Author: Adam Wallace
Publisher:
ISBN: 9780994469366
Category :
Languages : en
Pages : 96
Book Description
Jackson Payne is auditioning for the school play so he can be an acting star. The problem is, instead of being a star, he's a meteorite, crashing into everything he passes!But when disaster strikes on opening night, it's up to Jackson to step in and save the day ... without actually stepping ON anyone!
Eratically Epic!
Author: Adam Wallace
Publisher:
ISBN: 9780994469366
Category :
Languages : en
Pages : 96
Book Description
Jackson Payne is auditioning for the school play so he can be an acting star. The problem is, instead of being a star, he's a meteorite, crashing into everything he passes!But when disaster strikes on opening night, it's up to Jackson to step in and save the day ... without actually stepping ON anyone!
Publisher:
ISBN: 9780994469366
Category :
Languages : en
Pages : 96
Book Description
Jackson Payne is auditioning for the school play so he can be an acting star. The problem is, instead of being a star, he's a meteorite, crashing into everything he passes!But when disaster strikes on opening night, it's up to Jackson to step in and save the day ... without actually stepping ON anyone!
Epic
Author: Herbert F. Tucker
Publisher: OUP Oxford
ISBN: 0191528404
Category : Literary Criticism
Languages : en
Pages : 749
Book Description
This book is the first to provide a connected history of epic poetry in Britain between the French Revolution and the First World War. Although epic is widely held to have been shouldered aside by the novel, if not invalidated in advance by modernity, in fact the genre was practised without interruption across the long nineteenth century by nearly every prominent Romantic and Victorian poet, and shoals of ambitious poetasters into the bargain. Poets kept the epic alive by revising its conventions to meet an overlapping series of changing realities: insurgent democracy, Napoleonic war, the rise of class consciousness and repeated reform of the franchise, challenges posed by scientific advance to religious belief and cherished notions of the human, the evolution of a postnationalist and eventually imperialist identity for Britain as the world's superpower. Each of these developments called on nineteenth-century epic to do what the genre had always done: affirm the unity of its sponsoring culture through a large utterance that both acknowledged the distinctive flowering of the modern and affirmed its rootedness in tradition. The best writers answered this call by figuring Britain's self-renewal and the genre's as versions of one another. In passing Herbert Tucker notices scores of mediocre congeners (and worse), so as to show where the challenge of a given decade fell and suggest what lay at stake. The background these lesser works provide throws into relief what the book stresses in extended discussions of several dozen major works: an unbroken history of daring experimentation in which circumspect, inventive, worried epoists engaged because the genre and the age alike demanded it.
Publisher: OUP Oxford
ISBN: 0191528404
Category : Literary Criticism
Languages : en
Pages : 749
Book Description
This book is the first to provide a connected history of epic poetry in Britain between the French Revolution and the First World War. Although epic is widely held to have been shouldered aside by the novel, if not invalidated in advance by modernity, in fact the genre was practised without interruption across the long nineteenth century by nearly every prominent Romantic and Victorian poet, and shoals of ambitious poetasters into the bargain. Poets kept the epic alive by revising its conventions to meet an overlapping series of changing realities: insurgent democracy, Napoleonic war, the rise of class consciousness and repeated reform of the franchise, challenges posed by scientific advance to religious belief and cherished notions of the human, the evolution of a postnationalist and eventually imperialist identity for Britain as the world's superpower. Each of these developments called on nineteenth-century epic to do what the genre had always done: affirm the unity of its sponsoring culture through a large utterance that both acknowledged the distinctive flowering of the modern and affirmed its rootedness in tradition. The best writers answered this call by figuring Britain's self-renewal and the genre's as versions of one another. In passing Herbert Tucker notices scores of mediocre congeners (and worse), so as to show where the challenge of a given decade fell and suggest what lay at stake. The background these lesser works provide throws into relief what the book stresses in extended discussions of several dozen major works: an unbroken history of daring experimentation in which circumspect, inventive, worried epoists engaged because the genre and the age alike demanded it.
