Author: Ruth Scodel
Publisher:
ISBN:
Category : Literary Criticism
Languages : en
Pages : 200
Book Description
Homer's characters are often very far from an unreflecting struggle for status at others' expense. Rather than being a 'zero-sum game', their negotiations can be of an impressive delicacy, designed to protect the 'face' of the other. Gifts and visible deference are important measures of honour, but characters also care about what others really feel. This sensitive study reveals that at the beginnings of (surviving) Greek literature Homer's audience is expected to appreciate psychology and self-control of a very high order. Literary analysts, historians, anthropologists and indeed archaeologists will have much to learn here about the general level of sophistication of the historic and prehistoric societies which generated such deeply civilized poetry.
Epic Facework
Author: Ruth Scodel
Publisher:
ISBN:
Category : Literary Criticism
Languages : en
Pages : 200
Book Description
Homer's characters are often very far from an unreflecting struggle for status at others' expense. Rather than being a 'zero-sum game', their negotiations can be of an impressive delicacy, designed to protect the 'face' of the other. Gifts and visible deference are important measures of honour, but characters also care about what others really feel. This sensitive study reveals that at the beginnings of (surviving) Greek literature Homer's audience is expected to appreciate psychology and self-control of a very high order. Literary analysts, historians, anthropologists and indeed archaeologists will have much to learn here about the general level of sophistication of the historic and prehistoric societies which generated such deeply civilized poetry.
Publisher:
ISBN:
Category : Literary Criticism
Languages : en
Pages : 200
Book Description
Homer's characters are often very far from an unreflecting struggle for status at others' expense. Rather than being a 'zero-sum game', their negotiations can be of an impressive delicacy, designed to protect the 'face' of the other. Gifts and visible deference are important measures of honour, but characters also care about what others really feel. This sensitive study reveals that at the beginnings of (surviving) Greek literature Homer's audience is expected to appreciate psychology and self-control of a very high order. Literary analysts, historians, anthropologists and indeed archaeologists will have much to learn here about the general level of sophistication of the historic and prehistoric societies which generated such deeply civilized poetry.
Teaching World Epics
Author: Jo Ann Cavallo
Publisher: Modern Language Association
ISBN: 1603296190
Category : Language Arts & Disciplines
Languages : en
Pages : 200
Book Description
Cultures across the globe have embraced epics: stories of memorable deeds by heroic characters whose actions have significant consequences for their lives and their communities. Incorporating narrative elements also found in sacred history, chronicle, saga, legend, romance, myth, folklore, and the novel, epics throughout history have both animated the imagination and encouraged reflection on what it means to be human. Teaching World Epics addresses ancient and more recent epic works from Africa, Europe, Mesoamerica, and East, Central, and South Asia that are available in English translations. Useful to instructors of literature, peace and conflict studies, transnational studies, women's studies, and religious studies, the essays in this volume focus on epics in sociopolitical and cultural contexts, on the adaptation and reception of epic works, and on themes that are especially relevant today, such as gender dynamics and politics, national identity, colonialism and imperialism, violence, and war. This volume includes discussion of Ludovico Ariosto's Orlando Furioso, Giulia Bigolina's Urania, The Book of Dede Korkut, Luís Vaz de Camões's Os Lusíadas, David of Sassoun, The Epic of Askia Mohammed, The Epic of Gilgamesh, the epic of Sun-Jata, Alonso de Ercilla y Zúñiga's La Araucana, Homer's Iliad and Odyssey, Kalevala, Kebra Nagast, Kudrun, The Legend of Poṉṉivaḷa Nadu, the Mahabharata, Manas, John Milton's Paradise Lost, Mwindo, the Nibelungenlied, Poema de mio Cid, Popol Wuj, the Ramayana, the Shahnameh, Sirat Bani Hilal, Edmund Spenser's The Faerie Queene, Statius's Thebaid, The Tale of the Heike, Three Kingdoms, Gaspar Pérez de Villagrá's Historia de la Nueva México, and Virgil's Aeneid.
