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Author: Anne Kirker
Publisher:
ISBN: 9781876509729
Category : Art, German
Languages : en
Pages : 64
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Book Description
This publication profiles the work of Erich Buchholz, a central figure in the development of non-objective or 'concrete' art in Berlin between 1918 and 1924, who counted Laszlo Moholy-Nagy and El Lissitzky among his associates. This long overdue account explores the artist's oeuvre through works sourced in Australian collections and reveals him as one of the pioneers of geometric abstraction in Germany.Features 40 colour illustrations.
Author: Anne Kirker
Publisher:
ISBN: 9781876509729
Category : Art, German
Languages : en
Pages : 64
Get Book Here
Book Description
This publication profiles the work of Erich Buchholz, a central figure in the development of non-objective or 'concrete' art in Berlin between 1918 and 1924, who counted Laszlo Moholy-Nagy and El Lissitzky among his associates. This long overdue account explores the artist's oeuvre through works sourced in Australian collections and reveals him as one of the pioneers of geometric abstraction in Germany.Features 40 colour illustrations.
Author: Erich Buchholz
Publisher:
ISBN:
Category :
Languages : en
Pages : 1
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Book Description
Folded card announcing exhibition of serigraphs and woodcuts; exhibition history.
Author: Erich Buchholz
Publisher:
ISBN:
Category : Landscapes in art
Languages : en
Pages : 21
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Book Description
Author: Erich Buchholz
Publisher:
ISBN:
Category :
Languages : en
Pages : 12
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Book Description
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 47
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Book Description
Author: Erich Buchholz
Publisher:
ISBN:
Category : Color in art
Languages : de
Pages : 240
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Book Description
Author: Erich Buchholz
Publisher:
ISBN:
Category :
Languages : en
Pages : 4
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Book Description
Author: Isabel Wünsche
Publisher: Böhlau Köln
ISBN: 3412525650
Category : Art
Languages : en
Pages : 277
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Book Description
The First Russian Art Exhibition (Erste Russische Kunstausstellung), which opened at the Galerie van Diemen in Berlin on October 15, 1922, and later travelled to Amsterdam, introduced a broad Western audience to the most recent artistic developments in Russia. The extensive show – more than a thousand works, including paintings, graphic works, sculptures, stage designs, architectural models, and works of porcelain – was remarkably inclusive in its scope, which ranged from traditional figurative painting to the latest constructions of the Russian avant-garde. Coming on the heels of the Treaty of Rapallo, the exhibition was a first cultural step towards bilateral relations between two young and yet internationally isolated new states – the Weimar Republic and the Russian Soviet Republic. Moving away from the narrow focus on the avant-garde, the volume presents new research that examines the exhibition's broader historical scope and cultural implications. The reception of the exhibition within artistic circles in Germany, Europe, the United States, and Japan in the 1920s is addressed, as well as the disposition of many of the works exhibited. The combination of longer, thematic essays and short features, along with reproductions of newly identified works and a selection of unpublished archival materials make this book valuable to both a scholarly and a general readership.
Author:
Publisher:
ISBN: 9780731682867
Category :
Languages : en
Pages : 0
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Book Description
Author: Rose Fried Gallery (New York, N.Y.)
Publisher:
ISBN:
Category :
Languages : en
Pages : 1
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Book Description
