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Author: Jonathan Swift
Publisher: Good Press
ISBN:
Category : Literary Criticism
Languages : en
Pages : 363
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Book Description
English Satires is a compelling anthology that encapsulates the brilliant wit and razor-sharp critique that have defined English satirical writing across ages. This collection weaves together a rich tapestry of works that span from the pithy, comedic tales of Chaucer to the keen societal observations of Swift and Pope, embracing a diversity of literary forms including poetry, prose, and the essay. The anthology reveals the evolution of satirical techniques, showcasing standout pieces that have left an indelible mark on literary tradition, all while maintaining a cohesive exploration of themes such as human folly, societal norms, and political arrogance. The contributing authors are monumental figures whose works have not only contributed to but also shaped the canon of English literature. From Jonathan Swifts acerbic prose to Robert Burns' lyrical mastery and Daniel Defoe's pioneering narratives, each author brings a unique voice that reflects diverse historical and cultural contexts. Together, they represent significant periods in literature, from the Renaissance to the Romantic era, highlighting how satire has served as a powerful tool for social and political commentary. 'English Satires' invites readers to dive into the depths of English literary satire, offering a unique lens to view the subtlety, complexity, and evolution of this enduring genre. Through this anthology, one gains an unparalleled opportunity to understand the dialogues between authors from different eras, each critiquing their society in ways that remain remarkably relevant today. This collection is not only an essential academic resource but also a treasure trove for anyone looking to appreciate the art of satire and its significant impact on English literature and beyond.
Author: Jonathan Swift
Publisher: Good Press
ISBN:
Category : Literary Criticism
Languages : en
Pages : 363
Get Book Here
Book Description
English Satires is a compelling anthology that encapsulates the brilliant wit and razor-sharp critique that have defined English satirical writing across ages. This collection weaves together a rich tapestry of works that span from the pithy, comedic tales of Chaucer to the keen societal observations of Swift and Pope, embracing a diversity of literary forms including poetry, prose, and the essay. The anthology reveals the evolution of satirical techniques, showcasing standout pieces that have left an indelible mark on literary tradition, all while maintaining a cohesive exploration of themes such as human folly, societal norms, and political arrogance. The contributing authors are monumental figures whose works have not only contributed to but also shaped the canon of English literature. From Jonathan Swifts acerbic prose to Robert Burns' lyrical mastery and Daniel Defoe's pioneering narratives, each author brings a unique voice that reflects diverse historical and cultural contexts. Together, they represent significant periods in literature, from the Renaissance to the Romantic era, highlighting how satire has served as a powerful tool for social and political commentary. 'English Satires' invites readers to dive into the depths of English literary satire, offering a unique lens to view the subtlety, complexity, and evolution of this enduring genre. Through this anthology, one gains an unparalleled opportunity to understand the dialogues between authors from different eras, each critiquing their society in ways that remain remarkably relevant today. This collection is not only an essential academic resource but also a treasure trove for anyone looking to appreciate the art of satire and its significant impact on English literature and beyond.
Author: William Henry Oliphant Smeaton
Publisher:
ISBN:
Category : Satire, English
Languages : en
Pages : 362
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Book Description
Author: Felicity A. Nussbaum
Publisher: University Press of Kentucky
ISBN: 0813183472
Category : Literary Criticism
Languages : en
Pages : 234
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Book Description
"Is it not monstrous, that our Seducers should be our Accusers? Will they not employ Fraud, nay often Force to gain us? What various Arts, what Stratagems, what Wiles will they use for our Destruction? But that once accomplished, every opprobrious Term with which our Language so plentifully abounds, shall be bestowed on us, even by the very Villains who have wronged us"—Laetitia Pilkington, Memoirs (1748). In her scandalous Memoirs, Laetitia Pilkington spoke out against the English satires of the Restoration and eighteenth century, which employed "every opprobrious term" to chastise women. In The Brink of All We Hate, Felicity Nussbaum documents and groups those opprobrious terms in order to identify the conventions of the satires, to demonstrate how those conventions create a myth, to provide critical readings of poetic texts in the antifeminist tradition, and to draw some conclusions about the basic nature of satire. Nussbaum finds that the English tradition of antifeminist satire draws on a background that includes Hesiod, Horace, Ovid, and Juvenal, as well as the more modern French tradition of La Bruyere and Boileau and the late seventeenth-century English pamphlets by Gould, Fige, and Ames. The tradition was employed by the major figures of the golden age of satire—Samuel Butler, Dryden, Swift, Addison, and Pope. Examining the elements of the tradition of antifeminist satire and exploring its uses, from the most routine to the most artful, by the various poets, Nussbaum reveals a clearer context in which many poems of the Restoration and eighteenth century will be read anew.
