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Author: Lisa Aronson
Publisher: Prestel Publishing
ISBN: 9783791352091
Category : Africa
Languages : en
Pages : 0
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Book Description
This stunning catalog to an important exhibition presents the work of some of the most acclaimed contemporary African artists, examining their relationship with various aspects of the African environment. The definition of a new African artist is as broad and diverse as the continent itself; and the stories these artists tell are at once uplifting and devastating, as are their nations' histories. This book focuses on the impact of the environment on contemporary African life and the use of found objects and appropriated materials in current African art. Artists from the oil-rich Niger Delta create images of the region's ecological destruction, impoverishment, and despair. Works from the Congo and South Africa depict abandoned mines and convict labour. Also included are El Anatsui's constructs made from bottle caps and wire and Romuald Hazoumé's clever masks, pieced together from discarded cans and obsolete telephone parts. Together these artists have created a multidimensional portrait of a continent with rich cultures, multiple challenges, and a creative and resourceful population of inspiring artists. AUTHOR Lisa Aronson is Associate Professor in the Department of Art History at Skidmore College. John S. Weber is Dayton Director of the Tang Museum and Professor of Liberal Studies at Skidmore College. ILLUSTRATIONS: 85 colour
Author: Lisa Aronson
Publisher: Prestel Publishing
ISBN: 9783791352091
Category : Africa
Languages : en
Pages : 0
Get Book Here
Book Description
This stunning catalog to an important exhibition presents the work of some of the most acclaimed contemporary African artists, examining their relationship with various aspects of the African environment. The definition of a new African artist is as broad and diverse as the continent itself; and the stories these artists tell are at once uplifting and devastating, as are their nations' histories. This book focuses on the impact of the environment on contemporary African life and the use of found objects and appropriated materials in current African art. Artists from the oil-rich Niger Delta create images of the region's ecological destruction, impoverishment, and despair. Works from the Congo and South Africa depict abandoned mines and convict labour. Also included are El Anatsui's constructs made from bottle caps and wire and Romuald Hazoumé's clever masks, pieced together from discarded cans and obsolete telephone parts. Together these artists have created a multidimensional portrait of a continent with rich cultures, multiple challenges, and a creative and resourceful population of inspiring artists. AUTHOR Lisa Aronson is Associate Professor in the Department of Art History at Skidmore College. John S. Weber is Dayton Director of the Tang Museum and Professor of Liberal Studies at Skidmore College. ILLUSTRATIONS: 85 colour
Author: Hadley Wickham
Publisher: CRC Press
ISBN: 1498759807
Category : Mathematics
Languages : en
Pages : 669
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Book Description
An Essential Reference for Intermediate and Advanced R Programmers Advanced R presents useful tools and techniques for attacking many types of R programming problems, helping you avoid mistakes and dead ends. With more than ten years of experience programming in R, the author illustrates the elegance, beauty, and flexibility at the heart of R. The book develops the necessary skills to produce quality code that can be used in a variety of circumstances. You will learn: The fundamentals of R, including standard data types and functions Functional programming as a useful framework for solving wide classes of problems The positives and negatives of metaprogramming How to write fast, memory-efficient code This book not only helps current R users become R programmers but also shows existing programmers what’s special about R. Intermediate R programmers can dive deeper into R and learn new strategies for solving diverse problems while programmers from other languages can learn the details of R and understand why R works the way it does.
Author: Rolf Halden
Publisher: Bloomsbury Publishing USA
ISBN: 1501361910
Category : Literary Criticism
Languages : en
Pages : 179
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Book Description
Object Lessons is a series of short, beautifully designed books about the hidden lives of ordinary things. What is the environment, this elusive object that impacts us so profoundly--our odds to be born; the way we look, feel, and function; and how long and comfortable we may live? The environment is not only everything we see around us but also, at a lesser scale, a hailstorm of molecules large and small that constantly penetrates our bodies, simultaneously nourishing and threatening our health. The concept of oneness with our surroundings urges a reckoning of what we are doing to 'the environment,' and consequently, what we are doing to ourselves. By taking us through this journey of questioning, Rolf Halden's Environment empowers readers with new knowledge and a heightened appreciation of how our daily lifestyle decisions are impacting the places we occupy, our health, and humanity's prospect of survival. With illustrations by Griffin Finke. Object Lessons is published in partnership with an essay series in The Atlantic.
