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Author: Frank Felsenstein
Publisher:
ISBN:
Category : Fiction
Languages : en
Pages : 340
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Book Description
In 1711 an article appeared in "The Spectator" about a young English trader who falls in love with an Indian maiden, only to sell her into slavery on reaching Barbados. In this work, the author assembles the main English versions of the story which caused a sensation during the debate over slavery.
Author: Frank Felsenstein
Publisher:
ISBN:
Category : Fiction
Languages : en
Pages : 340
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Book Description
In 1711 an article appeared in "The Spectator" about a young English trader who falls in love with an Indian maiden, only to sell her into slavery on reaching Barbados. In this work, the author assembles the main English versions of the story which caused a sensation during the debate over slavery.
Author: Frank Felsenstein
Publisher: JHU Press
ISBN: 9780801861062
Category : Literary Criticism
Languages : en
Pages : 336
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Book Description
--from the Introduction [p.43]--John Gilmore "Slavery and Abolition"
Author: Ramesh Mallipeddi
Publisher: University of Virginia Press
ISBN: 0813938430
Category : History
Languages : en
Pages : 343
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Book Description
Spectacular Suffering focuses on commodification and discipline, two key dimensions of Atlantic slavery through which black bodies were turned into things in the marketplace and persons into property on plantations. Mallipeddi approaches the problem of slavery as a problem of embodiment in this nuanced account of how melancholy sentiment mediated colonial relations between English citizens and Caribbean slaves. The book’s first chapters consider how slave distress emerged as a topic of emotional concern and political intervention in the writings of Aphra Behn, Richard Steele, and Laurence Sterne. As Mallipeddi shows, sentimentalism allowed metropolitan authors to fashion themselves as melancholy witnesses to racial slavery by counterposing the singular body to the abstract commodity and by taking affective property in slaves against the legal proprietorship of slaveholders. Spectacular Suffering then turns to the practices of the enslaved, tracing how they contended with the effects of chattel slavery. The author attends not only to the work of African British writers and archival textual materials but also to economic and social activities, including slaves’ petty production, recreational forms, and commemorative rituals. In examining the slaves’ embodied agency, the book moves away from spectacular images of suffering to concentrate on slow, incremental acts of regeneration by the enslaved. One of the foremost contributions of this study is its exploration of the ways in which the ostensible objects of sentimental compassion—African slaves—negotiated the forces of capitalist abstraction and produced a melancholic counterdiscourse on slavery. Throughout, Mallipeddi’s keen reading of primary texts alongside historical and critical work produce fresh and persuasive insights. Spectacular Suffering is an important book that will alter conceptions of slave agency and of sentimentalism across the long eighteenth century.
Author: Geoff Quilley
Publisher: Manchester University Press
ISBN: 9780719060069
Category : Art
Languages : en
Pages : 222
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Book Description
Now available as an eBook for the first time, this 1998 book from the Melland Schill series looks at The World Trade Organization, which was set up at the conclusion of the Uruguay Round of Trade Negotiations and came into force on 1 January 1995, forming a pillar of the international trading system.This book explains the legal framework established by the WTO, and explores how it can be made to work in practice. Asif H. Qureshi provides a basic guide to the new WTO code of conduct, and then focuses on implementation. First, he explains the institutional provisions of the WTO through an examination of GATT 1994 and the results of the Uruguay Round. Part Two covers techniques of implementation, and the third section covers the issues and problems of implementation relating to both developing countries and trade "blocs". Finally, Qureshi presents a complementary documentary appendix, including a complete copy of the Marrakesh Agreement establishing the WTO.
Author: Robbie Richardson
Publisher: University of Toronto Press
ISBN: 148750344X
Category : History
Languages : en
Pages : 258
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Book Description
The Savage and Modern Self examines the representations of North American "Indians" in novels, poetry, plays, and material culture from eighteenth-century Britain. Author Robbie Richardson argues that depictions of "Indians" in British literature were used to critique and articulate evolving ideas about consumerism, colonialism, "Britishness," and, ultimately, the "modern self" over the course of the century. Considering the ways in which British writers represented contact between Britons and "Indians," both at home and abroad, the author shows how these sites of contact moved from a self-affirmation of British authority earlier in the century, to a mutual corruption, to a desire to appropriate perceived traits of "Indianess." Looking at texts exclusively produced in Britain, The Savage and Modern Self reveals that "the modern" finds definition through imagined scenes of cultural contact. By the end of the century, Richardson concludes, the hybrid Indian-Brition emerging in literature and visual culture exemplifies a form of modern, British masculinity.
