Author: Otto Boele
Publisher: Univ of Wisconsin Press
ISBN: 0299232735
Category : History
Languages : en
Pages : 272
Book Description
Banned shortly after its publication in 1907, the Russian novel Sanin scandalized readers with the sexual exploits of its eponymous hero. Wreaking havoc on the fictional town he visits in Mikhail Artsybashev’s story, the character Sanin left an even deeper imprint on the psyche of the real-life Russian public. Soon “Saninism” became the buzzword for the perceived faults of the nation. Seen as promoting a wave of hedonistic, decadent behavior, the novel was suppressed for decades, leaving behind only the rumor of its supposedly epidemic effect on a vulnerable generation of youth. Who were the Saninists, and what was their “teaching” all about? Delving into police reports, newspaper clippings, and amateur plays, Otto Boele finds that Russian youth were not at all swept away by the self-indulgent lifestyle of the novel’s hero. In fact, Saninism was more smoke than fire—a figment of the public imagination triggered by anxieties about the revolution of 1905 and the twilight of the Russian empire. The reception of the novel, Boele shows, reflected much deeper worries caused by economic reforms, an increase in social mobility, and changing attitudes toward sexuality. Showing how literary criticism interacts with the age-old medium of rumor, Erotic Nihilism in Late Imperial Russia offers a meticulous analysis of the scandal’s coverage in the provincial press and the reactions of young people who appealed to their peers to resist the novel’s nihilistic message. By examining the complex dialogue between readers and writers, children and parents, this study provides fascinating insights into Russian culture on the eve of World War I.
Erotic Nihilism in Late Imperial Russia
Author: Otto Boele
Publisher: Univ of Wisconsin Press
ISBN: 0299232735
Category : History
Languages : en
Pages : 272
Book Description
Banned shortly after its publication in 1907, the Russian novel Sanin scandalized readers with the sexual exploits of its eponymous hero. Wreaking havoc on the fictional town he visits in Mikhail Artsybashev’s story, the character Sanin left an even deeper imprint on the psyche of the real-life Russian public. Soon “Saninism” became the buzzword for the perceived faults of the nation. Seen as promoting a wave of hedonistic, decadent behavior, the novel was suppressed for decades, leaving behind only the rumor of its supposedly epidemic effect on a vulnerable generation of youth. Who were the Saninists, and what was their “teaching” all about? Delving into police reports, newspaper clippings, and amateur plays, Otto Boele finds that Russian youth were not at all swept away by the self-indulgent lifestyle of the novel’s hero. In fact, Saninism was more smoke than fire—a figment of the public imagination triggered by anxieties about the revolution of 1905 and the twilight of the Russian empire. The reception of the novel, Boele shows, reflected much deeper worries caused by economic reforms, an increase in social mobility, and changing attitudes toward sexuality. Showing how literary criticism interacts with the age-old medium of rumor, Erotic Nihilism in Late Imperial Russia offers a meticulous analysis of the scandal’s coverage in the provincial press and the reactions of young people who appealed to their peers to resist the novel’s nihilistic message. By examining the complex dialogue between readers and writers, children and parents, this study provides fascinating insights into Russian culture on the eve of World War I.
Publisher: Univ of Wisconsin Press
ISBN: 0299232735
Category : History
Languages : en
Pages : 272
Book Description
Banned shortly after its publication in 1907, the Russian novel Sanin scandalized readers with the sexual exploits of its eponymous hero. Wreaking havoc on the fictional town he visits in Mikhail Artsybashev’s story, the character Sanin left an even deeper imprint on the psyche of the real-life Russian public. Soon “Saninism” became the buzzword for the perceived faults of the nation. Seen as promoting a wave of hedonistic, decadent behavior, the novel was suppressed for decades, leaving behind only the rumor of its supposedly epidemic effect on a vulnerable generation of youth. Who were the Saninists, and what was their “teaching” all about? Delving into police reports, newspaper clippings, and amateur plays, Otto Boele finds that Russian youth were not at all swept away by the self-indulgent lifestyle of the novel’s hero. In fact, Saninism was more smoke than fire—a figment of the public imagination triggered by anxieties about the revolution of 1905 and the twilight of the Russian empire. The reception of the novel, Boele shows, reflected much deeper worries caused by economic reforms, an increase in social mobility, and changing attitudes toward sexuality. Showing how literary criticism interacts with the age-old medium of rumor, Erotic Nihilism in Late Imperial Russia offers a meticulous analysis of the scandal’s coverage in the provincial press and the reactions of young people who appealed to their peers to resist the novel’s nihilistic message. By examining the complex dialogue between readers and writers, children and parents, this study provides fascinating insights into Russian culture on the eve of World War I.
