Press
ISBN: 0231526504
Category : Political Science
Languages : en
Pages : 378
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Book Description
Partha Chatterjee is one of the world's greatest living theorists on the political, cultural, and intellectual history of nationalism. Beginning in the 1980s, his work, particularly within the context of India, has served as the foundation for subaltern studies, an area of scholarship he continues to develop. In this collection, English-speaking readers are finally able to experience the breadth and substance of Chatterjee's wide-ranging thought. His provocative essays examine the phenomenon of postcolonial democracy and establish the parameters for research in subaltern politics. They include an early engagement with agrarian politics and Chatterjee's brilliant book reviews and journalism. Selections include one never-before-published essay, "A Tribute to the Master," which considers through a mock retelling of an episode from the classic Sanskrit epic, The Mahabharata, a deep dilemma in the study of postcolonial history, and several Bengali essays, now translated into English for the first time. An introduction by Nivedita Menon adds necessary context and depth, critiquing Chatterjee's ideas and their influence on contemporary political thought.
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Category : Education
Languages : en
Pages : 1280
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Author: Sharmistha Saha
Publisher: Springer
ISBN: 9811311773
Category : Performing Arts
Languages : en
Pages : 183
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Book Description
This book critically engages with the study of theatre and performance in colonial India, and relates it with colonial (and postcolonial) discussions on experience, freedom, institution-building, modernity, nation/subject not only as concepts but also as philosophical queries. It opens up with the discourse around ‘Indian theatre’ that was started by the orientalists in the late 18th century, and which continued till much later. The study specifically focuses on the two major urban centres of colonial India: Bombay and Calcutta of the 19th and early 20th centuries. It discusses different cultural practices in colonial India, including the initiation of ‘Indian theatre’ practices, which resulted in many forms of colonial-native ‘theatre’ by the 19th century; the challenges to this dominant discourse from the ‘swadeshi jatra’ (national jatra/theatre) in Bengal, which drew upon earlier folk and religious traditions and was used as a tool by the nationalist movement; and the Indian People’s Theatre Association (IPTA) that functioned from Bombay around the 1940s, which focused on the creation of one national subject – that of the ‘Indian’. The author contextualizes the relevance of the concept of ‘Indian theatre’ in today’s political atmosphere. She also critically analyses the post-Independence Drama Seminar organized by the Sangeet Natak Akademi in 1956 and its relevance to the subsequent organization of ‘Indian theatre’. Many theatre personalities who emerged as faces of smaller theatre committees were part of the seminar which envisioned a national cultural body. This book is an important contribution to the field and is of interest to researchers and students of cultural studies, especially Theatre and Performance Studies, and South Asian Studies.
Author: James R. Brandon
Publisher: Cambridge University Press
ISBN: 9780521588225
Category : Drama
Languages : en
Pages : 266
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Book Description
A comprehensive and authoritative single-volume reference work on the theatre arts of Asia-Oceania. Nine expert scholars provide entries on performance in twenty countries from Pakistan in the west, through India and Southeast Asia to China, Japan and Korea in the east. An introductory pan-Asian essay explores basic themes - they include ritual, dance, puppetry, training, performance and masks. The national entries concentrate on the historical development of theatre in each country, followed by entries on the major theatre forms, and articles on playwrights, actors and directors. The entries are accompanied by rare photographs and helpful reading lists.
Author: Moriz Winternitz
Publisher: Motilal Banarsidass Publ.
ISBN: 9788120800564
Category : Literary Criticism
Languages : en
Pages : 802
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Category : India
Languages : en
Pages : 316
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