The Great Age of British Watercolours, 1750-1880

The Great Age of British Watercolours, 1750-1880 PDF Author: Andrew Wilton
Publisher: Prestel Publishing
ISBN: 9783791318790
Category : Watercolor painting
Languages : en
Pages : 0

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Book Description
The revolution in watercolours of the later eighteenth century and its Victorian aftermath is acknowledged to be one of the greatest triumphs of British art. Its effect was to transform the modest tinted drawing of the topographer into a powerful and highly flexible means of expression for some of the Romantic era's greatest artists, among them Thomas Girtin, J.M.W. Turner and John Constable. The painters of the next generation were no less ambitious, and the range of subject-matter and technical inventiveness that was sustained for much of the Victorian period was to set a standard in watercolour painting that was without equal abroad. In this magnificently illustrated survey of the great age of British watercolours, Andrew Wilton and Anne Lyles trace the development of attitudes to landscape and to the human figure in the landscape from 1750 to 1880. They show how once the traditional pen and ink drawing and its augmented washes of colour had been abandoned in order to paint directly in watercolours without pen outlines, the way was open for the powerful Romantic landscapes of the following decade and beyond, many of which were painted in the wild mountainous regions of Wales and Scotland. During the nineteenth century, as the gilt-framed exhibition watercolour began to challenge the long-established oil painting in terms of size and in brilliance of colour and effect, the range of subject-matter was broadened to include scenes of country and town life from every part of Britain and, increasingly, from the Continent too. By mid-century the Near East was attracting many of the greatest Victorian watercolourists, including J. E. Lewis, David Roberts and Edward Lear. Other leadingVictorians who regularly worked in watercolour include the Pre-Raphaelite painters John Everett Millais and William Holman Hunt, and the American-born James McNeill Whistler, all of whom are included in this book.

The Great Age of British Watercolours, 1750-1880

The Great Age of British Watercolours, 1750-1880 PDF Author: Andrew Wilton
Publisher: Prestel Publishing
ISBN: 9783791318790
Category : Watercolor painting
Languages : en
Pages : 0

Get Book Here

Book Description
The revolution in watercolours of the later eighteenth century and its Victorian aftermath is acknowledged to be one of the greatest triumphs of British art. Its effect was to transform the modest tinted drawing of the topographer into a powerful and highly flexible means of expression for some of the Romantic era's greatest artists, among them Thomas Girtin, J.M.W. Turner and John Constable. The painters of the next generation were no less ambitious, and the range of subject-matter and technical inventiveness that was sustained for much of the Victorian period was to set a standard in watercolour painting that was without equal abroad. In this magnificently illustrated survey of the great age of British watercolours, Andrew Wilton and Anne Lyles trace the development of attitudes to landscape and to the human figure in the landscape from 1750 to 1880. They show how once the traditional pen and ink drawing and its augmented washes of colour had been abandoned in order to paint directly in watercolours without pen outlines, the way was open for the powerful Romantic landscapes of the following decade and beyond, many of which were painted in the wild mountainous regions of Wales and Scotland. During the nineteenth century, as the gilt-framed exhibition watercolour began to challenge the long-established oil painting in terms of size and in brilliance of colour and effect, the range of subject-matter was broadened to include scenes of country and town life from every part of Britain and, increasingly, from the Continent too. By mid-century the Near East was attracting many of the greatest Victorian watercolourists, including J. E. Lewis, David Roberts and Edward Lear. Other leadingVictorians who regularly worked in watercolour include the Pre-Raphaelite painters John Everett Millais and William Holman Hunt, and the American-born James McNeill Whistler, all of whom are included in this book.

British Watercolours from the Oppé Collection

British Watercolours from the Oppé Collection PDF Author: Tate Gallery
Publisher:
ISBN:
Category : Artists' preparatory studies
Languages : en
Pages : 246

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Book Description
Published to accompany exhibition held at the Tate Gallery 10/9 - 30/11 1997.

British Watercolours, 1750 to 1850

British Watercolours, 1750 to 1850 PDF Author: Andrew Wilton
Publisher: Phaidon Press
ISBN:
Category : Art
Languages : en
Pages : 216

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Book Description
William Blake, John Constable, and Joseph Mallord William Turner are among the ten British watercolorists whose works are analyzed and reproduced in color and black and white.

