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Author: Harri Veivo
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 311056923X
Category : Literary Criticism
Languages : en
Pages : 424
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Book Description
The effort to go beyond given knowledge in different domains – artistic, scientific, political, metaphysical – is a characteristic driving force in modernism and the avant-gardes. Since the late 19th century, artists and writers have frequently investigated their medium and its limits, pursued political and religious aims, and explored hitherto unknown physical, social and conceptual spaces, often in ways that combine these forms of critical inquiry into one and provoke further theoretical and methodological innovations. The fifth volume of the EAM series casts light on the history and actuality of investigations, quests and explorations in the European avant-garde and modernism from the late 19th century to the present day. The authors seek to answer questions such as: How have modernism and the avant-garde appropriated scientific knowledge, religious dogmas and social conventions, pursuing their investigation beyond the limits of given knowledge and conceptions? How have modernism and avant-garde created new conceptual models or representations where other discourses have allegedly failed? In what ways do practises of investigation, quest or exploration shape artistic work or the formal and thematic structures of artworks?
Author: Harri Veivo
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 311056923X
Category : Literary Criticism
Languages : en
Pages : 424
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Book Description
The effort to go beyond given knowledge in different domains – artistic, scientific, political, metaphysical – is a characteristic driving force in modernism and the avant-gardes. Since the late 19th century, artists and writers have frequently investigated their medium and its limits, pursued political and religious aims, and explored hitherto unknown physical, social and conceptual spaces, often in ways that combine these forms of critical inquiry into one and provoke further theoretical and methodological innovations. The fifth volume of the EAM series casts light on the history and actuality of investigations, quests and explorations in the European avant-garde and modernism from the late 19th century to the present day. The authors seek to answer questions such as: How have modernism and the avant-garde appropriated scientific knowledge, religious dogmas and social conventions, pursuing their investigation beyond the limits of given knowledge and conceptions? How have modernism and avant-garde created new conceptual models or representations where other discourses have allegedly failed? In what ways do practises of investigation, quest or exploration shape artistic work or the formal and thematic structures of artworks?
Author: Henri Broms
Publisher:
ISBN:
Category : Culture
Languages : en
Pages : 296
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Book Description
Author: Magdalena Elisabeth Korecka
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3111299333
Category : Literary Criticism
Languages : en
Pages : 298
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Book Description
This book's goal is to determine the significance of visual culture in the production of contemporary poetry and to sound out the insights poetry might generate into contemporary visual culture. Its main hypothesis is that poetry holds considerable potential for (post-)digital language, image, and media criticism. The visual dimensions of recent poetry encompass, for instance, kinetic writing in digital poetry, visual elements in social media poems, and (spoken and written) text-image interactions in poetry films as well as in book poetry. The articles examine these medial correlations and their political implications by asking how visual culture is applied, exposed, and debated in poetry. This volume brings together contributions by authors from various countries working in disciplines such as literary, media, and film studies, linguistics, cultural and visual culture studies, and in poetic practice. It covers poetry in English, German, Norwegian, Polish, Ukrainian, Russian, Serbian, and also multilingual works. The book thus aims to promote international exchange between poetry researchers and stimulate further investigation into current relations between poetry and visuality from additional research perspectives and languages.
Author:
Publisher:
ISBN:
Category : German language
Languages : en
Pages : 242
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Author: Peter Paul Schnierer
Publisher:
ISBN:
Category : Literary Criticism
Languages : en
Pages : 236
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Author:
Publisher: BRILL
ISBN: 9004333703
Category : History
Languages : en
Pages : 349
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Book Description
Zwischen dem Komischen und dem Avantgardistischen gibt es Parallelen, die bislang kaum von der Forschung gewürdigt wurden, in diesem Band aber erstmals im Mittelpunkt stehen. In 19 Beiträgen werden strukturelle, konzeptionelle und personelle Beziehungen zwischen den beiden scheinbar gegensätzlichen Phänomenen an repräsentativen Beispielen aus der französischen, italienischen, spanischen, deutschen und niederländischen Literatur vom Ende des 19. bis zum Ende des 20. Jahrhunderts untersucht. Die Beiträge reichen von der italienischen Scapigliatura über Futurismus, Dadaismus, Expressionismus und Surrealismus bis hin zu Pataphysik, Oulipo und neoavantgardistischen Texten. Auf diese Weise kommen Autoren, Bewegungen und Aspekte, die bisher zu wenig beachtet wurden, in den Blick, bekannte erscheinen in neuem Licht, und auch die beiden Begriffe Avantgarde und Komik gewinnen an Schärfe. Denn weder ist der avantgardistische Impuls auf die sogenannten historischen Avantgarden zu beschränken noch verbleiben komische Verfahren im Harmlosen: Beide überschreiten Grenzen, die es ständig neu zu reflektieren gilt.