Publisher: Modern Language Association
ISBN: 1603296190
Category : Language Arts & Disciplines
Languages : en
Pages : 200
Book Description
Cultures across the globe have embraced epics: stories of memorable deeds by heroic characters whose actions have significant consequences for their lives and their communities. Incorporating narrative elements also found in sacred history, chronicle, saga, legend, romance, myth, folklore, and the novel, epics throughout history have both animated the imagination and encouraged reflection on what it means to be human. Teaching World Epics addresses ancient and more recent epic works from Africa, Europe, Mesoamerica, and East, Central, and South Asia that are available in English translations. Useful to instructors of literature, peace and conflict studies, transnational studies, women's studies, and religious studies, the essays in this volume focus on epics in sociopolitical and cultural contexts, on the adaptation and reception of epic works, and on themes that are especially relevant today, such as gender dynamics and politics, national identity, colonialism and imperialism, violence, and war. This volume includes discussion of Ludovico Ariosto's Orlando Furioso, Giulia Bigolina's Urania, The Book of Dede Korkut, Luís Vaz de Camões's Os Lusíadas, David of Sassoun, The Epic of Askia Mohammed, The Epic of Gilgamesh, the epic of Sun-Jata, Alonso de Ercilla y Zúñiga's La Araucana, Homer's Iliad and Odyssey, Kalevala, Kebra Nagast, Kudrun, The Legend of Poṉṉivaḷa Nadu, the Mahabharata, Manas, John Milton's Paradise Lost, Mwindo, the Nibelungenlied, Poema de mio Cid, Popol Wuj, the Ramayana, the Shahnameh, Sirat Bani Hilal, Edmund Spenser's The Faerie Queene, Statius's Thebaid, The Tale of the Heike, Three Kingdoms, Gaspar Pérez de Villagrá's Historia de la Nueva México, and Virgil's Aeneid.
Structures of Epic Poetry
Author: Christiane Reitz
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3110492598
Category : Literary Criticism
Languages : en
Pages : 2760
Book Description
This compendium (4 vols.) studies the continuity, flexibility, and variation of structural elements in epic narratives. It provides an overview of the structural patterns of epic poetry by means of a standardized, stringent terminology. Both diachronic developments and changes within individual epics are scrutinized in order to provide a comprehensive structural approach and a key to intra- and intertextual characteristics of ancient epic poetry.
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3110492598
Category : Literary Criticism
Languages : en
Pages : 2760
Book Description
This compendium (4 vols.) studies the continuity, flexibility, and variation of structural elements in epic narratives. It provides an overview of the structural patterns of epic poetry by means of a standardized, stringent terminology. Both diachronic developments and changes within individual epics are scrutinized in order to provide a comprehensive structural approach and a key to intra- and intertextual characteristics of ancient epic poetry.
Text and Intertext in Greek Epic and Drama
Author: Jonathan J. Price
Publisher: Routledge
ISBN: 0429656351
Category : Foreign Language Study
Languages : en
Pages : 456
Book Description
This collection presents 19 interconnected studies on the language, history, exegesis, and cultural setting of Greek epic and dramatic poetic texts ("Text") and their afterlives ("Intertext") in Antiquity. Spanning texts from Hittite archives to Homer to Greek tragedy and comedy to Vergil to Celsus, the studies here were all written by friends and colleagues of Margalit Finkelberg who are experts in their particular fields, and who have all been influenced by her work. The papers offer close readings of individual lines and discussion of widespread cultural phenomena. Readers will encounter Hittite precedents to the Homeric poems, characters in ancient epic analysed by modern cognitive theory, the use of Homer in Christian polemic, tragic themes of love and murder, a history of the Sphinx, and more. Text and Intertext in Greek Epic and Drama offers a selection of fascinating essays exploring Greek epic, drama, and their reception and adaption by other ancient authors, and will be of interest to anyone working on Greek literature.
