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Author:
Publisher:
ISBN:
Category : Epitaphs
Languages : en
Pages : 264
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Book Description
Author:
Publisher:
ISBN:
Category : Epitaphs
Languages : en
Pages : 264
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Book Description
Author: Joshua Scodel
Publisher: Cornell University Press
ISBN: 9780801424823
Category : Death in literature
Languages : en
Pages : 448
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Book Description
In the first major study of the genre, Joshua Scodel shows how English poets have used the poetic epitaph to express their views concerning the power and limitations of poetry as a response to human mortality.
Author: W. H. Beable
Publisher: Gale Cengage
ISBN: 9780810333741
Category : Epitaphs
Languages : en
Pages : 258
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Book Description
Describes inscriptions & epitaphs actually found on tombstones and markers in graveyards.
Author: Arthur Wentworth Hamilton Eaton
Publisher:
ISBN:
Category : Epitaphs
Languages : en
Pages : 110
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Book Description
Author:
Publisher:
ISBN:
Category : English literature
Languages : en
Pages : 1486
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Book Description
A weekly review of politics, literature, theology, and art.
Author: Walter Jerrold
Publisher:
ISBN:
Category : Epigrams
Languages : en
Pages : 264
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Book Description
Author: Karl Siegfried Guthke
Publisher:
ISBN:
Category : Language Arts & Disciplines
Languages : en
Pages : 444
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Book Description
This book examines a number of facets of Western epitaph culture since antiquity, with particular emphasis on post-medieval developments in the major European countries as well as in North America. Various epitaphic "sub-cultures" are analyzed, among them the time-honored custom of composing one's own tomb inscription as well as the ancient and modern convention of honoring animals with epitaphs. It also examines epitaph-collecting, epitaph "lies," humorous epitaphs, and the change in social and religious attitudes toward suicides. The book concludes with a cultural and intellectual history of epitaphs. An epilogue addresses the question of the supposed disappearance of epitaph culture at the present time.
Author: David A. Kent
Publisher: Fairleigh Dickinson Univ Press
ISBN: 9780838634585
Category : Humor
Languages : en
Pages : 428
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Book Description
This is the first collection of literary parodies, both poetry and prose, written during the English Romantic period. Many anthologies of literary parody have been published during the past century, but no previous selection has concentrated so intensively on a single period in English literary history, and no period in that history was more remarkable for the quantity and diversity of its parody. There was no Romantic writer untouched by parody, either as subject or as author, or even occasionally as both. Most parodies were intended to discredit the Romantics not only as poets but as individuals, and to disarm the threat they were seen as posing to establish literary and social norms. Because it focuses on the "swarm of imitative writers" about whom Robert Southey complained in an 1819 letter to Walter Savage Landor, this collection throws light on a large and often overlooked body of work whose authors had much more serious purposes than mere ridicule or amusement. Romantic parody situates itself between the eighteenth-century craft of burlesque and the nonsense verse that Victorian parody often became. This anthology demonstrates that parody is concerned with power: that it expresses ideological conflict, dramatizing clashes of ideas, styles, and values between different generations of writers, different classes and social groups, and even between writers of the same generation and class. Parody is not an inherently conservative mode; politically, it serves the whole range of opinion from extreme left to extreme right. While several of the parodies are playful - a few even affectionate - most angrily testify to the political, social, and aesthetic divisions embittering the times. Some parodies have aged more gracefully than others. But all contribute to a more vivid understanding of the era and to the reception accorded the most important Romantic writers. The venom and alarm of the response those writers provoked may surprise anyone who takes it for granted that the Romantics easily made their way into the mainstream of English literature. This volume reprints parodies by the major Romantics (including Coleridge, Keats, Byron, and Shelley) as well as by minor, obscure, and anonymous contemporaries. Several longer, better-known texts are given in their entirety, e.g., Peter Bell, Peter Bell III, and The Vision of Judgment, and there are also examples from distinguished collections such as Rejected Addresses, The Poetic Mirror, and Warreniana. Numerous shorter works are taken from periodicals of the time (such as Blackwood's or The Satirist), and many of these are reprinted for the first time since their initial publication. The foreword by Linda Hutcheon, "Parody and Romantic Ideology," examines the theoretical implications of Romantic parodies. The introduction, headnotes, and annotations by the editors place the parodies in their historical, social, and literary contexts.
Author:
Publisher:
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Category : Poetry
Languages : en
Pages : 748
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Book Description
Author: Mark Meredith
Publisher:
ISBN:
Category : Authors, English
Languages : en
Pages : 670
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Book Description
Contains list of "Fictitious and pseudonymous names."
