Author: Brian Holmes
Publisher:
ISBN: 9789070149987
Category : Art and state
Languages : en
Pages : 414
Book Description
" ... contains a selection of texts and essays by the writer, Brian Holmes, that engage with the possibilities and problematics of geopolitics and geopoetics. Holmes is a crucial contemporary writer and thinker whose insight into current social and political developments and how they relate to artistic processes opens up a new field of 'geocritique.' The examples he cites extend across Latin America, Europe and Asia, where he looks at networks, artworks, films, institutions and protest movements for signs of how future strategies might be shaped. The texts are connected with the long-term collaborative research project, Continental Drift."--P. [6].
Escape the Overcode
Author: Brian Holmes
Publisher:
ISBN: 9789070149987
Category : Art and state
Languages : en
Pages : 414
Book Description
" ... contains a selection of texts and essays by the writer, Brian Holmes, that engage with the possibilities and problematics of geopolitics and geopoetics. Holmes is a crucial contemporary writer and thinker whose insight into current social and political developments and how they relate to artistic processes opens up a new field of 'geocritique.' The examples he cites extend across Latin America, Europe and Asia, where he looks at networks, artworks, films, institutions and protest movements for signs of how future strategies might be shaped. The texts are connected with the long-term collaborative research project, Continental Drift."--P. [6].
Publisher:
ISBN: 9789070149987
Category : Art and state
Languages : en
Pages : 414
Book Description
" ... contains a selection of texts and essays by the writer, Brian Holmes, that engage with the possibilities and problematics of geopolitics and geopoetics. Holmes is a crucial contemporary writer and thinker whose insight into current social and political developments and how they relate to artistic processes opens up a new field of 'geocritique.' The examples he cites extend across Latin America, Europe and Asia, where he looks at networks, artworks, films, institutions and protest movements for signs of how future strategies might be shaped. The texts are connected with the long-term collaborative research project, Continental Drift."--P. [6].
Deleuze and Guattari's A Thousand Plateaus
Author: Brent Adkins
Publisher: Edinburgh University Press
ISBN: 0748686479
Category : Philosophy
Languages : en
Pages : 272
Book Description
Using clear language and numerous examples, each chapter of this guide analyses an individual plateau from Deleuze and Guattari's A Thousand Plateaus, interpreting the work for students and scholars.
Publisher: Edinburgh University Press
ISBN: 0748686479
Category : Philosophy
Languages : en
Pages : 272
Book Description
Using clear language and numerous examples, each chapter of this guide analyses an individual plateau from Deleuze and Guattari's A Thousand Plateaus, interpreting the work for students and scholars.
Activism
Author: Afonso Dias Ramos
Publisher: MIT Press
ISBN: 0262376512
Category : Art
Languages : en
Pages : 242
Book Description
An edited collection that addresses the vital intersection of contemporary art and activism in this watershed cultural moment. Activism is a critical point of contention for institutions and genealogies of contemporary art around the world. Yet artists have consistently engaged in activist discourse, lending their skills to social movements, and regularly participating in civil and social rights campaigns while also boycotting cultural institutions and exerting significant pressure on them. This timely volume, edited by Tom Snow and Afonso Ramos, addresses an extraordinary moment in debates over the institutional frameworks and networks of art including large-scale direct actions, as well as a radical rethinking of art venues and urban spaces according to racial, class, or gender-based disparities, including demonstrations against the extractive and exploitative practices of neoliberal accumulation and climate catastrophe. From ACT UP and its affiliate groups since the dawn of the AIDS crisis to the counter-spectacle and street theatrics of the so-called Arab Spring and Occupy, to ongoing protest movements such as Black Lives Matter, Rhodes Must Fall, and Decolonize This Place, activist aesthetics has proven increasingly difficult to define under traditional classifications. Resurgent campaigns for decolonial reckoning, ecological justice, gender equality, indigenous rights and antiracist pedagogies indicate that the role of activism in contemporary art practice urges a critical reassessment. One pressing question is whether contemporary art’s most radical politics now takes place outside, against, or in spite of, conventional sites of display such as museums, biennials, and galleries. Artists surveyed include: ACT UP, Basel Abbas & Ruanne Abou-Rahme, Allora & Calzadilla, Tania Bruguera, Black Audio Film Collective, Chto Delat, Andrea Fraser, Nan Goldin, Sanja Iveković, Gulf Labor, Amar Kanwar, Leslie Labowitz, Liberate Tate, Sethembile Msezane, Zanele Muholi, Jan Nikolai Nelles & Nora Al-Badri, Decolonize This Place, Michael Rakowitz, Oliver Ressler. Writers include: Dave Beech, Judith Butler, Amílcar Cabral, Elias Canetti, Douglas Crimp, Jodi Dean, Gilles Deleuze, T.J. Demos, Nina Dubrovsky, Süreyyya Evren, Catherine Flood, Matthew Fuller, David Graeber, Gavin Grindon Félix Guattari, Brian Holmes, Carrie Lambert-Beatty, Lucy Lippard, Yates McKee, MTL Collective, Gregory Sholette, Françoise Vergès, Peter Weiss, Eyal Weizman.
