Images of Englishmen and Foreigners in the Drama of Shakespeare and His Contemporaries PDF Download
Are you looking for read ebook online? Search for your book and save it on your Kindle device, PC, phones or tablets. Download Images of Englishmen and Foreigners in the Drama of Shakespeare and His Contemporaries PDF full book. Access full book title Images of Englishmen and Foreigners in the Drama of Shakespeare and His Contemporaries by A. J. Hoenselaars. Download full books in PDF and EPUB format.
Author: A. J. Hoenselaars
Publisher: Fairleigh Dickinson Univ Press
ISBN: 9780838634318
Category : Drama
Languages : en
Pages : 366
Get Book Here
Book Description
The connection between Renaissance ideas about the character of individual nations and the presentation of stage characters of various nationalities in the drama of Shakespeare and his contemporaries is examined in this volume.
Author: A. J. Hoenselaars
Publisher: Fairleigh Dickinson Univ Press
ISBN: 9780838634318
Category : Drama
Languages : en
Pages : 366
Get Book Here
Book Description
The connection between Renaissance ideas about the character of individual nations and the presentation of stage characters of various nationalities in the drama of Shakespeare and his contemporaries is examined in this volume.
Author: William Haughton
Publisher:
ISBN:
Category :
Languages : en
Pages : 246
Get Book Here
Book Description
Author: Jean E. Howard
Publisher: University of Pennsylvania Press
ISBN: 0812202309
Category : Literary Criticism
Languages : en
Pages : 285
Get Book Here
Book Description
Arguing that the commercial stage depended on the unprecedented demographic growth and commercial vibrancy of London to fuel its own development, Jean E. Howard posits a particular synergy between the early modern stage and the city in which it flourished. In London comedy, place functions as the material arena in which social relations are regulated, urban problems negotiated, and city space rendered socially intelligible. Rather than simply describing London, the stage participated in interpreting it and giving it social meaning. Each chapter of this book focuses on a particular place within the city—the Royal Exchange, the Counters, London's whorehouses, and its academies of manners—and examines the theater's role in creating distinctive narratives about each. In these stories, specific locations are transformed into venues defined by particular kinds of interactions, whether between citizen and alien, debtor and creditor, prostitute and client, or dancing master and country gentleman. Collectively, they suggest how city space could be used and by whom, and they make place the arena for addressing pressing urban problems: demographic change and the influx of foreigners and strangers into the city; new ways of making money and losing it; changing gender roles within the metropolis; and the rise of a distinctive "town culture" in the West End. Drawing on a wide range of familiar and little-studied plays from four decades of a defining era of theater history, Theater of a City shows how the stage imaginatively shaped and responded to the changing face of early modern London.
Author: R. W. Dent
Publisher: Univ of California Press
ISBN: 0520318110
Category : Literary Criticism
Languages : en
Pages : 808
Get Book Here
Book Description
This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1984.
Author: Nina Levine
Publisher: Fordham Univ Press
ISBN: 0823267881
Category : Performing Arts
Languages : en
Pages : 300
Get Book Here
Book Description
In late-sixteenth-century London, the commercial theaters undertook a novel experiment, fueling a fashion for plays that trafficked in the contemporary urban scene. But beyond the stage’s representing the everyday activities of the expanding metropolis, its unprecedented urban turn introduced a new dimension into theatrical experience, opening up a reflexive space within which an increasingly diverse population might begin to “practice” the city. In this, the London stage began to operate as a medium as well as a model for urban understanding. Practicing the City traces a range of local engagements, onstage and off, in which the city’s population came to practice new forms of urban sociability and belonging. With this practice, Levine suggests, city residents became more self-conscious about their place within the expanding metropolis and, in the process, began to experiment in new forms of collective association. Reading an array of materials, from Shakespeare and Middleton to plague bills and French-language manuals, Levine explores urban practices that push against the exclusions of civic tradition and look instead to the more fluid relations playing out in the disruptive encounters of urban plurality.
Author: James Daybell
Publisher: Routledge
ISBN: 135187232X
Category : Literary Criticism
Languages : en
Pages : 418
Get Book Here
Book Description
This collection of essays examines women's involvement in politics in early modern England, as writers, as members of kinship and patronage networks, and as petitioners, intermediaries and patrons. It challenges conventional conceptualizations of female power and influence, defining 'politics' broadly in order to incorporate women excluded from formal, male-dominated state institutions. The chapters embrace a range of interdisciplinary approaches: historical, literary, palaeographic, linguistic and gender based. They deal with a variety of issues related to female intervention within political spheres, including women's rhetorical, persuasive and communicative skills; the production by women of a range of texts that can be termed 'political'; the politicization of marital, family and kinship networks; and female involvement in patronage and court politics. Women and Politics in Early Modern England, 1450-700 also looks at ways in which images of female power and authority were represented within canonical texts, such as Shakespeare's plays and Milton's epic poetry. The volume extends the range of areas and texts for the study of women, gender and politics, and locates women's political, social and cultural activities within the contexts of the family, locality and wider national stage. It argues for a blurring of the boundaries between the traditional categories of the 'public' and the 'private,' the 'domestic' and the 'political'; and enhances our understanding of the ways in which women exerted political force through informal, intimate and personal, as well as more official, and formal channels of power. As a whole the book makes an important contribution to the reassessment of early modern politics from the perspective of women.
