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Author: Lascelles Abercrombie
Publisher: BoD – Books on Demand
ISBN: 3734066816
Category : Fiction
Languages : en
Pages : 58
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Book Description
Reproduction of the original: The Epic by Lascelles Abercrombie
Author: Lascelles Abercrombie
Publisher: BoD – Books on Demand
ISBN: 3734066816
Category : Fiction
Languages : en
Pages : 58
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Book Description
Reproduction of the original: The Epic by Lascelles Abercrombie
Author: E. Washburn Hopkins
Publisher: Motilal Banarsidass
ISBN: 0842605606
Category : Art
Languages : en
Pages : 281
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Book Description
This volume strikes a new note in the study of Indian epics-the Ramayana and the Mahabharata. In it, for the first time, mythology is dissociated from the running threads of both the epic texts. The mythology of the two epics of India represents in general the belief of the people of Northern India along the lower Ganges within a few centuries of the Christian era. For the Mahabharata, the time from 300 B.C. to 400 A.D. The Mahabharata as a whole is later than the Ramayana, which is metrically more advanced and the work of one author. The rougher epic form of the Mahabharata, represents a life less rude than depicted in the Ramayana, and work of many hands and of different times. Epic mythology is, however, is fairly consistent. There is no great discrepancy between the character of any one god in the Mahabharata and that of the same god in Ramayana. Nor is the character of gods very different in different parts of the Mahabharata, save for the sectarian tendency to invert the positions of the three highest gods in favour of the sect.
Author: Daniel Biebuyck
Publisher: Univ of California Press
ISBN: 0520341511
Category : Social Science
Languages : en
Pages : 223
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Book Description
The feats of the hero Mwindo are here glorified in the bilingual text of an epic which was sung and narrated in a Bantu language and acted out by a member of the Nyanga tribe in the remote forest regions of eastern Democratic Republic of the Congo. Admirably structured, coherent, and richly poetic, the epic is in prose form, interspersed with song and proverbs in verse. An example of the classic tradition of oral folk literature, the tale has important implications for the comparative study of African culture, as the text provides profound insights into the social structure, value system, linguistics, and cosmology of this African people.
Author: David Konstan
Publisher: John Wiley & Sons
ISBN: 9781444315646
Category : Literary Criticism
Languages : en
Pages : 456
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Book Description
With contributions from leading scholars, this is a uniquecross-cultural comparison of historical epics across a wide rangeof cultures and time periods, which presents crucial insights intohow history is treated in narrative poetry. The first book to gain new insights into the topic of‘epic and history’ through in-depth cross-culturalcomparisons Covers epic traditions across the globe and across a wide rangeof time periods Brings together leading specialists in the field, and is editedby two internationally regarded scholars An important reference for scholars and students interested inhistory and literature across a broad range of disciplines
Author: Edward Washburn Hopkins
Publisher: Biblo & Tannen Publishers
ISBN: 9780819602282
Category : Religion
Languages : en
Pages : 292
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Book Description
Author: Mirjana Detelić
Publisher: Balkanološki institut SANU
ISBN: 8671790916
Category : Language Arts & Disciplines
Languages : en
Pages : 256
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Book Description
Author: Henry Fielding
Publisher:
ISBN:
Category :
Languages : en
Pages : 718
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Book Description
Author: Henry Fielding
Publisher:
ISBN:
Category :
Languages : en
Pages : 748
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Book Description
Author: Marco Fantuzzi
Publisher: Cambridge University Press
ISBN: 1316298213
Category : Literary Collections
Languages : en
Pages : 855
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Book Description
The poems of the Epic Cycle are assumed to be the reworking of myths and narratives which had their roots in an oral tradition predating that of many of the myths and narratives which took their present form in the Iliad and the Odyssey. The remains of these texts allow us to investigate diachronic aspects of epic diction as well as the extent of variation within it on the part of individual authors - two of the most important questions in modern research on archaic epic. They also help to illuminate the early history of Greek mythology. Access to the poems, however, has been thwarted by their current fragmentary state. This volume provides the scholarly community and graduate students with a thorough critical foundation for reading and interpreting them.
Author: Herbert F. Tucker
Publisher: OUP Oxford
ISBN: 0191528404
Category : Literary Criticism
Languages : en
Pages : 749
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Book Description
This book is the first to provide a connected history of epic poetry in Britain between the French Revolution and the First World War. Although epic is widely held to have been shouldered aside by the novel, if not invalidated in advance by modernity, in fact the genre was practised without interruption across the long nineteenth century by nearly every prominent Romantic and Victorian poet, and shoals of ambitious poetasters into the bargain. Poets kept the epic alive by revising its conventions to meet an overlapping series of changing realities: insurgent democracy, Napoleonic war, the rise of class consciousness and repeated reform of the franchise, challenges posed by scientific advance to religious belief and cherished notions of the human, the evolution of a postnationalist and eventually imperialist identity for Britain as the world's superpower. Each of these developments called on nineteenth-century epic to do what the genre had always done: affirm the unity of its sponsoring culture through a large utterance that both acknowledged the distinctive flowering of the modern and affirmed its rootedness in tradition. The best writers answered this call by figuring Britain's self-renewal and the genre's as versions of one another. In passing Herbert Tucker notices scores of mediocre congeners (and worse), so as to show where the challenge of a given decade fell and suggest what lay at stake. The background these lesser works provide throws into relief what the book stresses in extended discussions of several dozen major works: an unbroken history of daring experimentation in which circumspect, inventive, worried epoists engaged because the genre and the age alike demanded it.