English Watercolours

English Watercolours PDF Author: Graham Reynolds
Publisher: Herbert Press
ISBN:
Category : Art
Languages : en
Pages : 168

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Book Description
This is an illustrated survey of watercolour painting from 1750 to the present day, including the finest examples of work by Sandby, Cozens, Girtin, Turner, Rowlandson, Cotman, De Wint, Constable, Blake, Palmer, Prout, Rossetti, Whistler and many other famous and not so famous artists, with full notes on each. The author relates the English School to earlier continental artists and sums up the special characteristics and achievements of each artist. He has written twenty books including Victorian Painting, Constable, The Natural Painter and Turner and has won the Mitchell Prize for the History of Art for his catalogue raisonne on The Later Paintings and Drawings of Constable.

Albrecht Dürer

Albrecht Dürer PDF Author: John Berger
Publisher: Taschen
ISBN: 9783822885758
Category : Art
Languages : en
Pages : 104

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Book Description
Documents the works of this Medieval artist.

Great British Watercolors

Great British Watercolors PDF Author: Matthew Hargraves
Publisher: Yale University Press
ISBN: 0300116586
Category : Art
Languages : en
Pages : 244

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Book Description
Paul Mellon (1907--1999) assembled one of the world’s greatest collections of British drawings and watercolors. In his memoirs he wrote of their “beauty and freshness… their immediacy and sureness of technique, their comprehensiveness of subject matter, their vital qualities, their Englishness.” This catalogue celebrating the centenary of Mellon's birth features eighty-eight outstanding watercolors from the fifty thousand works of art on paper with which he endowed the Yale Center for British Art. The selection spans the emergence of watercolor painting in the mid-18th century to its apogee in the mid-19th. These works highlight the diversity of British watercolors, showcasing both landscape and figurative works by some of the principal artists working in the medium, including Thomas Gainsborough, Thomas Rowlandson, William Blake, and J. M.W. Turner.

The Great Age of British Watercolours, 1750-1880

The Great Age of British Watercolours, 1750-1880 PDF Author: Andrew Wilton
Publisher: Te Neues Publishing Company
ISBN:
Category : Art
Languages : en
Pages : 348

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Book Description
"The revolution in watercolours of the later eighteenth century and its Victorian aftermath is acknowledged to be one of the greatest triumphs of British art. Its effect was to transform the modest tinted drawing of the topographer into a powerful and highly flexible means of expression for some of the Romantic era's greatest artists, among them Thomas Girtin, J.M.W. Turner and John Constable. The painters of the next generation were no less ambitious, and the range of subject-matter and technical inventiveness that was sustained for much of the Victorian period was to set a standard in watercolour painting that was without equal abroad." "In this magnificently illustrated survey of the great age of British watercolours, Andrew Wilton and Anne Lyles trace the development of attitudes to landscape and to the human figure in the landscape from 1750 to 1880. They show how once the traditional pen and ink drawing and its augmented washes of colour had been abandoned in order to paint directly in watercolours without pen outlines, the way was open for the powerful Romantic landscapes of the following decade and beyond, many of which were painted in the wild mountainous regions of Wales and Scotland." "During the nineteenth century, as the gilt-framed exhibition watercolour began to challenge the long-established oil painting in terms of size and in brilliance of colour and effect, the range of subject-matter was broadened to include scenes of country and town life from every part of Britain and, increasingly, from the Continent too. By mid-century the Near East was attracting many of the greatest Victorian watercolourists, including J. E. Lewis, David Roberts and Edward Lear. Other leading Victorians who regularly worked in watercolour include the Pre-Raphaelite painters John Everett Millais and William Holman Hunt, and the American-born James McNeill Whistler, all of whom are included in this book."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved

Nineteenth Century English Watercolours and Drawings

Nineteenth Century English Watercolours and Drawings PDF Author: Art Gallery of Greater Victoria
Publisher:
ISBN:
Category : Drawing, British
Languages : en
Pages : 10

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Book Description


19th Century English Watercolours and Drawings

19th Century English Watercolours and Drawings PDF Author: Robert Amos
Publisher:
ISBN:
Category : Drawing
Languages : en
Pages : 11

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Book Description


British Watercolours and Drawings from Rowlandson to Riley

British Watercolours and Drawings from Rowlandson to Riley PDF Author:
Publisher:
ISBN:
Category : Artists
Languages : en
Pages : 64

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Book Description