The Birth of the Body: Russian Erotic Prose of the First Half of the Twentieth Century
Author: Alexei Lalo
Publisher: BRILL
ISBN: 9004237755
Category : Literary Criticism
Languages : en
Pages : 167
Book Description
This anthology of Russian erotic writings of 1900 to 1940 consists of texts previously unavailable in English. They all reflect the fascinating, albeit laborious, nature of the "birth of the body" in the Russian literature and culture of the period.
Publisher: BRILL
ISBN: 9004237755
Category : Literary Criticism
Languages : en
Pages : 167
Book Description
This anthology of Russian erotic writings of 1900 to 1940 consists of texts previously unavailable in English. They all reflect the fascinating, albeit laborious, nature of the "birth of the body" in the Russian literature and culture of the period.
Open Letters
Author: Alison Rowley
Publisher: University of Toronto Press
ISBN: 144264706X
Category : History
Languages : en
Pages : 337
Book Description
In Open Letters, the most comprehensive study of Russian picture postcards to date, Alison Rowley uses this medium to explore a variety of aspects of Russian popular culture.
Publisher: University of Toronto Press
ISBN: 144264706X
Category : History
Languages : en
Pages : 337
Book Description
In Open Letters, the most comprehensive study of Russian picture postcards to date, Alison Rowley uses this medium to explore a variety of aspects of Russian popular culture.
Russian Writers and the Fin de Siècle
Author: Katherine Bowers
Publisher: Cambridge University Press
ISBN: 131638117X
Category : Literary Criticism
Languages : en
Pages : 317
Book Description
Russian literature has a reputation for gloomy texts, especially during the late nineteenth century. This volume argues that a 'fin-de-siècle' mood informed Russian literature long before the chronological end of the nineteenth century, in ways that had significant impact on the development of Russian realism. Some chapters consider ideas more readily associated with fin-de-siècle Europe such as degeneration theory, biodeterminism, Freudian psychoanalysis or apocalypticism, alongside earlier Russian realist texts by writers such as Turgenev, Dostoevsky or Tolstoy. Other chapters explore the changes that realism underwent as modernism emerged, examining later nineteenth-century or early twentieth-century texts in the context of the earlier realist tradition or their own cultural moment. Overall, a team of emerging and established scholars of Russian literature and culture present a wide range of creative and insightful readings that shed new light on later realism in all its manifestations.
Publisher: Cambridge University Press
ISBN: 131638117X
Category : Literary Criticism
Languages : en
Pages : 317
Book Description
Russian literature has a reputation for gloomy texts, especially during the late nineteenth century. This volume argues that a 'fin-de-siècle' mood informed Russian literature long before the chronological end of the nineteenth century, in ways that had significant impact on the development of Russian realism. Some chapters consider ideas more readily associated with fin-de-siècle Europe such as degeneration theory, biodeterminism, Freudian psychoanalysis or apocalypticism, alongside earlier Russian realist texts by writers such as Turgenev, Dostoevsky or Tolstoy. Other chapters explore the changes that realism underwent as modernism emerged, examining later nineteenth-century or early twentieth-century texts in the context of the earlier realist tradition or their own cultural moment. Overall, a team of emerging and established scholars of Russian literature and culture present a wide range of creative and insightful readings that shed new light on later realism in all its manifestations.