Publisher: Routledge
ISBN: 0429656351
Category : Foreign Language Study
Languages : en
Pages : 456
Book Description
This collection presents 19 interconnected studies on the language, history, exegesis, and cultural setting of Greek epic and dramatic poetic texts ("Text") and their afterlives ("Intertext") in Antiquity. Spanning texts from Hittite archives to Homer to Greek tragedy and comedy to Vergil to Celsus, the studies here were all written by friends and colleagues of Margalit Finkelberg who are experts in their particular fields, and who have all been influenced by her work. The papers offer close readings of individual lines and discussion of widespread cultural phenomena. Readers will encounter Hittite precedents to the Homeric poems, characters in ancient epic analysed by modern cognitive theory, the use of Homer in Christian polemic, tragic themes of love and murder, a history of the Sphinx, and more. Text and Intertext in Greek Epic and Drama offers a selection of fascinating essays exploring Greek epic, drama, and their reception and adaption by other ancient authors, and will be of interest to anyone working on Greek literature.
The Iliad
Author: Homer
Publisher: Oxford University Press
ISBN: 0191617350
Category : Fiction
Languages : en
Pages : 513
Book Description
'War, the bringer of tears...' War, glory, despair, and mourning: for 2,700 years the Iliad has gripped listeners and readers with the story of Achilles' anger and Hector's death. This tragic episode during the siege of Troy, sparked by a quarrel between the leader of the Greek army and its mightiest warrior, Achilles, is played out between mortals and gods, with devastating human consequences. It is a story of many truths, speaking of awesome emotions, the quest for fame and revenge, the plight of women, and the lighthearted laughter of the gods. Above all, it confronts us with war in all its brutality - and with fleeting images of peace, which punctuate the poem as distant memories, startling comparisons, and doomed aspirations. The Iliad's extraordinary power testifies to the commitment of its many readers, who have turned to it in their own struggles to understand life and death. This elegant and compelling new translation is accompanied by a full introduction and notes that guide the reader in understanding the poem and the many different contexts in which it was performed and read.
Publisher: Oxford University Press
ISBN: 0191617350
Category : Fiction
Languages : en
Pages : 513
Book Description
'War, the bringer of tears...' War, glory, despair, and mourning: for 2,700 years the Iliad has gripped listeners and readers with the story of Achilles' anger and Hector's death. This tragic episode during the siege of Troy, sparked by a quarrel between the leader of the Greek army and its mightiest warrior, Achilles, is played out between mortals and gods, with devastating human consequences. It is a story of many truths, speaking of awesome emotions, the quest for fame and revenge, the plight of women, and the lighthearted laughter of the gods. Above all, it confronts us with war in all its brutality - and with fleeting images of peace, which punctuate the poem as distant memories, startling comparisons, and doomed aspirations. The Iliad's extraordinary power testifies to the commitment of its many readers, who have turned to it in their own struggles to understand life and death. This elegant and compelling new translation is accompanied by a full introduction and notes that guide the reader in understanding the poem and the many different contexts in which it was performed and read.
Gaze, Vision, and Visuality in Ancient Greek Literature
Author: Alexandros Kampakoglou
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3110571285
Category : Literary Criticism
Languages : en
Pages : 536
Book Description
Visual culture, performance and spectacle lay at the heart of all aspects of ancient Greek daily routine, such as court and assembly, cult and ritual, and art and culture. Seeing was considered the most secure means of obtaining knowledge, with many citing the etymological connection between ‘seeing’ and ‘knowing’ in ancient Greek as evidence for this. Seeing was also however often associated with mere appearances, false perception and deception. Gazing and visuality in the ancient Greek world have had a central place in the scholarship for some time now, enjoying an abundance of pertinent discussions and bibliography. If this book differs from the previous publications, it is in its emphasis on diverse genres: the concepts ‘gaze’, ‘vision’ and ‘visuality’ are considered across different Greek genres and media. The recipients of ancient Greek literature (both oral and written) were encouraged to perceive the narrated scenes as spectacles and to ‘follow the gaze’ of the characters in the narrative. By setting a broad time span, the evolution of visual culture in Greece is tracked, while also addressing broader topics such as theories of vision, the prominence of visuality in specific time periods, and the position of visuality in a hierarchisation of the senses.