Publisher: MIT Press
ISBN: 0262376512
Category : Art
Languages : en
Pages : 242
Book Description
An edited collection that addresses the vital intersection of contemporary art and activism in this watershed cultural moment. Activism is a critical point of contention for institutions and genealogies of contemporary art around the world. Yet artists have consistently engaged in activist discourse, lending their skills to social movements, and regularly participating in civil and social rights campaigns while also boycotting cultural institutions and exerting significant pressure on them. This timely volume, edited by Tom Snow and Afonso Ramos, addresses an extraordinary moment in debates over the institutional frameworks and networks of art including large-scale direct actions, as well as a radical rethinking of art venues and urban spaces according to racial, class, or gender-based disparities, including demonstrations against the extractive and exploitative practices of neoliberal accumulation and climate catastrophe. From ACT UP and its affiliate groups since the dawn of the AIDS crisis to the counter-spectacle and street theatrics of the so-called Arab Spring and Occupy, to ongoing protest movements such as Black Lives Matter, Rhodes Must Fall, and Decolonize This Place, activist aesthetics has proven increasingly difficult to define under traditional classifications. Resurgent campaigns for decolonial reckoning, ecological justice, gender equality, indigenous rights and antiracist pedagogies indicate that the role of activism in contemporary art practice urges a critical reassessment. One pressing question is whether contemporary art’s most radical politics now takes place outside, against, or in spite of, conventional sites of display such as museums, biennials, and galleries. Artists surveyed include: ACT UP, Basel Abbas & Ruanne Abou-Rahme, Allora & Calzadilla, Tania Bruguera, Black Audio Film Collective, Chto Delat, Andrea Fraser, Nan Goldin, Sanja Iveković, Gulf Labor, Amar Kanwar, Leslie Labowitz, Liberate Tate, Sethembile Msezane, Zanele Muholi, Jan Nikolai Nelles & Nora Al-Badri, Decolonize This Place, Michael Rakowitz, Oliver Ressler. Writers include: Dave Beech, Judith Butler, Amílcar Cabral, Elias Canetti, Douglas Crimp, Jodi Dean, Gilles Deleuze, T.J. Demos, Nina Dubrovsky, Süreyyya Evren, Catherine Flood, Matthew Fuller, David Graeber, Gavin Grindon Félix Guattari, Brian Holmes, Carrie Lambert-Beatty, Lucy Lippard, Yates McKee, MTL Collective, Gregory Sholette, Françoise Vergès, Peter Weiss, Eyal Weizman.
Digital Labor
Author: Trebor Scholz
Publisher: Routledge
ISBN: 0415896940
Category : Business & Economics
Languages : en
Pages : 274
Book Description
'Digital Labor' asks whether life on the Internet is mostly work, or play. We tweet, we tag photos, we link, we review books, we comment on blogs, we remix media and we upload video to create much of the content that makes up the web.
Publisher: Routledge
ISBN: 0415896940
Category : Business & Economics
Languages : en
Pages : 274
Book Description
'Digital Labor' asks whether life on the Internet is mostly work, or play. We tweet, we tag photos, we link, we review books, we comment on blogs, we remix media and we upload video to create much of the content that makes up the web.
Code
Author: Lawrence Lessig
Publisher: Basic Books
ISBN: 0786721960
Category : Language Arts & Disciplines
Languages : en
Pages : 434
Book Description
There's a common belief that cyberspace cannot be regulated-that it is, in its very essence, immune from the government's (or anyone else's) control. Code, first published in 2000, argues that this belief is wrong. It is not in the nature of cyberspace to be unregulable; cyberspace has no "nature." It only has code-the software and hardware that make cyberspace what it is. That code can create a place of freedom-as the original architecture of the Net did-or a place of oppressive control. Under the influence of commerce, cyberspace is becoming a highly regulable space, where behavior is much more tightly controlled than in real space. But that's not inevitable either. We can-we must-choose what kind of cyberspace we want and what freedoms we will guarantee. These choices are all about architecture: about what kind of code will govern cyberspace, and who will control it. In this realm, code is the most significant form of law, and it is up to lawyers, policymakers, and especially citizens to decide what values that code embodies. Since its original publication, this seminal book has earned the status of a minor classic. This second edition, or Version 2.0, has been prepared through the author's wiki, a web site that allows readers to edit the text, making this the first reader-edited revision of a popular book.