Soviet Films of the 1970s and Early 1980s
Author: Marina Rojavin
Publisher: Routledge
ISBN: 1000378276
Category : Performing Arts
Languages : en
Pages : 146
Book Description
This book explores a new character archetype that permeated Soviet film during what became known as the era of Stagnation, a stark period of loneliness, disappointment, and individual despair. This new type of character was neither negative nor positive, but nevertheless systematically undermined Soviet norms of behaviour, hairstyle, dress, lifestyle, and perspective, in stark contrast to Socialist Realism’s traditional, positive hero who fought for Soviet values and who vanquished the enemies of socialism. The book discusses a wide range of films from the period, showing how the new antiheroic archetype of Stagnation resonated through a multitude of characters, mostly male, and vividly reflected the realities of Soviet life. The book thereby provides great insight into the lives, outlook, and psychology of citizens in the late Soviet period.
Publisher: Routledge
ISBN: 1000378276
Category : Performing Arts
Languages : en
Pages : 146
Book Description
This book explores a new character archetype that permeated Soviet film during what became known as the era of Stagnation, a stark period of loneliness, disappointment, and individual despair. This new type of character was neither negative nor positive, but nevertheless systematically undermined Soviet norms of behaviour, hairstyle, dress, lifestyle, and perspective, in stark contrast to Socialist Realism’s traditional, positive hero who fought for Soviet values and who vanquished the enemies of socialism. The book discusses a wide range of films from the period, showing how the new antiheroic archetype of Stagnation resonated through a multitude of characters, mostly male, and vividly reflected the realities of Soviet life. The book thereby provides great insight into the lives, outlook, and psychology of citizens in the late Soviet period.
Libertinage in Russian Culture and Literature
Author: Alexei Lalo
Publisher: BRILL
ISBN: 9004211195
Category : Literary Criticism
Languages : en
Pages : 303
Book Description
The monograph explores traditions of expressing the body and sexuality (designated as "silence" and "burlesque") throughout Russia's literary history, with a particular focus on how these traditions affect the literary modernization during the Silver Age (1890-1921) and subsequent émigré writing.
Publisher: BRILL
ISBN: 9004211195
Category : Literary Criticism
Languages : en
Pages : 303
Book Description
The monograph explores traditions of expressing the body and sexuality (designated as "silence" and "burlesque") throughout Russia's literary history, with a particular focus on how these traditions affect the literary modernization during the Silver Age (1890-1921) and subsequent émigré writing.
Cinematic Bodies of Eastern Europe and Russia
Author: Ewa Mazierska
Publisher: Edinburgh University Press
ISBN: 1474405150
Category : Performing Arts
Languages : en
Pages : 272
Book Description
Bringing together a range of theoretical and critical approaches, this edited collection is the first book to examine representations of the body in Eastern European and Russian cinema after the Second World War. Drawing on the history of the region, as well as Western and Eastern scholarship on the body, the book focuses on three areas: the traumatized body, the body as a site of erotic pleasure, and the relationship between the body and history. Critically dissecting the different ideological and aesthetic ways human bodies are framed, The Cinematic Bodies of Eastern Europe and Russia also demonstrates how bodily discourses oscillate between complicity and subversion, and how they shaped individuals and societies both during and after the period of state socialism.
Publisher: Edinburgh University Press
ISBN: 1474405150
Category : Performing Arts
Languages : en
Pages : 272
Book Description
Bringing together a range of theoretical and critical approaches, this edited collection is the first book to examine representations of the body in Eastern European and Russian cinema after the Second World War. Drawing on the history of the region, as well as Western and Eastern scholarship on the body, the book focuses on three areas: the traumatized body, the body as a site of erotic pleasure, and the relationship between the body and history. Critically dissecting the different ideological and aesthetic ways human bodies are framed, The Cinematic Bodies of Eastern Europe and Russia also demonstrates how bodily discourses oscillate between complicity and subversion, and how they shaped individuals and societies both during and after the period of state socialism.
