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Author: Egbert J. Bakker
Publisher: Harvard University Press
ISBN: 9780674962606
Category : Drama
Languages : en
Pages : 328
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Book Description
Written Voices, Spoken Signs is a stimulating introduction to new perspectives on Homer and other traditional epics. Taking advantage of recent research on language and social exchange, the nine innovative essays in this volume--by leading scholars of Homer, oral poetics, and epic--focus on performance and audience reception of oral poetry.
Author: Egbert J. Bakker
Publisher: Harvard University Press
ISBN: 9780674962606
Category : Drama
Languages : en
Pages : 328
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Book Description
Written Voices, Spoken Signs is a stimulating introduction to new perspectives on Homer and other traditional epics. Taking advantage of recent research on language and social exchange, the nine innovative essays in this volume--by leading scholars of Homer, oral poetics, and epic--focus on performance and audience reception of oral poetry.
Author: Carolyn Abbate
Publisher: Princeton University Press
ISBN: 9780691026084
Category : Music
Languages : en
Pages : 308
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Book Description
This work looks at the "voices" that speak to us through 19th-century classical music and opera. It proposes interpretive strategies that seek the polyphony and dialogism of music, celebrating musical gestures often marginalized by conventional musical analysis.
Author: H. Fisch
Publisher: Springer
ISBN: 0230502350
Category : Literary Criticism
Languages : en
Pages : 242
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Book Description
Harold Fisch explores the biblical influence on the style and structure of landmark works by Fielding, Defoe, George Eliot, Kafka, Dostoevsky and others. Whilst the great novelists could not manage without the Bible, at the same time 'it would not do'. The book concludes with two chapters on the Israeli novelists S.Y. Agnon and A.B. Yehoshua.
Author: Geoff Tibballs
Publisher: Simon and Schuster
ISBN: 1620872714
Category : History
Languages : en
Pages : 493
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Book Description
This is the graphic, first-hand story of the maiden voyage and disastrous sinking of the RMS Titanic, told by the survivors themselves. The story of the sinking of the great liner has been told countless times since that fateful night on April 14, 1912, by historians, novelists, and film producers alike, but no account is as graphic or revealing as those from the people who were actually there. Through survivors’ tales and contemporary newspaper reports from both sides of the Atlantic, here are eyewitness accounts full of details that range from poignant to humorous, stage by stage from the liner’s glorious launch in Belfast to the somber sea burial services of those who perished on her first and only voyage. In this book, the voices of the survivors share their own stories, as well as the official records, press reports, and investigations into what went wrong that night.
Author: Peter S. Hawkins
Publisher: Wipf and Stock Publishers
ISBN: 1498284310
Category : Literary Criticism
Languages : en
Pages : 213
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Book Description
The essays in this volume explore the persistent struggle of language to overcome its own limitations. Given their scope--from Dante's confrontation with the divine All to Samuel Beckett's obsessive need to speak in the face of Nothing--they expand our notion of the extent to which all speech is an assault on silence, an attempt to articulate what lies beyond the grasp of words. The collection offers the reader, in roughly chronological order, diverse conceptions of the ineffable as either superfluity or absence of reality. It also exposes language in the act of extending its own boundaries, drawing attention to those literary tactics by which speech attempts to suggest what cannot be said. While largely a study of poetry, from medieval to modern, the volume also touches upon drama and a variety of prose, combining close textual readings with broader thematic discussions.
Author: Niall Slater
Publisher: BRILL
ISBN: 9004329730
Category : Literary Criticism
Languages : en
Pages : 456
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Book Description
Voice and Voices in Antiquity draws together 18 studies of the changing concept of voice and voices in the oral traditions and subsequent literate genres of the ancient world. Ranging from the poet's voice to those of characters as well as historically embodied communities, and from the interface between the Greek and Near Eastern worlds to the western reaches of the Roman Empire, the scholars assembled here offer a methodologically rich and diverse series of approaches to locating the power of voice as both poetic construct and communal memory. The results not only enrich our understanding of the strategies of epic, lyric, and dramatic voices but also illuminate the rhetorical claims given voice by historians, orators, philosophers, and novelists in the ancient world.
Author: Daniel M. Hooley
Publisher: University of Michigan Press
ISBN: 9780472107926
Category : History
Languages : en
Pages : 310
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Book Description
D.M. Hooley has now reexamined Persius in light of developments in contemporary critical thinking, particularly that which builds upon classical imitation theories. Addressing each of the six Satires as well as the introductory "Choliambics," Hooley contends that one of the most conspicuous features of Persius' verse, its allusiveness, is a key to this desiderated view. The long-recognized, exceptionally high frequency of imitations of and allusions to the works of Horace and others can be seen not as a mark of artistic immaturity but as a technique intended to engage other voices in the expression of a poem's meaning. Seen as an aspect of structural and thematic strategy, the pattern of Persius' engagement with the words of other poets reveals a remarkable and hitherto unregarded coherence in the Satires.
Author: Lynn Enterline
Publisher: Cambridge University Press
ISBN: 1139425749
Category : Literary Criticism
Languages : en
Pages : 288
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Book Description
This persuasive book analyses the complex, often violent connections between body and voice in Ovid's Metamorphoses and narrative, lyric and dramatic works by Petrarch, Marston and Shakespeare. Lynn Enterline describes the foundational yet often disruptive force that Ovidian rhetoric exerts on early modern poetry, particularly on representations of the self, the body and erotic life. Paying close attention to the trope of the female voice in the Metamorphoses, as well as early modern attempts at transgendered ventriloquism that are indebted to Ovid's work, she argues that Ovid's rhetoric of the body profoundly challenges Renaissance representations of authorship as well as conceptions about the difference between male and female experience. This vividly original book makes a vital contribution to the study of Ovid's presence in Renaissance literature.
Author: Matthew Gumpert
Publisher: University of Wisconsin Pres
ISBN: 029917123X
Category : Literary Criticism
Languages : en
Pages : 353
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Book Description
History is a love story: a tale of desire and jealousy, abandonment and fidelity, abduction and theft, rupture and reconciliation. This contention is central to Grafting Helen, Matthew Gumpert's original and dazzling meditation on Helen of Troy as a crucial anchor for much of Western thought and literature. Grafting Helen looks at "classicism"—the privileged rhetorical language for describing cultural origins in the West—as a protracted form of cultural embezzlement. No coin in the realm has been more valuable, more circulated, more coveted, or more counterfeited than the one that bears the face of Helen of Troy. Gumpert uncovers Helen as the emblem for the past as something to be stolen, appropriated, imitated, extorted, and coveted once again. Tracing the figure of Helen from its classical origins through the Middle Ages, the French Renaissance, and the modern era, Gumpert suggests that the relation of current Western culture to the past is not like the act of coveting; it is the act of coveting, he argues, for it relies on the same strategies, the same defenses, the same denials, and the same delusions.
Author: John M. Steadman
Publisher: University of Missouri Press
ISBN: 9780826210173
Category : Literary Criticism
Languages : en
Pages : 234
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Book Description
Steadman suggests that these poets, along with most other Renaissance poets, did not actually regard themselves as divinely inspired but, rather, resorted to a common fiction to create the appearance of having special insight into the truth.