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3110571285
Category : Literary Criticism
Languages : en
Pages : 536
Book Description
Visual culture, performance and spectacle lay at the heart of all aspects of ancient Greek daily routine, such as court and assembly, cult and ritual, and art and culture. Seeing was considered the most secure means of obtaining knowledge, with many citing the etymological connection between ‘seeing’ and ‘knowing’ in ancient Greek as evidence for this. Seeing was also however often associated with mere appearances, false perception and deception. Gazing and visuality in the ancient Greek world have had a central place in the scholarship for some time now, enjoying an abundance of pertinent discussions and bibliography. If this book differs from the previous publications, it is in its emphasis on diverse genres: the concepts ‘gaze’, ‘vision’ and ‘visuality’ are considered across different Greek genres and media. The recipients of ancient Greek literature (both oral and written) were encouraged to perceive the narrated scenes as spectacles and to ‘follow the gaze’ of the characters in the narrative. By setting a broad time span, the evolution of visual culture in Greece is tracked, while also addressing broader topics such as theories of vision, the prominence of visuality in specific time periods, and the position of visuality in a hierarchisation of the senses.
Kinesis
Author: Edith Foster
Publisher: University of Michigan Press
ISBN: 0472121162
Category : Literary Collections
Languages : en
Pages : 337
Book Description
Donald Lateiner, in his groundbreaking work The Sardonic Smile, presented the first thorough study of nonverbal behavior in Homeric epics, drawing a significant distinction between ancient and modern gesture and demonstrating the intrinsic relevance of this “silent language” to psychological, social, and anthropological studies of the ancient world. Using Lateiner’s work as a touchstone, the scholars in Kinesis analyze the depiction of emotions, gestures, and other nonverbal cues in ancient Greek and Roman texts and consider the precise language used to depict them. Individual contributors examine genres ranging from historiography and epic to tragedy, philosophy, and vase decoration. They explore evidence as disparate as Pliny’s depiction of animal emotions, Plato’s presentation of Aristophanes’ hiccups, and Thucydides’ use of verb tenses. Sophocles’ deployment of silence is considered, as are Lucan’s depiction of death and the speaking objects of the medieval Alexander Romance. This collection will be valuable to scholars studying Greek and Roman society and literature, as well as to those who study the imitation of ancient literature in later societies. Jargon is avoided and all passages in ancient languages are translated, making this volume accessible to advanced undergraduates. Contributors in addition to the volume editors include Jeffrey Rusten, Rosaria Vignolo Munson, Hans-Peter Stahl, Carolyn Dewald, Rachel Kitzinger, Deborah Boedeker, Daniel P. Tompkins, John Marincola, Carolin Hahnemann, Ellen Finkelpearl, Hanna M. Roisman, Eliot Wirshbo, James V. Morrison, Bruce Heiden, Daniel B. Levine, and Brad L. Cook.