Author: Stuart Walker
Publisher: Routledge
ISBN: 1136529837
Category : Architecture
Languages : en
Pages : 215
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Book Description
Imaginative design will be a crucial factor in enacting sustainability in people's daily lives. Yet current design practice is trapped in consumerist cycles of innovation and production, making it difficult to imagine how we might develop a more meaningful and sustainable rendition of material culture. Through fundamental design research, The Spirit of Design challenges a host of common assumptions about sustainability, progress, growth and globalization. Walker's practice-based explorations of localisation, human meaning and functional objects demonstrate the imaginative potential of research-through-design and yield a compelling, constructive and essentially hopeful direction for the future - one that radically re-imagines our material culture by meshing mass-production with individuality, products with place, and utilitarian benefit with environmental responsibility. In so doing, the author explores: - How understandings of human meaning affect design and how design can better incorporate issues of personal meaning - How mass production needs to become integrated with localised production and service provision - How short-lived electronic goods can be brought into a more sustainable design paradigm - The changing role of the designer in a post-consumerist world Taking a design-centred approach - a combination of creative, propositional design practice, reasoned argument and theoretical discussion - the book will impel readers to investigate the nature of contemporary material culture and its relationship to both the natural environment and to deeper notions of human meaning.
Author: Tara Shine
Publisher: Simon and Schuster
ISBN: 1471184110
Category : Self-Help
Languages : en
Pages : 257
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Book Description
'an unpreachy guide [...] free of jargon and full of often surprising information.' The Times Change starts at home. In the office. Change starts with you. Your family. Your friends. Change starts with everyday things. One object at a time. Sometimes it can feel overwhelming thinking about all that needs to be done to save our planet. This book is the antidote to that feeling. Easy to read and easy to do – here’s all the information and inspiration you need to make a difference, simply by making smart choices about everyday objects, tasks and habits. Environmental scientist Dr Tara Shine guides you from room to room and occasion to occasion with environmentally friendly solutions, backed by science. From swapping bottled soap to bars, to replacing cling film with a simple plate, you will reduce your environmental footprint in an instant, while saving money. This book busts persistent myths and will once and for all show that living sustainably can be both fun and convenient. Besides, it will not only have a positive impact on the environment, but your wellbeing too! 'Dr. Tara Shine is an enlightened big-picture thinker, and with this book she shows that she is equally and delightfully adept at bringing details into focus. This book is all about realising the power you have as an individual by informing yourself, asking questions and making smart choices. By getting becoming active and joining the conversation, you become empowered and you do something about the problem we face rather than feeling powerless in its presence.' Christiana Figueres, Former Executive Secretary of the United Nations Framework Convention on Climate Change
Author: Gregg Mitman
Publisher: University of Chicago Press
ISBN: 022650882X
Category : Science
Languages : en
Pages : 258
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Book Description
What can a pesticide pump, a jar full of sand, or an old calico print tell us about the Anthropocene—the age of humans? Just as paleontologists look to fossil remains to infer past conditions of life on earth, so might past and present-day objects offer clues to intertwined human and natural histories that shape our planetary futures. In this era of aggressive hydrocarbon extraction, extreme weather, and severe economic disparity, how might certain objects make visible the uneven interplay of economic, material, and social forces that shape relationships among human and nonhuman beings? Future Remains is a thoughtful and creative meditation on these questions. The fifteen objects gathered in this book resemble more the tarots of a fortuneteller than the archaeological finds of an expedition—they speak of planetary futures. Marco Armiero, Robert S. Emmett, and Gregg Mitman have assembled a cabinet of curiosities for the Anthropocene, bringing together a mix of lively essays, creatively chosen objects, and stunning photographs by acclaimed photographer Tim Flach. The result is a book that interrogates the origins, implications, and potential dangers of the Anthropocene and makes us wonder anew about what exactly human history is made of.
Author: Glenn Adamson
Publisher: Bloomsbury Publishing USA
ISBN: 1632869640
Category : Art
Languages : en
Pages : 273
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Book Description
From the former director of the Museum of Arts and Design in New York, a timely and passionate case for the role of the well-designed object in the digital age. Curator and scholar Glenn Adamson opens Fewer, Better Things by contrasting his beloved childhood teddy bear to the smartphones and digital tablets children have today. He laments that many children and adults are losing touch with the material objects that have nurtured human development for thousands of years. The objects are still here, but we seem to care less and know less about them. In his presentations to groups, he often asks an audience member what he or she knows about the chair the person is sitting in. Few people know much more than whether it's made of wood, plastic, or metal. If we know little about how things are made, it's hard to remain connected to the world around us. Fewer, Better Things explores the history of craft in its many forms, explaining how raw materials, tools, design, and technique come together to produce beauty and utility in handmade or manufactured items. Whether describing the implements used in a traditional Japanese tea ceremony, the use of woodworking tools, or the use of new fabrication technologies, Adamson writes expertly and lovingly about the aesthetics of objects, and the care and attention that goes into producing them. Reading this wise and elegant book is a truly transformative experience.