Catalogues of Proper Names in Latin Epic Poetry
Author: Stratis Kyriakidis
Publisher: Cambridge Scholars Publishing
ISBN: 1443809004
Category : Literary Criticism
Languages : en
Pages : 250
Book Description
The book consists of two main parts: a) Structure and Contents, b) Catalogues in Context: In the first part the major subject is how a catalogue is organized internally. A number of structural patterns formed since Homer on the basis of the position the names held within the catalogue (density in the middle - spacing in the middle -ascending /descending mode - internal balance - erratic pattern) were to continue down to the period of Lucretius, Virgil and Ovid. Each pattern carries its own dynamism in the text and has its particular effects in the reading process. Especially when the poetic work evolves in time, the fluctuation of the density in names per verse entails a corresponding fluctuation of the narrative tempo. On occasion the reader may also recognize in the structure of the catalogue a visual parallel to the situation described. Mirroring technique -widely applied in literary and artistic works in antiquity- finds its place in the poetic catalogues of the period and can be distinguished in three major categories: the extratextual, the intertextual, and the intratextual. In Ovid the technique became most sophisticated. The second part deals with the relation of the catalogue to its surrounding text. In this respect, catalogue-markers and the way a catalogue is introduced or completed are issues which are discussed in this part of the work, as they can be indicative of the way the poet views the contents of a catalogue. What becomes evident here is that the usual catalogue-markers are the products of the notion that whoever or whatever is included in a catalogue is listed there as an individual entity, even if some of its characteristics are neutralized. This proves to be true in Virgil where the items of a catalogue retain their value whereas frame and content function in support of each other. This also occurs in the greater part of the epic tradition. Before Virgil, however, in Lucretius, the frame was often the means of subverting the traditional function of a catalogue, since it usually called into question the very existence of the beings named, or undermined their value. On some occasions, a Virgilian catalogue does not close with a verbal frame but with a pause. This mode of closure proves to be the strongest boundary between a catalogue and the continuation of the narrative. On other occasions we shall find a simile at the end of a catalogue. These closural devices stress the catalogue’s potentials as they affect the reading process. Things change in the Ovidian Metamorphoses. Ovid makes extensive use of various poetic techniques and devices which he draws from the tradition in general and Virgil in particular. In doing so, however, he often challenges their significance and forms catalogues that give the impression of delaying, by protracting the oncoming narrative. In Ovid’s work neither the pause nor the simile can easily constitute natural barriers to his catalogues. Everything in the Metamorphoses is in a continuous state of flux and the catalogue, too, has to adapt accordingly by acquiring new characteristics with novel values. This book is the first of the series Pierides, series editors: Philip Hardie - Stratis Kyriakidis
Publisher: Cambridge Scholars Publishing
ISBN: 1443809004
Category : Literary Criticism
Languages : en
Pages : 250
Book Description
The book consists of two main parts: a) Structure and Contents, b) Catalogues in Context: In the first part the major subject is how a catalogue is organized internally. A number of structural patterns formed since Homer on the basis of the position the names held within the catalogue (density in the middle - spacing in the middle -ascending /descending mode - internal balance - erratic pattern) were to continue down to the period of Lucretius, Virgil and Ovid. Each pattern carries its own dynamism in the text and has its particular effects in the reading process. Especially when the poetic work evolves in time, the fluctuation of the density in names per verse entails a corresponding fluctuation of the narrative tempo. On occasion the reader may also recognize in the structure of the catalogue a visual parallel to the situation described. Mirroring technique -widely applied in literary and artistic works in antiquity- finds its place in the poetic catalogues of the period and can be distinguished in three major categories: the extratextual, the intertextual, and the intratextual. In Ovid the technique became most sophisticated. The second part deals with the relation of the catalogue to its surrounding text. In this respect, catalogue-markers and the way a catalogue is introduced or completed are issues which are discussed in this part of the work, as they can be indicative of the way the poet views the contents of a catalogue. What becomes evident here is that the usual catalogue-markers are the products of the notion that whoever or whatever is included in a catalogue is listed there as an individual entity, even if some of its characteristics are neutralized. This proves to be true in Virgil where the items of a catalogue retain their value whereas frame and content function in support of each other. This also occurs in the greater part of the epic tradition. Before Virgil, however, in