Author:
Publisher: BRILL
ISBN: 9004449302
Category : History
Languages : en
Pages : 241
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Author: Silke Petersen
Publisher: BRILL
ISBN: 9047433246
Category : Religion
Languages : en
Pages : 410
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Book Description
This study considers the “I am” sayings in the Gospel of John, interpreted in the context of their reception in late antiquity. It takes an intertextual approach, considering both inner-biblical parallels and extra-biblical texts, which have been much neglected in recent Johannine scholarship. A comparative analysis of the “I am” formula is complemented by the consideration of the metaphors of the predicative “I am” words, focussing particularly on the use of "bread", "light" and "vine" and the context of these metaphors in the Gospel of John and elsewhere. This discussion demonstrates that Johannine Christology is profoundly incarnational. *** Gegenstand der vorliegenden Untersuchung sind die Ich-bin-Worte des Johannesevangeliums. Diese werden in ihrem spätantiken Lese- und Rezeptionskontext interpretiert, wobei die Intertextualitätstheorie als methodische Basis dient und auch außerbiblische Schriften zum Vergleich herangezogen werden, die in der Forschung der vergangenen Jahrzehnte kaum berücksichtigt worden sind. Ergänzend zur vergleichenden Untersuchung der Formel "Ich bin..." werden die prädikativen Ich-bin-Worte als Metaphoren näher bestimmt und exemplarisch drei ausgewählte Prädikationen, nämlich "Brot", "Licht" und "Weinstock" in ihrem jeweiligen Kontext analysiert. Dabei wird deutlich, dass die johanneische Christologie primär als Inkarnationchristologie zu verstehen ist.
Author: Ágnes Pethő
Publisher: Cambridge Scholars Publishing
ISBN: 1443873950
Category : Performing Arts
Languages : en
Pages : 395
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Book Description
Following a previous international conference at the Sapientia Hungarian University of Transylvania in Cluj-Napoca, Romania, and the subsequent publication of a volume of studies with the title Film in the Post-Media Age (Cambridge Scholars Publishing, 2012), which insisted, citing the words of Jacques Rancière, that the ecosystem of contemporary moving images should be understood not as a unified digital environment, but as a highly diversified, “multisensory milieu,” another conference was organised, focusing this time directly on the “multisensory” nature of moving images. Pairing the keywords “cinema” and “sensation”, an invitation was extended for presentations offering a closer examination of the sensual aspects of moving images in order to identify and map out at least some of the possible new directions perceived as taking shape as “sensuous” film studies. The questions contributors addressed included: What kind of paradigms, authors, and styles can be identified in the practice of a cinema exploring the palpable presence of bodies in film history? How can sensory, audiovisual perception and cognitive knowledge be connected when watching moving images? What does the experience of so-called haptic images entail in film and video art? How does an emphasis on sensations and the body relate to representations of social issues and cultural difference? How are representations of other arts in films, or the filmic image appearing as a painterly tableau perceived? How can new images incorporate a sensation of “old” images? What is the difference between haptic images and “hyper” cinema in the form of 3D movies? How can the new naturalistic trends in contemporary cinema be interpreted? What kind of sensual forms are devised for what is unrepresentable or impalpable? The conference took place between the 25th and 27th of May 2012, with the title The Cinema of Sensations, and attracted researchers from all over the world for what turned out to be three days of presentations on extremely varied subjects and lively discussions conducted in a memorably cheerful atmosphere. The present volume is the palpable outcome of these debates, and publishes a selection of articles that have been written for, or after, this conference.
Author:
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ISBN:
Category : Linguistics
Languages : de
Pages : 584
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Book Description
