Environment, Participation, Cultural Structures

Environment, Participation, Cultural Structures PDF Author: Barbara Radice
Publisher:
ISBN:
Category : Architecture
Languages : en
Pages : 208

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Book Description

Environment, Participation, Cultural Structures

Environment, Participation, Cultural Structures PDF Author: Barbara Radice
Publisher:
ISBN:
Category : Architecture
Languages : en
Pages : 208

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Book Description


Environment, Participation, Cultural Structures

Environment, Participation, Cultural Structures PDF Author:
Publisher:
ISBN:
Category : Architecture
Languages : en
Pages : 192

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Structures of Participation in Digital Culture

Structures of Participation in Digital Culture PDF Author: Joe Karaganis
Publisher:
ISBN:
Category : Computers
Languages : en
Pages : 288

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Book Description
Media Studies.

Buildings, Culture and Environment

Buildings, Culture and Environment PDF Author: Richard Lorch
Publisher: John Wiley & Sons
ISBN: 0470758813
Category : Technology & Engineering
Languages : en
Pages : 418

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Book Description
With accelerating change towards globalisation, the efficacy of design solutions not embedded within regional culture has been prone to failure - technically, socially and economically. Environmental problems and questions surrounding how to achieve a sustainable built environment are now posing urgent challenges to built environment practitioners and researcher. However, international cooperation in setting targets and standards as well as an increasing exchange of environmental information and practices present designers, clients and occupants with new problems that comprise local needs and the built environment. This book addresses the role regional culture play in the successful (or otherwise) process of exchanging and adapting environmental practices and standards in the built environment. Using the specific case of the design of environmentally sound buildings, the book identifies a number of issues from different perspectives: The conflict between regionally appropriate environmental building practices within a global technical and economic context. How human, social and cultural expectations limit technological advances and performance improvements. To what extent information on environmentally progressive buildings can be transferred across cultures without compromising regional and local practices. Which ideas travel successfully between regions – generic principles, specific ideas or specific solutions? How the idea of regional identity is being redefined as the process of globalisation both widens and accelerates.

Community Culture and the Environment

Community Culture and the Environment PDF Author:
Publisher:
ISBN:
Category : Communities
Languages : en
Pages : 280

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Everything Seemed Possible

Everything Seemed Possible PDF Author: Richard Cork
Publisher: Yale University Press
ISBN: 9780300095081
Category : Art
Languages : en
Pages : 500

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Book Description
Overzicht van de moderne beeldende kunst in Groot-Brittannië in de jaren '70.

Installation Art between Image and Stage

Installation Art between Image and Stage PDF Author: Anne Ring Petersen
Publisher: Museum Tusculanum Press
ISBN: 8763542579
Category : Art
Languages : en
Pages : 509

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Book Description
Installationskunsten har gået sin sejrsgang verden over, og er her i det 21. århundrede en både vel- og anerkendt bestanddel af samtidskunsten. Med påvirkning fra og udveksling mellem billedkunst på den ene side og performanceteater på den anden befinder installationskunst sig – som bogens titel viser – netop i feltet mellem billede og scene. I Installation Art: Between Image and Stage undersøger Anne Ring Petersen grundstenene for en af nutidens mest udbredte kunstformer. Installationer er – ligesom skulpturer – tredimensionelle formationer eller billeddannelser, men i modsætning til skulpturen er installationen karakteriseret ved at være formet af rum eller rumlige scenografier, som skaber betydning og sanseoplevelser gennem sit billedsprog. Som resultat af dette er installationer ofte stort anlagte kunstværker, som beskueren kan gå ind i, og de lever dermed til fulde op til nutidens krav om spektakulære, æstetisk iscenesatte events og kulturoplevelser, der taler til sanserne. Gennem grundige analyser af værker af kunstnere som Bruce Nauman, Olafur Eliasson, Jeppe Hein, Mona Hatoum, Pipilotti Rist og Ilya Kabakov som bagtæppe søges der i denne bog svar på, hvad en installation egentlig er, hvilke virkemidler den bruger, hvordan installationskunstens opståen kan forklares i et kulturhistorisk perspektiv og meget mere. Også installationskunstens rumlige, tidsmæssige og diskursive aspekter såvel som dens receptionsæstetik, der sættes ind i en overordnet kunst- og kulturhistorisk ramme, undersøges. Installation Art: Between Image and Stage er et nyttigt værk for alle, der ønsker at forstå denne mangefacetterede kunstforms konceptuelle fundament. Anne Ring Petersen, dr.phil., er lektor ved Institut for Kunst og Kulturvidenskab, Københavns Universitet. Har i 2009 udgivetInstallationskunsten mellem billede og scene og er redaktør af Contemporary Painting in Context (2010). Despite its large and growing popularity — to say nothing of its near- ubiquity in the world’s art scenes and international exhibitions of contemporary art — installation art remains a form whose artistic vocabulary and conceptual basis have rarely been subjected to thorough critical examination. In Installation Art: Between Image and Stage, Anne Ring Petersen aims to change that. She begins by exploring how installation art developed into an interdisciplinary genre in the 1960s, and how its intertwining of the visual and the performative has acted as a catalyst for the generation of new artistic phenomena. She investigates how it became one of today's most widely used art forms, increasingly expanding into consumer, popular and urban cultures, where installation's often spectacular appearance ensures that it meets contemporary demands for sense-provoking and immersive cultural experiences. The main trajectory of the book is directed by a movement aimed at addressing a series of basic questions that get at the heart of what installation art is and how it is defined: How does installation structure time, space and representation? How does it address and engage its viewers? And how does it draw in the surrounding world to become part of the work? Featuring the work of such well-known artists as Bruce Nauman, Pipilotti Rist, Ilya Kabakov and many others, this book breaks crucial new ground in understanding the conceptual underpinnings of this multifacious art form. Anne Ring Petersen is associate professor in the Department of Arts and Cultural Studies at the University of Copenhagen and the editor of Contemporary Painting in Context.

Understanding Organization Through Culture and Structure

Understanding Organization Through Culture and Structure PDF Author: Anne Maydan Nicotera
Publisher: Routledge
ISBN: 1135653054
Category : Business & Economics
Languages : en
Pages : 343

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Book Description
Vol. examines problems related to task & relational orientations concerning organizational structure & function within preodominantly African-American organizations. For scholars & students in org comm, management, org psych, African studies.

Nature

Nature PDF Author: Joseph Grange
Publisher: SUNY Press
ISBN: 9780791433485
Category : Science
Languages : en
Pages : 300

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Book Description
Provides a set of normative measure sto assess the value of nature and proposes the new discipline of foundational ecology as a response to environmental crisis.

Arte Ambientale, Urban Space, and Participatory Art

Arte Ambientale, Urban Space, and Participatory Art PDF Author: Martina Tanga
Publisher: Routledge
ISBN: 1351187937
Category : Art
Languages : en
Pages : 426

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Book Description
Working in 1970s Italy, a group of artists—namely Ugo La Pietra, Maurizio Nannucci, Francesco Somaini, Mauro Staccioli, Franco Summa, and Franco Vaccari—sought new spaces to create and exhibit art. Looking beyond the gallery, they generated sculptural, conceptual, and participatory interventions, called Arte Ambientale (Environmental Art), situated in the city streets. Their experiments emerged at a time of cultural crisis, when fierce domestic terrorism aggravated an already fragile political situation. To confront the malaise, these artists embraced a position of artistic autonomy and social critique, democratically connecting the city's inhabitants through direct art practices.