Lucretius, the frame was often the means of subverting the traditional function of a catalogue, since it usually called into question the very existence of the beings named, or undermined their value. On some occasions, a Virgilian catalogue does not close with a verbal frame but with a pause. This mode of closure proves to be the strongest boundary between a catalogue and the continuation of the narrative. On other occasions we shall find a simile at the end of a catalogue. These closural devices stress the catalogue’s potentials as they affect the reading process. Things change in the Ovidian Metamorphoses. Ovid makes extensive use of various poetic techniques and devices which he draws from the tradition in general and Virgil in particular. In doing so, however, he often challenges their significance and forms catalogues that give the impression of delaying, by protracting the oncoming narrative. In Ovid’s work neither the pause nor the simile can easily constitute natural barriers to his catalogues. Everything in the Metamorphoses is in a continuous state of flux and the catalogue, too, has to adapt accordingly by acquiring new characteristics with novel values. This book is the first of the series Pierides, series editors: Philip Hardie - Stratis Kyriakidis
Surf, Sweat and Tears
Author: Andy Martin
Publisher: OR Books
ISBN: 1682192334
Category : True Crime
Languages : en
Pages : 229
Book Description
“I don’t normally read books about surfers, but this is like Truman Capote, with shorts.” —Lee Child “Andy Martin, to his immense credit, knows that surfers are misfits and accidental comics, as well as great athletes.” —Matt Warshaw “A sublime mixing of stoke and sorrow, hedonism and the macabre—skillfully and deftly penned by someone who had, and still has, intimate access to many of the key players." —Tom Anderson, author of Riding the Magic Carpet: A Surfer's Odyssey to Find the Perfect Wave This is the true story of Ted, Viscount Deerhurst, the son of the Earl of Coventry and an American ballerina who dedicated his life to becoming a professional surfer. Surfing was a means of escape, from England, from the fraught charges of nobility, from family, and, often, from his own demons. Ted was good on the board, but never made it to the very highest ranks of a sport that, like most, treats second-best as nowhere at all. He kept on surfing, ending up where all surfers go to live or die, the paradise of Hawaii. There, in search of the “perfect woman,” he fell in love with a dancer called Lola, who worked in a Honolulu nightclub. The problem with paradise, as he was soon to discover, is that gangsters always get there first. Lola already had a serious boyfriend, a man who went by the name of Pit Bull. Ted was given fair warning to stay away. But he had a besetting sin, for which he paid the heaviest price: He never knew when to give up. Surf, Sweat and Tears takes us into the world of global surfing, revealing a dark side beneath the dazzling sun and cream-crested waves. Here is surf noir at its most compelling, a dystopian tale of one man’s obsessions, wiped out in a grisly true crime.
Publisher: OR Books
ISBN: 1682192334
Category : True Crime
Languages : en
Pages : 229
Book Description
“I don’t normally read books about surfers, but this is like Truman Capote, with shorts.” —Lee Child “Andy Martin, to his immense credit, knows that surfers are misfits and accidental comics, as well as great athletes.” —Matt Warshaw “A sublime mixing of stoke and sorrow, hedonism and the macabre—skillfully and deftly penned by someone who had, and still has, intimate access to many of the key players." —Tom Anderson, author of Riding the Magic Carpet: A Surfer's Odyssey to Find the Perfect Wave This is the true story of Ted, Viscount Deerhurst, the son of the Earl of Coventry and an American ballerina who dedicated his life to becoming a professional surfer. Surfing was a means of escape, from England, from the fraught charges of nobility, from family, and, often, from his own demons. Ted was good on the board, but never made it to the very highest ranks of a sport that, like most, treats second-best as nowhere at all. He kept on surfing, ending up where all surfers go to live or die, the paradise of Hawaii. There, in search of the “perfect woman,” he fell in love with a dancer called Lola, who worked in a Honolulu nightclub. The problem with paradise, as he was soon to discover, is that gangsters always get there first. Lola already had a serious boyfriend, a man who went by the name of Pit Bull. Ted was given fair warning to stay away. But he had a besetting sin, for which he paid the heaviest price: He never knew when to give up. Surf, Sweat and Tears takes us into the world of global surfing, revealing a dark side beneath the dazzling sun and cream-crested waves. Here is surf noir at its most compelling, a dystopian tale of one man’s obsessions, wiped out in a grisly true crime.
Epic and Epoch
Author: Steven M. Oberhelman
Publisher: Texas Tech University Press
ISBN: 9780896723313
Category : History
Languages : en
Pages : 328
Book Description
Epic and Epoch is a collection of essays based on the works of artists such as Homer, Vergil, Statius, Ovid, Dante, among others. The essays in this book are not only based on history, but on various interpretations of a genre. Rhetorical, literary historical, feminist, and cultural are a few of several perspectives represented in this book.