Publisher: University of Michigan Press
ISBN: 0472121162
Category : Literary Collections
Languages : en
Pages : 337
Book Description
Donald Lateiner, in his groundbreaking work The Sardonic Smile, presented the first thorough study of nonverbal behavior in Homeric epics, drawing a significant distinction between ancient and modern gesture and demonstrating the intrinsic relevance of this “silent language” to psychological, social, and anthropological studies of the ancient world. Using Lateiner’s work as a touchstone, the scholars in Kinesis analyze the depiction of emotions, gestures, and other nonverbal cues in ancient Greek and Roman texts and consider the precise language used to depict them. Individual contributors examine genres ranging from historiography and epic to tragedy, philosophy, and vase decoration. They explore evidence as disparate as Pliny’s depiction of animal emotions, Plato’s presentation of Aristophanes’ hiccups, and Thucydides’ use of verb tenses. Sophocles’ deployment of silence is considered, as are Lucan’s depiction of death and the speaking objects of the medieval Alexander Romance. This collection will be valuable to scholars studying Greek and Roman society and literature, as well as to those who study the imitation of ancient literature in later societies. Jargon is avoided and all passages in ancient languages are translated, making this volume accessible to advanced undergraduates. Contributors in addition to the volume editors include Jeffrey Rusten, Rosaria Vignolo Munson, Hans-Peter Stahl, Carolyn Dewald, Rachel Kitzinger, Deborah Boedeker, Daniel P. Tompkins, John Marincola, Carolin Hahnemann, Ellen Finkelpearl, Hanna M. Roisman, Eliot Wirshbo, James V. Morrison, Bruce Heiden, Daniel B. Levine, and Brad L. Cook.
Immersion, Identification, and the Iliad
Author: Jonathan L. Ready
Publisher: Oxford University Press
ISBN: 0192870971
Category : Literary Criticism
Languages : en
Pages : 319
Book Description
This is an open access title available under the terms of a CC BY-NC-ND 4.0 International licence. It is free to read at Oxford Scholarship Online and offered as a free PDF download from OUP and selected open access locations. Immersion, Identification, and the Iliad explains why people care about this foundational epic poem and its characters. It represents the first book-length application to the Iliad of research in communications, literary studies, media studies, and psychology on how readers of a story or viewers of a play, movie, or television show find themselves immersed in the tale and identify with the characters. Immersed recipients get wrapped up in a narrative and the world it depicts and lose track to some degree of their real-world surroundings. Identification occurs when recipients interpret the storyworld from a character's perspective, feel emotions congruent with those of the character, and root for the character to succeed. This volume situates modern research on these experiences in relation to ancient criticism on how audiences react to narratives. It then offers close readings of select episodes and detailed analyses of recurring features to show how the Iliad immerses both ancient and modern recipients and encourages them to identify with its characters. Accessible to students and researchers, to those inside and outside of classical studies, this interdisciplinary project aligns research on the Iliad with contemporary approaches to storyworlds in a range of media. It thereby opens new frontiers in the study of ancient Greek literature and helps investigators of audience engagement from antiquity to the present contextualize and historicize their own work.
Publisher: Oxford University Press
ISBN: 0192870971
Category : Literary Criticism
Languages : en
Pages : 319
Book Description
This is an open access title available under the terms of a CC BY-NC-ND 4.0 International licence. It is free to read at Oxford Scholarship Online and offered as a free PDF download from OUP and selected open access locations. Immersion, Identification, and the Iliad explains why people care about this foundational epic poem and its characters. It represents the first book-length application to the Iliad of research in communications, literary studies, media studies, and psychology on how readers of a story or viewers of a play, movie, or television show find themselves immersed in the tale and identify with the characters. Immersed recipients get wrapped up in a narrative and the world it depicts and lose track to some degree of their real-world surroundings. Identification occurs when recipients interpret the storyworld from a character's perspective, feel emotions congruent with those of the character, and root for the character to succeed. This volume situates modern research on these experiences in relation to ancient criticism on how audiences react to narratives. It then offers close readings of select episodes and detailed analyses of recurring features to show how the Iliad immerses both ancient and modern recipients and encourages them to identify with its characters. Accessible to students and researchers, to those inside and outside of classical studies, this interdisciplinary project aligns research on the Iliad with contemporary approaches to storyworlds in a range of media. It thereby opens new frontiers in the study of ancient Greek literature and helps investigators of audience engagement from antiquity to the present contextualize and historicize their own work.