Reading Russian Literature, 1980–2024
Author: Otto Boele
Publisher: Springer Nature
ISBN: 3031698169
Category :
Languages : en
Pages : 236
Book Description
Publisher: Springer Nature
ISBN: 3031698169
Category :
Languages : en
Pages : 236
Book Description
Directory of World Cinema: Russia 2
Author: Birgit Beumers
Publisher: Intellect Books
ISBN: 1783204796
Category : Art
Languages : en
Pages : 366
Book Description
Soviet and Russian filmmakers have traditionally had uneasy relationships to the concept of genre. This volume rewrites that history by spotlighting some genres not commonly associated with cinema in the region, including Cold War spy movies and science-fiction films; blockbusters and horror films; remakes and adventure films; and chernukha films and serials. Introductory essays establish key aspects of these genres, and directors’ biographies provide the background for the key players. Building on the work of its predecessor, which explored cinema from the time of the tsars to the Putin era, this book will be warmly received by the serious film scholar as well as all those who love Russian cinema. Directory of World Cinema: Russia 2 is an essential companion to the filmic legacy of one of the world’s most storied countries.
Publisher: Intellect Books
ISBN: 1783204796
Category : Art
Languages : en
Pages : 366
Book Description
Soviet and Russian filmmakers have traditionally had uneasy relationships to the concept of genre. This volume rewrites that history by spotlighting some genres not commonly associated with cinema in the region, including Cold War spy movies and science-fiction films; blockbusters and horror films; remakes and adventure films; and chernukha films and serials. Introductory essays establish key aspects of these genres, and directors’ biographies provide the background for the key players. Building on the work of its predecessor, which explored cinema from the time of the tsars to the Putin era, this book will be warmly received by the serious film scholar as well as all those who love Russian cinema. Directory of World Cinema: Russia 2 is an essential companion to the filmic legacy of one of the world’s most storied countries.
Modern Russian Cinema as a Battleground in Russia's Information War
Author: Alexander Rojavin
Publisher: Taylor & Francis
ISBN: 104010259X
Category : Social Science
Languages : en
Pages : 173
Book Description
This book explores how modern Russian cinema is part of the international information war that has unfolded across a variety of battlefields, including social media, online news, and television. It outlines how Russian cinema has been instrumentalized, both by the Kremlin's allies and its detractors, to convey salient political and cultural messages, often in subtle ways, thereby becoming a tool for both critiquing and serving domestic and foreign policy objectives, shaping national identity, and determining cultural memory. It explains how regulations, legislation, and funding mechanisms have rendered contemporary cinema both an essential weapon for the Kremlin and a means for more independent figures to publicly frame official government policy. In addition, the book employs formal cinematic analysis to highlight the dominant themes and narratives in modern Russian films of a variety of genres, situating them in Russia’s broader rhetorical ecosystem and explaining how they serve the objectives of the Kremlin or its opponents.
Publisher: Taylor & Francis
ISBN: 104010259X
Category : Social Science
Languages : en
Pages : 173
Book Description
This book explores how modern Russian cinema is part of the international information war that has unfolded across a variety of battlefields, including social media, online news, and television. It outlines how Russian cinema has been instrumentalized, both by the Kremlin's allies and its detractors, to convey salient political and cultural messages, often in subtle ways, thereby becoming a tool for both critiquing and serving domestic and foreign policy objectives, shaping national identity, and determining cultural memory. It explains how regulations, legislation, and funding mechanisms have rendered contemporary cinema both an essential weapon for the Kremlin and a means for more independent figures to publicly frame official government policy. In addition, the book employs formal cinematic analysis to highlight the dominant themes and narratives in modern Russian films of a variety of genres, situating them in Russia’s broader rhetorical ecosystem and explaining how they serve the objectives of the Kremlin or its opponents.