Publisher: Texas Tech University Press
ISBN: 9780896723313
Category : History
Languages : en
Pages : 328
Book Description
Epic and Epoch is a collection of essays based on the works of artists such as Homer, Vergil, Statius, Ovid, Dante, among others. The essays in this book are not only based on history, but on various interpretations of a genre. Rhetorical, literary historical, feminist, and cultural are a few of several perspectives represented in this book.
Erratic North
Author: Mark Frutkin
Publisher: Dundurn
ISBN: 1770703128
Category : Biography & Autobiography
Languages : en
Pages : 242
Book Description
In geology an erratic is a "boulder or rock formation transported some distance from its original source, as by a glacier." In award-winning novelist Mark Frutkin’s case, his movement from his native Cleveland. Ohio, was instigated by his wish to protest and resist the U.S. military draft during the Vietnam War, and his destination was Canada. An estimated 50,000 to 100,000 American Vietnam War draft resisters sought sanctuary in Canada. Many of these men stayed, became Canadian citizens, and have made significant contributions to the country, including writers such as William Gibson, George Fetherling, Keith Maillard, and Jay Scott; musicians Jesse Winchester and Jim Byrnes; children’s performer Eric Nagler; and radio personality Andy Barrie. Although this first nonfiction work by Mark Frutkin looks back at the circumstances and culture of the late 1960s and early 1970s that prompted the author to relocate to Canada, Erratic Northis about many other things. It’s also a lyrical meditation about "returning to nature" in the bush country of Quebec and an account of the crucible that forged one writer. Tying everything together, though, is the overarching theme of the book: a contemplation of humanity’s embrace of war and violence and the countervailing impulse to resist that embrace, specifically as seen in the experience of Frutkin himself; his grandfather Simon, who escaped Tsarist Russia and its military in the 1890s; and Louis Drouin, the Quebec farmer Frutkin bought his original farm from and who resisted conscription in World War II.
Publisher: Dundurn
ISBN: 1770703128
Category : Biography & Autobiography
Languages : en
Pages : 242
Book Description
In geology an erratic is a "boulder or rock formation transported some distance from its original source, as by a glacier." In award-winning novelist Mark Frutkin’s case, his movement from his native Cleveland. Ohio, was instigated by his wish to protest and resist the U.S. military draft during the Vietnam War, and his destination was Canada. An estimated 50,000 to 100,000 American Vietnam War draft resisters sought sanctuary in Canada. Many of these men stayed, became Canadian citizens, and have made significant contributions to the country, including writers such as William Gibson, George Fetherling, Keith Maillard, and Jay Scott; musicians Jesse Winchester and Jim Byrnes; children’s performer Eric Nagler; and radio personality Andy Barrie. Although this first nonfiction work by Mark Frutkin looks back at the circumstances and culture of the late 1960s and early 1970s that prompted the author to relocate to Canada, Erratic Northis about many other things. It’s also a lyrical meditation about "returning to nature" in the bush country of Quebec and an account of the crucible that forged one writer. Tying everything together, though, is the overarching theme of the book: a contemplation of humanity’s embrace of war and violence and the countervailing impulse to resist that embrace, specifically as seen in the experience of Frutkin himself; his grandfather Simon, who escaped Tsarist Russia and its military in the 1890s; and Louis Drouin, the Quebec farmer Frutkin bought his original farm from and who resisted conscription in World War II.
The Redgraves
Author: Donald Spoto
Publisher: Random House Digital, Inc.
ISBN: 0307720144
Category : Biography & Autobiography
Languages : en
Pages : 394
Book Description
The dramatic and revealing account of five generations of the Redgrave family, one of the greatest theatrical and Hollywood movie dynasties of all time, includes Lynn Redgrave, Vanessa Redgrave, and Natasha Richardson.
Publisher: Random House Digital, Inc.
ISBN: 0307720144
Category : Biography & Autobiography
Languages : en
Pages : 394
Book Description
The dramatic and revealing account of five generations of the Redgrave family, one of the greatest theatrical and Hollywood movie dynasties of all time, includes Lynn Redgrave, Vanessa Redgrave, and Natasha Richardson.