A Companion to Euripides
Author: Laura K. McClure
Publisher: John Wiley & Sons
ISBN: 1119257506
Category : Literary Criticism
Languages : en
Pages : 642
Book Description
A COMPANION TO EURIPIDES A COMPANION TO EURIPIDES Euripides has enjoyed a resurgence of interest as a result of many recent important publications, attesting to the poet’s enduring relevance to the modern world. A Companion to Euripides is the product of this contemporary work, with many essays drawing on the latest texts, commentaries, and scholarship on the man and his oeuvre. Divided into seven sections, the companion begins with a general discussion of Euripidean drama. The following sections contain essays on Euripidean biography and the manuscript tradition, and individual essays on each play, organized in chronological order. Chapters offer summaries of important scholarship and methodologies, synopses of individual plays and the myths from which they borrow their plots, and conclude with suggestions for additional reading. The final two sections deal with topics central to Euripidean scholarship, such as religion, myth, and gender, and the reception of Euripides from the 4th century BCE to the modern world. A Companion to Euripides brings together a variety of leading Euripides scholars from a wide range of perspectives. As a result, specific issues and themes emerge across the chapters as central to our understanding of the poet and his meaning for our time. Contributions are original and provocative interpretations of Euripides’ plays, which forge important paths of inquiry for future scholarship.
Publisher: John Wiley & Sons
ISBN: 1119257506
Category : Literary Criticism
Languages : en
Pages : 642
Book Description
A COMPANION TO EURIPIDES A COMPANION TO EURIPIDES Euripides has enjoyed a resurgence of interest as a result of many recent important publications, attesting to the poet’s enduring relevance to the modern world. A Companion to Euripides is the product of this contemporary work, with many essays drawing on the latest texts, commentaries, and scholarship on the man and his oeuvre. Divided into seven sections, the companion begins with a general discussion of Euripidean drama. The following sections contain essays on Euripidean biography and the manuscript tradition, and individual essays on each play, organized in chronological order. Chapters offer summaries of important scholarship and methodologies, synopses of individual plays and the myths from which they borrow their plots, and conclude with suggestions for additional reading. The final two sections deal with topics central to Euripidean scholarship, such as religion, myth, and gender, and the reception of Euripides from the 4th century BCE to the modern world. A Companion to Euripides brings together a variety of leading Euripides scholars from a wide range of perspectives. As a result, specific issues and themes emerge across the chapters as central to our understanding of the poet and his meaning for our time. Contributions are original and provocative interpretations of Euripides’ plays, which forge important paths of inquiry for future scholarship.
Voice and Voices in Antiquity
Author: Niall Slater
Publisher: BRILL
ISBN: 9004329730
Category : Literary Criticism
Languages : en
Pages : 456
Book Description
Voice and Voices in Antiquity draws together 18 studies of the changing concept of voice and voices in the oral traditions and subsequent literate genres of the ancient world. Ranging from the poet's voice to those of characters as well as historically embodied communities, and from the interface between the Greek and Near Eastern worlds to the western reaches of the Roman Empire, the scholars assembled here offer a methodologically rich and diverse series of approaches to locating the power of voice as both poetic construct and communal memory. The results not only enrich our understanding of the strategies of epic, lyric, and dramatic voices but also illuminate the rhetorical claims given voice by historians, orators, philosophers, and novelists in the ancient world.
Publisher: BRILL
ISBN: 9004329730
Category : Literary Criticism
Languages : en
Pages : 456
Book Description
Voice and Voices in Antiquity draws together 18 studies of the changing concept of voice and voices in the oral traditions and subsequent literate genres of the ancient world. Ranging from the poet's voice to those of characters as well as historically embodied communities, and from the interface between the Greek and Near Eastern worlds to the western reaches of the Roman Empire, the scholars assembled here offer a methodologically rich and diverse series of approaches to locating the power of voice as both poetic construct and communal memory. The results not only enrich our understanding of the strategies of epic, lyric, and dramatic voices but also illuminate the rhetorical claims given voice by historians, orators, philosophers, and novelists in the ancient world.