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Author:
Publisher:
ISBN: 9780233981284
Category : Authors, German
Languages : en
Pages : 322
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Book Description
Author:
Publisher:
ISBN: 9780233981284
Category : Authors, German
Languages : en
Pages : 322
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Book Description
Author: Elias Canetti
Publisher:
ISBN: 9780374148898
Category : Literary Criticism
Languages : en
Pages : 352
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Book Description
Discusses the nature of power, the visual arts, crowds, and Canetti's autobiographical, nonfiction, and fiction writings
Author:
Publisher: Farrar Straus Giroux
ISBN: 9780374519506
Category :
Languages : en
Pages : 322
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Book Description
Author: David Darby
Publisher: Twayne Publishers
ISBN:
Category : Literary Criticism
Languages : en
Pages : 328
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Book Description
This Austrian writer and Nobel Laureate ("Auto-da-Fé , Crowds" and "Power") is hailed as one of the canonical authors of the modern period.
Author: Dario Maestripieri
Publisher: Anthem Press
ISBN: 1785270702
Category : Literary Criticism
Languages : en
Pages : 204
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Book Description
Elias Canetti’s 1935 novel “Auto-da-Fé” (original German title, “Die Blendung”) has traditionally been difficult to interpret and the author’s intentions in writing it have remained unclear. “Science Meets Literature” argues that “Auto-da-Fé” is a novel about human nature that illustrates the workings of the human mind and some universal aspects of human behavior and human social relationships. Canetti’s insights anticipated later scientific discoveries made by cognitive, social and evolutionary psychology including the existence of “irrational” biases in human cognition (e.g., in perception, beliefs and decision-making); the strengths and limitations of human “theory-of-mind” skills (i.e., our ability to think about other people’s minds and “read” them); the establishment, maintenance and reversal of dominance in social relationships between two individuals; and the role of dehumanization in harmful behavior. Canetti intended to warn against the conviction held by some intellectuals that human nature can be denied, controlled, ignored or dismissed. His approach in “Auto-da-Fé” was an original attempt at the integration of knowledge formation in sciences and humanities. He pointed the way for future successful attempts at the integration of evolution, cognitive science and literature, as well as for the broader integration of sciences and humanities.
Author: Thomas H. Falk
Publisher: New York : Twayne Publishers ; Toronto : Maxwell Macmillan Canada ; New York : Maxwell Macmillan International
ISBN:
Category :
Languages : en
Pages : 216
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Book Description
Series Editors: Bernth Lindfors, University of Texas at Austin; Robert Lecker, McGill University; David OConnell, Georgia State University; David William Foster, Arizona State University; Janet Pérez, Texas Tech University.TWAYNES UNITED STATES AUTHORS, ENGLISH AUTHORS, and WORLD AUTHORS Series present concise critical introductions to great writers and their works. Devoted to critical interpretation and discussion of an authors work, each study takes account of major literary trends and important scholarly contributions and provides new critical insights with an original point of view. An Authors Series volume addresses readers ranging from advanced high school students to university professors. The book suggests to the informed reader new ways of considering a writers work. A reader new to the work under examination will, after reading the Authors Series, be compelled to turn to the originals, bringing to the reading a basic knowledge and fresh critical perspectives.
