English Stage Company [Royal Court Theatre: English Stage Company, Royal Court Theatre, 1958-1959 PDF Download
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Author: English Stage Company
Publisher:
ISBN:
Category : Theater
Languages : en
Pages :
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Book Description
Author: English Stage Company
Publisher:
ISBN:
Category : Theater
Languages : en
Pages :
Get Book Here
Book Description
Author: English Stage Company
Publisher:
ISBN:
Category : Theater
Languages : en
Pages : 27
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Book Description
Author: English Stage Company
Publisher:
ISBN:
Category : Theater
Languages : en
Pages : 27
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Book Description
Author: Philip Roberts
Publisher: Cambridge University Press
ISBN: 0521474388
Category : Drama
Languages : en
Pages : 315
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Book Description
An account of the leading forum of the modern stage; includes Foreword by former Director of the Royal Court, Max Stafford-Clark.
Author: Dan Rebellato
Publisher: Psychology Press
ISBN: 9780415189385
Category : Art
Languages : en
Pages : 288
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Book Description
The first serious challenge to the mythology that surrounds the revolution in British theatre sparked off by Osborne's play Look Back in Anger.
Author: Gill Plain
Publisher: Cambridge University Press
ISBN: 1107119014
Category : Literary Criticism
Languages : en
Pages : 441
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Book Description
Examines debates central to postwar British culture, showing the pressures of reconstruction and the mutual implication of war and peace.
Author: Philip Roberts
Publisher: CRC Press
ISBN: 1317515471
Category : Performing Arts
Languages : en
Pages : 215
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Book Description
The English Stage Company at the Royal Court Theatre is the longest running specialist production organization in the history of British theatre. Philip Roberts’s account, which was first published in 1986, covers the period 1965-1972 in the Company’s life, beginning in 1965 with the appointment of William Gaskill as Artistic Director. It is not simply about the critical triumphs of these years of the Royal Court’s work, but also about the day-to-day workings of a busy and often turbulent organization. The result of the book is both scholarly and entertaining. This book will be of interest to students of the theatre and drama.
Author: Royal Court Theatre
Publisher:
ISBN:
Category :
Languages : en
Pages :
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Book Description
Author: Ruth Little
Publisher: Oberon Books
ISBN:
Category : Performing Arts
Languages : en
Pages : 492
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Book Description
Illustrated throughout with photographs from the plays, and with reproduced documents and rehearsal notes from the original productions, The Royal Court Theatre Inside Out considers the most notable productions from the tenure of each successive artistic director since the Royal Court Theatre opened, and includes interviews with actors, writers, designers, technicians, and directors themselves.
Author: Alberto Lázaro
Publisher: Cambridge Scholars Publishing
ISBN: 1443832529
Category : Literary Criticism
Languages : en
Pages : 225
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Book Description
This volume brings together twelve essays which explore European censorship of English literature in the last century. Taking into consideration the various social, political and historical contexts in which literary controls were imposed and the extent to which they were determined by national and international concerns, these essays comment on political and moral censorship, self-censorship, and the role of the translator as censor. Besides systematic state control, other hidden and insidious forms of censorship are also surveyed in the essays. This study considers why certain works and authors, many of them now regarded as canonical, were targeted in various states and often under opposing ideologies, such as those dominated by conservative Catholic morality and those governed by communism or socialism. The essays contain previously unpublished material, cover a wide range of authors – including Beckett, Eliot, Joyce and Orwell – and analyse diverse censorship systems operating across Europe, thus serving as a useful comparative resource. Despite the variety of structures of suppression, the study shows that certain common practices can be discerned across national borders and that general conclusions can be drawn about the complex and ambiguous nature of the state’s relationship with culture and about the immediate and long-term impact of censorship, not only on the author and publisher but on society as a whole. Finally, the essays are also significant for what they tell us about the survival of literature, despite the best efforts of the censors.