Author: Steve Poole
Publisher: Routledge
ISBN: 1317314077
Category : History
Languages : en
Pages : 240
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Book Description
John Thelwall was a Romantic and Enlightenment polymath. In 1794 he was tried and acquitted of high treason, earning himself the disdainful soubriquet 'acquitted felon' from Secretary of State for War, William Windham. Later, Thelwall's interests turned to poetry and plays, and was a collaborator and confidant of Wordsworth and Coleridge.
Author: John Thelwall
Publisher: Fairleigh Dickinson Univ Press
ISBN: 9780838641019
Category : Drama
Languages : en
Pages : 176
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Book Description
This book presents two unpublished plays by John Thelwall (1764-1834), a friend of Coleridge, a radical lecturer for the London Corresponding Society acquitted of treason in 1794, and a prolific man of letters who produced novels, poetry, journalism, literary criticism, scientific and political essays, autobiography, and sociological analysis, in addition to drama. Both plays, libretti for the London theater, are especially relevant today as they use popular literary forms to discuss critically issues of race, empire, revolution, and sexuality. Incle and Yarico (1792) comically treats the important eighteenth-century intertextual fable of the English merchant, Inkle, who betrays the Indian maid, Yarico, an innocent and noble savage. The play is forthrightly abolitionist in its depiction of slavery. The Incas (1792) allegorizes the French Revolution and the English suppression of political dissent in depicting a confrontation between the Europeans and the New World. Drawing upon and extending the radical Enlightenment, Thelwall undermines the justifications for European empire. Frank Felsenstein is Reed D. University. Michael Scrivener is a Professor of English at Wayne State University.
Author: Thomas N. Ingersoll
Publisher: UNM Press
ISBN: 9780826332875
Category : History
Languages : en
Pages : 484
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Book Description
The Native Americans of mixed ancestry in 1830 and why Andrew Jackson implemented a law to remove them.
Author: Srividhya Swaminathan
Publisher: Routledge
ISBN: 1317112989
Category : Literary Criticism
Languages : en
Pages : 240
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Book Description
In the eighteenth century, audiences in Great Britain understood the term ’slavery’ to refer to a range of physical and metaphysical conditions beyond the transatlantic slave trade. Literary representations of slavery encompassed tales of Barbary captivity, the ’exotic’ slaving practices of the Ottoman Empire, the political enslavement practiced by government or church, and even the harsh life of servants under a cruel master. Arguing that literary and cultural studies have focused too narrowly on slavery as a term that refers almost exclusively to the race-based chattel enslavement of sub-Saharan Africans transported to the New World, the contributors suggest that these analyses foreclose deeper discussion of other associations of the term. They suggest that the term slavery became a powerful rhetorical device for helping British audiences gain a new perspective on their own position with respect to their government and the global sphere. Far from eliding the real and important differences between slave systems operating in the Atlantic world, this collection is a starting point for understanding how slavery as a concept came to encompass many forms of unfree labor and metaphorical bondage precisely because of the power of association.
Author: Catherine Molineux
Publisher: Harvard University Press
ISBN: 0674050088
Category : History
Languages : en
Pages : 375
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Book Description
Though blacks were not often seen on the streets of seventeenth-century London, they were already capturing the British imagination. For two hundred years, as Britain shipped over three million Africans to the New World, popular images of blacks as slaves and servants proliferated in London art, both highbrow and low. Catherine Molineux assembles a surprising array of sources in her exploration of this emerging black presence, from shop signs, tea trays, trading cards, board games, playing cards, and song ballads to more familiar objects such as William Hogarth's graphic satires. By idealizing black servitude and obscuring the brutalities of slavery, these images of black people became symbols of empire to a general populace that had little contact with the realities of slave life in the distant Americas and Caribbean. The earliest images advertised the opulence of the British Empire by depicting black slaves and servants as minor, exotic characters who gazed adoringly at their masters. Later images showed Britons and Africans in friendly gatherings, smoking tobacco together, for example. By 1807, when Britain abolished the slave trade and thousands of people of African descent were living in London as free men and women, depictions of black laborers in local coffee houses, taverns, or kitchens took center stage. Molineux's well-crafted account provides rich evidence for the role that human traffic played in the popular consciousness and culture of Britain during the seventeenth and eighteenth centuries and deepens our understanding of how Britons imagined their burgeoning empire.