Author: William Collins Donahue
Publisher: Cambridge Scholars Publishing
ISBN: 1443806323
Category : Social Science
Languages : en
Pages : 295
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Book Description
Though he died in the last decade of the twentieth century, the satirist, social thinker, memoirist, and dramatist Elias Canetti lives on into the present. Testifying to the author’s undeniable cultural “afterlife,” the essays gathered together here represent a wide swath of the latest Canetti scholarship. Contributors examine Canetti’s Jewish identity; the Marxist politics of his youth; his influence on writers as diverse as Bachmann, Jelinek, and Sebald; the undiscovered “poetry” of his literary testament (Nachlass); his status as a self-cancelling satirist; and his complex and sometimes ambivalent citation of Chinese and French cultural icons. In addition, this volume presents a treatment of Canetti as philosopher; as contributor to the great debate on the genesis of violence; as a chronicler of the WWII exile experience; as well as a personal reminiscence by one of the great Canetti scholars of our time, Gerald Stieg. The Worlds of Elias Canetti challenges conventional wisdom about this Nobel laureate and opens up new areas to scholarly investigation. “The Worlds of Elias Canetti convenes diverse disciplinary perspectives on one of the most enigmatic and ambidextrous authors of the twentieth century. An internationally renowned team of scholars places Canetti’s social thought and literary oeuvre within intriguing new contexts, highlighting as yet underexplored connections within areas such as philosophy, Jewish Studies, cultural anthropology, literary intertextuality, and beyond. Compellingly, this volume introduces us to a Canetti we have not yet known, and one who equally belongs to the twenty-first century. In its scope and originality, The Worlds of Elias Canetti sets a new standard—and not just for Canetti scholarship.” Jochen Vogt, Professor of German Literature, University of Essen
Author: Sorrel Kerbel
Publisher: Routledge
ISBN: 1135456062
Category : History
Languages : en
Pages : 1716
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Book Description
Now available in paperback for the first time, Jewish Writers of the Twentieth Century is both a comprehensive reference resource and a springboard for further study. This volume: examines canonical Jewish writers, less well-known authors of Yiddish and Hebrew, and emerging Israeli writers includes entries on figures as diverse as Marcel Proust, Franz Kafka, Tristan Tzara, Eugene Ionesco, Harold Pinter, Tom Stoppard, Arthur Miller, Saul Bellow, Nadine Gordimer, and Woody Allen contains introductory essays on Jewish-American writing, Holocaust literature and memoirs, Yiddish writing, and Anglo-Jewish literature provides a chronology of twentieth-century Jewish writers. Compiled by expert contributors, this book contains over 330 entries on individual authors, each consisting of a biography, a list of selected publications, a scholarly essay on their work and suggestions for further reading.
Author: William Collins Donahue
Publisher: Univ of North Carolina Press
ISBN: 0807875228
Category : Literary Criticism
Languages : en
Pages : 302
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Book Description
Nobel laureate Elias Canetti wrote his novel Auto-da-Fe (Die Blendung) when he and the twentieth century were still quite young. Rooted in the cultural crises of the Weimar period, Auto-da-Fe first received critical acclaim abroad--in England, France, and the United States--where it continues to fascinate readers of subsequent generations. The End of Modernism places this work in its cultural and philosophical contexts, situating the novel not only in relation to Canetti's considerable body of social thought, but also within larger debates on Freud and Freudianism, misogyny and modernism's "fragmented subject," anti-Semitism and the failure of humanism, contemporary philosophy and philosophical fads, and traditionalist notions of literature and escapist conceptions of history. The End of Modernism portrays Auto-da-Fe as an exemplum of "analytic modernism," and in this sense a crucial endpoint in the progression of postwar conceptions of literary modernism.
Author: Lesley Brill
Publisher: Wayne State University Press
ISBN: 9780814332757
Category : Performing Arts
Languages : en
Pages : 300
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Book Description
A noted critic brings crowd theory to Film Studies, offering a bold new analysis of the pervasive cinematic themes of transformation and power. From Intolerance to The Silence of the Lambs, motion pictures show crowds and power in complex, usually antagonistic, relationships. Key to understanding this opposition is an intrinsic capability of the cinema: transformation. Making unprecedented use of Elias Canetti's Crowds and Power, Lesley Brill explores crowds, power, and transformation throughout film history. The formation of crowds together with crowd symbols and representations of power create complex, unifying structures in two early masterpieces, The Battleship Potemkin and Intolerance. In Throne of Blood, power-seekers become increasingly isolated, while the crowd of the dead seduces and overwhelms the living. The conflict between crowds and power in Citizen Kane takes place both within the protagonist and between him and the people he tries to master. North by Northwest, Killer of Sheep, and The Silence of the Lambs are rich in hunting and predation and show the crowd as a pack; transformation--true, false, and failed--is the key to both attack and escape. Brill's study provides original insights into canonical movies and shows anew the central importance of transformation in film. Film theorists, critics, and historians will value this fresh and intriguing approach to film classics, which also has much to say about cinema itself and its unique relationship to mass audiences.