Author: Mikhail Zoshchenko
Publisher: Indiana University Press
ISBN: 9780253201928
Category : Fiction
Languages : en
Pages : 484
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Book Description
Among the most popular writers of the early Soviet period was the satirist Mikhail Zoshchenko, whose career spanned nearly four decades and who was as beloved by ordinary people as he was admired by the elite. His most popular pieces, often appearing in newspapers, were "short-short stories" written in a slangy, colloquial style. Typical targets of his satire are the Soviet bureaucracy, crowded conditions in communal apartments, marital infidelities and the rapid turnover in marriage partners, and what a disdainful Soviet judge in one of the sketches dismisses as "the petty-bourgeois mode of life, with its adulterous episodes, lying, and similar nonsense." Farcical complications, satiric understatement, humorous anachronisms, and an ironic contrast between high-flown sentiments and the down-to-earth reality of mercenary instincts were his favorite devices. Zoshchenko had an uncanny knack for eluding Soviet censorship (one of the sketches even touches humorously on the dangerous topic of party purges) and his work as a result offers us a marvelous window on life in Russia during the twenties and thirties.
Author: Charles A. Knight
Publisher: Cambridge University Press
ISBN: 1139452282
Category : Literary Criticism
Languages : en
Pages : 341
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Book Description
The Literature of Satire is an accessible but sophisticated and wide-ranging study of satire from the classics to the present in plays, novels and the press as well as in verse. In it Charles Knight analyses the rhetorical problems created by satire's complex relations to its community, and examines how it exploits the genres it borrows. He argues that satire derives from an awareness of the differences between appearance, ideas and discourse. Knight provides illuminating readings of such satirists familiar and unfamiliar as Horace, Lucian, Jonson, Molière, Swift, Pope, Byron, Flaubert, Ostrovsky, Kundera, and Rushdie. This broad-ranging examination sheds light on the nature and functions of satire as a mode of writing, as well as on theoretical approaches to it. It will be of interest to scholars interested in literary theory as well as those specifically interested in satire.
Author: Juvenal
Publisher: Cambridge University Press
ISBN: 9780521356671
Category : History
Languages : en
Pages : 336
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Book Description
A new commentary on the first book of satires of the Roman satirist Juvenal. The essays on each of the poems together with the overview of Book I in the Introduction present the first integrated reading of the Satires as an organic structure.
Author: John Strachan
Publisher: Routledge
ISBN: 1000712990
Category : Literary Criticism
Languages : en
Pages : 353
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Book Description
This set offers a representitive collection of the verse satire of the Romantic period, published between the mid-1780s and the mid-1830s. As well as two single-author volumes, from William Gifford and Thomas Moore, there is also a wealth of rare, unedited material.
Author: Persius
Publisher:
ISBN:
Category : Satire, Latin
Languages : la
Pages : 182
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Book Description
Author: Horace
Publisher: Cambridge University Press
ISBN: 100904026X
Category : History
Languages : en
Pages : 368
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Book Description
The satires explored in this volume are some of the trickiest poems of ancient Rome's trickiest poet. Horace was an ironist, sneaky smart, and prone to hiding things under the surface. His Latin is dense and difficult. The challenges posed by these satires are especially acute because their voices, messages, and stylistic habits are many, and their themes range from the poet's anxieties about the limits of satiric free speech in the first poem to the ridiculous excesses of an outrageously overdone dinner party in the last. For students working at intermediate and advanced levels of Latin, this book makes the satires of Horace's second book of Sermones readable by explaining difficult issues of grammar, syntax, word-choice, genre, period, and style. For scholars who already know these poems well, it offers fresh insights into what satire is, and how these poems communicate as uniquely 'Horatian' expressions of the genre.
Author: Rachel Hile
Publisher: Manchester University Press
ISBN: 1526107864
Category : Literary Criticism
Languages : en
Pages : 267
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Book Description
This electronic version has been made available under a Creative Commons (BY-NC-ND) open access license. Scholars of Edmund Spenser have focused much more on his accomplishments in epic and pastoral than his work in satire. Scholars of early modern English satire almost never discuss Spenser. However, these critical gaps stem from later developments in the canon rather than any insignificance in Spenser's accomplishments and influence on satiric poetry. This book argues that the indirect form of satire developed by Spenser served during and after Spenser's lifetime as an important model for other poets who wished to convey satirical messages with some degree of safety. The book connects key Spenserian texts in The Shepheardes Calender and the Complaints volume with poems by a range of authors in the late sixteenth and early seventeenth centuries, including Joseph Hall, Thomas Nashe, Tailboys Dymoke, Thomas Middleton and George Wither, to advance the thesis that Spenser was seen by his contemporaries as highly relevant to satire in Elizabethan England.