Author: Jacob Selwood
Publisher: Routledge
ISBN: 1317149262
Category : History
Languages : en
Pages : 227
Get Book Here
Book Description
London in the sixteenth and seventeenth centuries was a surprisingly diverse place, home not just to people from throughout the British Isles but to a significant population of French and Dutch immigrants, to travelers and refugees from beyond Europe's borderlands and, from the 1650s, to a growing Jewish community. Yet although we know much about the population of the capital of early modern England, we know little about how Londoners conceived of the many peoples of their own city. Diversity and Difference in Early Modern London seeks to rectify this, addressing the question of how the inhabitants of the metropolis ordered the heterogeneity around them. Rather than relying upon literary or theatrical representations, this study emphasizes day-to-day practice, drawing upon petitions, government records, guild minute books and taxation disputes along with plays and printed texts. It shows how the people of London defined belonging and exclusion in the course of their daily actions, through such prosaic activities as the making and selling of goods, the collection of taxes and the daily give and take of guild politics. This book demonstrates that encounters with heterogeneity predate either imperial expansion or post-colonial immigration. In doing so it offers a perspective of interest both to scholars of the early modern English metropolis and to historians of race, migration, imperialism and the wider Atlantic world. An empirical examination of civic economics, taxation and occupational politics that asks broader questions about multiculturalism and Englishness, this study speaks not just to the history of immigration in London itself, but to the wider debate about evolving notions of national identity in the sixteenth and seventeenth centuries.
Author: Natasha Korda
Publisher: Routledge
ISBN: 1134783043
Category : Performing Arts
Languages : en
Pages : 310
Get Book Here
Book Description
Working Subjects in Early Modern English Drama investigates the ways in which work became a subject of inquiry on the early modern stage and the processes by which the drama began to forge new connections between labor and subjectivity in the period. The essays assembled here address fascinating and hitherto unexplored questions raised by the subject of labor as it was taken up in the drama of the period: How were laboring bodies and the goods they produced, marketed and consumed represented onstage through speech, action, gesture, costumes and properties? How did plays participate in shaping the identities that situated laboring subjects within the social hierarchy? In what ways did the drama engage with contemporary discourses (social, political, economic, religious, etc.) that defined the cultural meanings of work? How did players and playwrights define their own status with respect to the shifting boundaries between high status/low status, legitimate/illegitimate, profitable/unprofitable, skilled/unskilled, formal/informal, male/female, free/bound, paid/unpaid forms of work? Merchants, usurers, clothworkers, cooks, confectioners, shopkeepers, shoemakers, sheepshearers, shipbuilders, sailors, perfumers, players, magicians, servants and slaves are among the many workers examined in this collection. Offering compelling new readings of both canonical and lesser-known plays in a broad range of genres (including history plays, comedies, tragedies, tragi-comedies, travel plays and civic pageants), this collection considers how early modern drama actively participated in a burgeoning, proto-capitalist economy by staging England's newly diverse workforce and exploring the subject of work itself.
Author: Marliss C. Desens
Publisher: University of Delaware Press
ISBN: 9780874134766
Category : Drama
Languages : en
Pages : 188
Get Book Here
Book Description
None of these assumptions has been tested against the evidence of the surviving plays from the period - an oversight that the present study seeks to remedy.
Author: Benjamin VanWagoner
Publisher: University of Pennsylvania Press
ISBN: 1512827002
Category : Literary Criticism
Languages : en
Pages : 337
Get Book Here
Book Description
Links early modern English drama and empire studies, exploring how staged scenes of maritime peril created a new form of economic uncertainty Imperial Ventures links early modern English drama and empire studies, exploring how staged scenes of maritime peril created a new form of economic uncertainty around the turn of the seventeenth century, amid London’s explosion in commercial colonialism. While the hazards of global maritime trade became increasingly apparent during the late sixteenth and early seventeenth centuries, the word “risk” did not enter English usage until around 1660. The prevailing scholarly narrative has linked uncertainty to concepts such as “chance,” “accident,” and “providence,” but this book reveals that these fragmentary concepts were reordered into an economic abstraction, and that the theater was a key site for that process. Playwrights reached for ways to represent this new uncertainty, and audiences watched perilous voyages set in colonial contexts and dramatized in increasingly typical forms. Imperial Ventures is organized by these forms, with five chapters examining scenes of shipwreck, pirates, enslavement, colonial subjection, and perilous news across a wide range of early modern plays. Benjamin VanWagoner shows how maritime drama connected English venturing to economic vulnerability in increasingly systematic ways, helping to develop the economic logic that would come to be codified as risk. In revealing this process, Imperial Ventures establishes the unique protocolonial status of early modern England—in the theater and at sea—and demonstrates how risk became a perverse instrument for justifying Anglophone imperialism.