Infidel Poetics
Author: Daniel Tiffany
Publisher: University of Chicago Press
ISBN: 0226803112
Category : Literary Criticism
Languages : en
Pages : 266
Book Description
Poetry has long been regarded as the least accessible of literary genres. But how much does the obscurity that confounds readers of a poem differ from, say, the slang that seduces listeners of hip-hop? Infidel Poetics examines not only the shared incomprensibilities of poetry and slang, but poetry's genetic relation to the spectacle of underground culture. Charting connections between vernacular poetry, lyric obscurity, and types of social relations—networks of darkened streets in preindustrial cities, the historical underworld of taverns and clubs, the subcultures of the avant-garde—Daniel Tiffany shows that obscurity in poetry has functioned for hundreds of years as a medium of alternative societies. For example, he discovers in the submerged tradition of canting poetry and its eccentric genres—thieves’ carols, drinking songs, beggars’ chants—a genealogy of modern nightlife, but also a visible underworld of social and verbal substance, a demimonde for sale. Ranging from Anglo-Saxon riddles to Emily Dickinson, from the icy logos of Parmenides to the monadology of Leibniz, from Mother Goose to Mallarmé, Infidel Poetics offers an exhilarating account of the subversive power of obscurity in word, substance, and deed.
Publisher: University of Chicago Press
ISBN: 0226803112
Category : Literary Criticism
Languages : en
Pages : 266
Book Description
Poetry has long been regarded as the least accessible of literary genres. But how much does the obscurity that confounds readers of a poem differ from, say, the slang that seduces listeners of hip-hop? Infidel Poetics examines not only the shared incomprensibilities of poetry and slang, but poetry's genetic relation to the spectacle of underground culture. Charting connections between vernacular poetry, lyric obscurity, and types of social relations—networks of darkened streets in preindustrial cities, the historical underworld of taverns and clubs, the subcultures of the avant-garde—Daniel Tiffany shows that obscurity in poetry has functioned for hundreds of years as a medium of alternative societies. For example, he discovers in the submerged tradition of canting poetry and its eccentric genres—thieves’ carols, drinking songs, beggars’ chants—a genealogy of modern nightlife, but also a visible underworld of social and verbal substance, a demimonde for sale. Ranging from Anglo-Saxon riddles to Emily Dickinson, from the icy logos of Parmenides to the monadology of Leibniz, from Mother Goose to Mallarmé, Infidel Poetics offers an exhilarating account of the subversive power of obscurity in word, substance, and deed.
Epic in Republican Rome
Author: Sander M. Goldberg
Publisher: Oxford University Press
ISBN: 0195357566
Category : Literary Criticism
Languages : en
Pages : 209
Book Description
This book is a major new study of the epic poetry of Republican Rome. Goldberg treats the creators of these now-fragmentary works not simply as predecessors of Vergil, but as pioneers and poets in their own right. But Goldberg goes beyond practical criticism, exploring in the literary experiments of Andronicus, Naevius, Ennius, and Cicero issues of poetry and patronage, cultural assimilation and national ideology, modeling and originality that both come to characterize Roman literature of all periods and continue to shape modern responses to that literature. What emerges from Goldberg's study is both a fresh perspective on Vergil's achievement and new insights into the cultural dynamics of second-century Rome.
Publisher: Oxford University Press
ISBN: 0195357566
Category : Literary Criticism
Languages : en
Pages : 209
Book Description
This book is a major new study of the epic poetry of Republican Rome. Goldberg treats the creators of these now-fragmentary works not simply as predecessors of Vergil, but as pioneers and poets in their own right. But Goldberg goes beyond practical criticism, exploring in the literary experiments of Andronicus, Naevius, Ennius, and Cicero issues of poetry and patronage, cultural assimilation and national ideology, modeling and originality that both come to characterize Roman literature of all periods and continue to shape modern responses to that literature. What emerges from Goldberg's study is both a fresh perspective on Vergil's achievement and new insights into the cultural dynamics of second-century Rome.
Ariosto and Boiardo
Author: Peter V. Marinelli
Publisher:
ISBN:
Category : Literary Criticism
Languages : en
Pages : 264
Book Description
Ludovico Ariosto's Orlando Furioso, the first of the vernacular epics of the Renaissance, has long been considered a literary landmark. This comparative study of Boiardo's Orlando Innamorato and Ariosto's Furioso reinterprets the relationship between these works, on a more comprehensive scale than has previously been attempted.
Publisher:
ISBN:
Category : Literary Criticism
Languages : en
Pages : 264
Book Description
Ludovico Ariosto's Orlando Furioso, the first of the vernacular epics of the Renaissance, has long been considered a literary landmark. This comparative study of Boiardo's Orlando Innamorato and Ariosto's Furioso reinterprets the relationship between these works, on a more comprehensive scale than has previously been attempted.