Author: Jennifer Gabrys
Publisher: U of Minnesota Press
ISBN: 1452950172
Category : Technology & Engineering
Languages : en
Pages : 445
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Book Description
Sensors are everywhere. Small, flexible, economical, and computationally powerful, they operate ubiquitously in environments. They compile massive amounts of data, including information about air, water, and climate. Never before has such a volume of environmental data been so broadly collected or so widely available. Grappling with the consequences of wiring our world, Program Earth examines how sensor technologies are programming our environments. As Jennifer Gabrys points out, sensors do not merely record information about an environment. Rather, they generate new environments and environmental relations. At the same time, they give a voice to the entities they monitor: to animals, plants, people, and inanimate objects. This book looks at the ways in which sensors converge with environments to map ecological processes, to track the migration of animals, to check pollutants, to facilitate citizen participation, and to program infrastructure. Through discussing particular instances where sensors are deployed for environmental study and citizen engagement across three areas of environmental sensing, from wild sensing to pollution sensing and urban sensing, Program Earth asks how sensor technologies specifically contribute to new environmental conditions. What are the implications for wiring up environments? How do sensor applications not only program environments, but also program the sorts of citizens and collectives we might become? Program Earth suggests that the sensor-based monitoring of Earth offers the prospect of making new environments not simply as an extension of the human but rather as new “technogeographies” that connect technology, nature, and people.
Author: Margareta Ingrid Christian
Publisher: University of Chicago Press
ISBN: 022676480X
Category : Literary Criticism
Languages : en
Pages : 249
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Book Description
Margareta Ingrid Christian unpacks the ways in which, around 1900, art scholars, critics, and choreographers wrote about the artwork as an actual object in real time and space, surrounded and fluently connected to the viewer through the very air we breathe. Theorists such as Aby Warburg, Alois Riegl, Rainer Maria Rilke, and the choreographer Rudolf Laban drew on the science of their time to examine air as the material space surrounding an artwork, establishing its “milieu,” “atmosphere,” or “environment.” Christian explores how the artwork’s external space was seen to work as an aesthetic category in its own right, beginning with Rainer Maria Rilke’s observation that Rodin’s sculpture “exhales an atmosphere” and that Cezanne’s colors create “a calm, silken air” that pervades the empty rooms where the paintings are exhibited. Writers created an early theory of unbounded form that described what Christian calls an artwork’s ecstasis or its ability to stray outside its limits and engender its own space. Objects viewed in this perspective complicate the now-fashionable discourse of empathy aesthetics, the attention to self-projecting subjects, and the idea of the modernist self-contained artwork. For example, Christian invites us to historicize the immersive spatial installations and “environments” that have arisen since the 1960s and to consider their origins in turn-of-the-twentieth-century aesthetics. Throughout this beautifully written work, Christian offers ways for us to rethink entrenched narratives of aesthetics and modernism and to revisit alternatives.
Author: Graham Harman
Publisher: U of Minnesota Press
ISBN: 1452962359
Category : Architecture
Languages : en
Pages : 208
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Book Description
Thinking through object-oriented ontology—and the work of architects such as Rem Koolhaas and Zaha Hadid—to explore new concepts of the relationship between form and function Object-oriented ontology has become increasingly popular among architectural theorists and practitioners in recent years. Architecture and Objects, the first book on architecture by the founder of object-oriented ontology (OOO), deepens the exchange between architecture and philosophy, providing a new roadmap to OOO’s influence on the language and practice of contemporary architecture and offering new conceptions of the relationship between form and function. Graham Harman opens with a critique of Heidegger, Derrida, and Deleuze, the three philosophers whose ideas have left the deepest imprint on the field, highlighting the limits of their thinking for architecture. Instead, Harman contends, architecture can employ OOO to reconsider traditional notions of form and function that emphasize their relational characteristics—form with a building’s visual style, function with its stated purpose—and constrain architecture’s possibilities through literalism. Harman challenges these understandings by proposing de-relationalized versions of both (zero-form and zero-function) that together provide a convincing rejoinder to Immanuel Kant’s dismissal of architecture as “impure.” Through critical engagement with the writings of Peter Eisenman and fresh assessments of buildings by Rem Koolhaas, Frank Gehry, and Zaha Hadid, Architecture and Objects forwards a bold vision of architecture. Overcoming the difficult task of “zeroing” function, Harman concludes, would place architecture at the forefront of a necessary revitalization of exhausted aesthetic paradigms.