Publisher: Basic Books
ISBN: 0786721960
Category : Language Arts & Disciplines
Languages : en
Pages : 434
Book Description
There's a common belief that cyberspace cannot be regulated-that it is, in its very essence, immune from the government's (or anyone else's) control. Code, first published in 2000, argues that this belief is wrong. It is not in the nature of cyberspace to be unregulable; cyberspace has no "nature." It only has code-the software and hardware that make cyberspace what it is. That code can create a place of freedom-as the original architecture of the Net did-or a place of oppressive control. Under the influence of commerce, cyberspace is becoming a highly regulable space, where behavior is much more tightly controlled than in real space. But that's not inevitable either. We can-we must-choose what kind of cyberspace we want and what freedoms we will guarantee. These choices are all about architecture: about what kind of code will govern cyberspace, and who will control it. In this realm, code is the most significant form of law, and it is up to lawyers, policymakers, and especially citizens to decide what values that code embodies. Since its original publication, this seminal book has earned the status of a minor classic. This second edition, or Version 2.0, has been prepared through the author's wiki, a web site that allows readers to edit the text, making this the first reader-edited revision of a popular book.
Ecosophical Aesthetics
Author: Patricia MacCormack
Publisher: Bloomsbury Publishing
ISBN: 1350026212
Category : Philosophy
Languages : en
Pages : 309
Book Description
Inspired by the ecosophical writings of Felix Guattari, this book explores the many ways that aesthetics – in the forms of visual art, film, sculpture, painting, literature, and the screenplay – can act as catalysts, allowing us to see the world differently, beyond traditional modes of representation. This is in direct parallel to Guattari's own attempt to break down the 19th century Kantian dialectic between man, art, and world, in favour of a non-hierarchical, transversal approach, to produce a more ethical and ecologically sensitive world view. Each chapter author analyses artworks which critique capitalism's industrial devastation of the environment, while at the same time offering affirmative, imaginative futures suggested by art. Including contributions from philosophers, film theorists and artists, this book asks: How can we interact with the world in a non-dominant and non-destructive way? How can art catalyze new ethical relations with non-human entities and the environment? And, crucially, what part can philosophy play in rethinking these structures of interaction?
Publisher: Bloomsbury Publishing
ISBN: 1350026212
Category : Philosophy
Languages : en
Pages : 309
Book Description
Inspired by the ecosophical writings of Felix Guattari, this book explores the many ways that aesthetics – in the forms of visual art, film, sculpture, painting, literature, and the screenplay – can act as catalysts, allowing us to see the world differently, beyond traditional modes of representation. This is in direct parallel to Guattari's own attempt to break down the 19th century Kantian dialectic between man, art, and world, in favour of a non-hierarchical, transversal approach, to produce a more ethical and ecologically sensitive world view. Each chapter author analyses artworks which critique capitalism's industrial devastation of the environment, while at the same time offering affirmative, imaginative futures suggested by art. Including contributions from philosophers, film theorists and artists, this book asks: How can we interact with the world in a non-dominant and non-destructive way? How can art catalyze new ethical relations with non-human entities and the environment? And, crucially, what part can philosophy play in rethinking these structures of interaction?
Performance Action
Author: Paula Serafini
Publisher: Routledge
ISBN: 1351728601
Category : Social Science
Languages : en
Pages : 321
Book Description
Performance Action looks to advance the understanding of how art activism works in practice, by unpacking the relationship between the processes and politics that lie at its heart. Focusing on the UK but situating its analysis in a global context of art activism, the book presents a range of different cases of performance-based art activism, including the anti-oil sponsorship performances of groups like Shell Out Sounds and BP or not BP?, the radical pedagogy project Shake!, the psychogeographic practice of Loiterers Resistance Movement, and the queer performances of the artist network Left Front Art. Based on participatory, ethnographic research, Performance Action brings together a wealth of first-hand accounts and interviews followed by in-depth analysis of the processes and politics of art activist practice. The book is unique in that it adopts an interdisciplinary approach that borrows concepts and theories from the fields of art history, aesthetics, anthropology, sociology and performance studies, and proposes a new framework for a better understanding of how art activism works, focusing on processes. The book argues that art activism is defined by its dual nature as aesthetic-political practice, and that this duality and the way it is manifested in different processes, from the building of a shared collective identity to the politics of participation, is key towards fully understanding what sets apart art activism from other forms of artistic and political practice. The book is aimed at both specialist and non-specialist audiences, offering an accessible and engaging way into new theoretical contributions in the field of art activism, as well as on wider subjects such as participation, collective identity, prefiguration and institutional critique.
Publisher: Routledge
ISBN: 1351728601
Category : Social Science
Languages : en
Pages : 321
Book Description
Performance Action looks to advance the understanding of how art activism works in practice, by unpacking the relationship between the processes and politics that lie at its heart. Focusing on the UK but situating its analysis in a global context of art activism, the book presents a range of different cases of performance-based art activism, including the anti-oil sponsorship performances of groups like Shell Out Sounds and BP or not BP?, the radical pedagogy project Shake!, the psychogeographic practice of Loiterers Resistance Movement, and the queer performances of the artist network Left Front Art. Based on participatory, ethnographic research, Performance Action brings together a wealth of first-hand accounts and interviews followed by in-depth analysis of the processes and politics of art activist practice. The book is unique in that it adopts an interdisciplinary approach that borrows concepts and theories from the fields of art history, aesthetics, anthropology, sociology and performance studies, and proposes a new framework for a better understanding of how art activism works, focusing on processes. The book argues that art activism is defined by its dual nature as aesthetic-political practice, and that this duality and the way it is manifested in different processes, from the building of a shared collective identity to the politics of participation, is key towards fully understanding what sets apart art activism from other forms of artistic and political practice. The book is aimed at both specialist and non-specialist audiences, offering an accessible and engaging way into new theoretical contributions in the field of art activism, as well as on wider subjects such as participation, collective identity, prefiguration and institutional critique.
Code (Volume 1 of 2) (EasyRead Large Bold Edition)
Author: Lawrence Lessig
Publisher: ReadHowYouWant.com
ISBN: 1442996323
Category : Computers
Languages : en
Pages : 430
Book Description
"Code counters the common belief that cyberspace cannot be controlled or censored. To the contrary, under the influence of commerce, cyberspace is becoming a highly regulable world where behavior will be much more tightly controlled than in real space."--Cover.
Publisher: ReadHowYouWant.com
ISBN: 1442996323
Category : Computers
Languages : en
Pages : 430
Book Description
"Code counters the common belief that cyberspace cannot be controlled or censored. To the contrary, under the influence of commerce, cyberspace is becoming a highly regulable world where behavior will be much more tightly controlled than in real space."--Cover.
The Politics of Speed
Author: Simon Glezos
Publisher: Routledge
ISBN: 1136642633
Category : Political Science
Languages : en
Pages : 220
Book Description
The Politics of Speed engages with the struggles over speed in diverse issue areas, including democratic governance, warfare, capitalism, globalization, and cosmopolitanism and transnational activism and employs a diverse theoretical canon of both classical and contemporary writers. However, despite this diversity of theoretical and empirical material, what draws them all together is the attempt to understand how politics both shapes, and is shaped by, speed.
Publisher: Routledge
ISBN: 1136642633
Category : Political Science
Languages : en
Pages : 220
Book Description
The Politics of Speed engages with the struggles over speed in diverse issue areas, including democratic governance, warfare, capitalism, globalization, and cosmopolitanism and transnational activism and employs a diverse theoretical canon of both classical and contemporary writers. However, despite this diversity of theoretical and empirical material, what draws them all together is the attempt to understand how politics both shapes, and is shaped by, speed.
Brave New Avant Garde
Author: Marc James Léger
Publisher: John Hunt Publishing
ISBN: 1780990502
Category : Art
Languages : en
Pages : 208
Book Description
Brave New Avant Garde is a collection of essays that ask the questions: what is an adequate model of contemporary avant garde practice and what are its theoretical premises? With this it asks the related question, echoing Alain Badiou: must the avant garde hypothesis be abandoned? Brave New Avant Garde stands in opposition to postmodern post-politics and the view that radical practice has no other future than its reduction to the workings of the free market in the form of the "simple process of cultural production" or to variations on the cultural politics of representation. Today's avant garde, formed in the wake of the end of the Soviet Union and the rise of the anti-globalization movement, represents a counter-power that rejects the inevitability of capitalist integration. The way out for artists in today's world of creative industries is defined in these pages as a psychoanalytically informed sinthomeopathic practice, a critical identification with prevailing conditions of production that avoids the surplus enjoyment of the ideology of postmodern pluralism.
Publisher: John Hunt Publishing
ISBN: 1780990502
Category : Art
Languages : en
Pages : 208
Book Description
Brave New Avant Garde is a collection of essays that ask the questions: what is an adequate model of contemporary avant garde practice and what are its theoretical premises? With this it asks the related question, echoing Alain Badiou: must the avant garde hypothesis be abandoned? Brave New Avant Garde stands in opposition to postmodern post-politics and the view that radical practice has no other future than its reduction to the workings of the free market in the form of the "simple process of cultural production" or to variations on the cultural politics of representation. Today's avant garde, formed in the wake of the end of the Soviet Union and the rise of the anti-globalization movement, represents a counter-power that rejects the inevitability of capitalist integration. The way out for artists in today's world of creative industries is defined in these pages as a psychoanalytically informed sinthomeopathic practice, a critical identification with prevailing conditions of production that avoids the surplus enjoyment of the ideology of postmodern pluralism.