Author: Brian Vickers
Publisher: Oxford University Press on Demand
ISBN: 9780199261369
Category : Literary Criticism
Languages : en
Pages : 655
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Book Description
This wide-ranging compilation of texts illustrates clearly the wide variety of criticism of English literature on offer during the Renaissance period by numerous critics.
Author: Joel Elias Spingarn
Publisher:
ISBN:
Category : Criticism
Languages : en
Pages : 374
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Book Description
An essay examining the history of literary criticism in the Renaissance, with a focus on the sixteenth century. Divided into three sections devoted to: Italian criticism from Dante to Tasso, French criticism from Du Bellay to Boileau, and English criticism from Ascham to Milton.
Author: William M. Russell
Publisher: University of Virginia Press
ISBN: 1644531925
Category : Literary Criticism
Languages : en
Pages : 278
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Book Description
The turn of the seventeenth century was an important moment in the history of English criticism. In a series of pioneering works of rhetoric and poetics, writers such as Philip Sidney, George Puttenham, and Ben Jonson laid the foundations of critical discourse in English, and the English word "critic" began, for the first time, to suggest expertise in literary judgment. Yet the conspicuously ambivalent attitude of these critics toward criticism—and the persistent fear that they would be misunderstood, marginalized, scapegoated, or otherwise "branded with the dignity of a critic"—suggests that the position of the critic in this period was uncertain. In Inventing the Critic in Renaissance England, William Russell reveals that the critics of the English Renaissance did not passively absorb their practice from Continental and classical sources but actively invented it in response to a confluence of social and intellectual factors. Distributed for UNIVERSITY OF DELAWARE PRESS
Author: Gavin Alexander
Publisher: Penguin UK
ISBN: 0141936959
Category : Literary Criticism
Languages : en
Pages : 662
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Book Description
Controversy raged through England during the 1570-80s as Puritans denounced all manner of games & pastimes as a danger to public morals. Writers quickly turrned their attention to their own art and the first & most influential response came with Philip Sidney's Defense. Here he set out to answer contemporary critics &, with reference to Classical models of criticism, formulated a manifesto for English literature. Also includes George Puttenham's Art of English Poesy, Samuel Daniel's Defence of Rhyme, & passages by writers such as Ben Jonson, Francis Bacon & George Gascoigne.
Author: Andrew Majeske
Publisher: Routledge
ISBN: 1135510008
Category : Literary Criticism
Languages : en
Pages : 230
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Book Description
This book accounts for the previously inadequately explained transformation in the meaning of equity in sixteenth century England, a transformation which, intriguingly, first comes to light in literary texts rather than political or legal treatises. The book address the two principal literary works in which the transformation becomes apparent, Thomas More's Utopia and Edmund Spenser's Faerie Queene, and sketches the history of equity to its roots in the Greek concept of epieikeia, uncovering along the way both previously unexplained distinctions, and a long-obscured esoteric meaning. These rediscoveries, when brought to bear upon the Utopia and Faerie Queene, illuminate critical though relatively neglected textual passages that have long puzzled scholars.
Author: William W. E. Slights
Publisher: University of Michigan Press
ISBN: 9780472112296
Category : Antiques & Collectibles
Languages : en
Pages : 320
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Book Description
A sideways look at books that sheds light on the activities of authors, printers, and readers during the English Renaissance
Author: Daniel Javitch
Publisher: Princeton University Press
ISBN: 1400869633
Category : Poetry
Languages : en
Pages : 176
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Book Description
Model court conduct in the Renaissance shared many rhetorical features with poetry. Analyzing these stylistic affinities, Professor Javitch shows that the rise of the courtly ideal enhanced the status of poetic art. He suggests a new explanation for the fostering of poetic talents by courtly establishments and proposes that the court stimulated these talents more decisively than the Renaissance school. The author focuses on late Tudor England and considers how Queen Elizabeth's court helped poetry gain strength by subscribing to a code of behavior as artificial as that prescribed by Castiglione. Elizabethan writers, however, could benefit from the court's example only so long as their contemporaries continued to respect its social and moral authority. The author shows how the weakening of the courtly ideal led eventually to the poet's emergence as the maker of manners, a role first subtly indicated by Spenser in the Sixth Book of The Faerie Queene. Originally published in 1978. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Author: David Norbrook
Publisher: Oxford University Press, USA
ISBN: 9780199247196
Category : History
Languages : en
Pages : 356
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Book Description
This title establishes the radical currents of thought shaping Renaissance poetry: civic humanism and apocalyptic Protestantism. The author shows how Elizabethan poets like Sidney and Spenser, often seen as conservative monarchists, responded powerfully if sometimes ambivalently to radical ideas.
Author: Stephanie Elsky
Publisher: Oxford University Press
ISBN: 0192605844
Category : Literary Criticism
Languages : en
Pages : 241
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Book Description
Custom, Common Law, and the Constitution of English Renaissance Literature argues that, ironically, custom was a supremely generative literary force for a range of Renaissance writers. Custom took on so much power because of its virtual synonymity with English common law, the increasingly dominant legal system that was also foundational to England's constitutionalist politics. The strange temporality assigned to legal custom, that is, its purported existence since 'time immemorial', furnished it with a unique and paradoxical capacity—to make new and foreign forms familiar. This volume shows that during a time when novelty was suspect, even insurrectionary, appeals to the widespread understanding of custom as a legal concept justified a startling array of fictive experiments. This is the first book to reveal fully the relationship between Renaissance literature and legal custom. It shows how writers were able to reimagine moments of historical and cultural rupture as continuity by appealing to the powerful belief that English legal custom persisted in the face of conquests by foreign powers. Custom, Common Law, and the Constitution of English Renaissance Literature thus challenges scholarly narratives in which Renaissance art breaks with a past it looks back upon longingly and instead argues that the period viewed its literature as imbued with the aura of the past. In this way, through experiments in rhetoric and form, literature unfolds the processes whereby custom gains its formidable and flexible political power. Custom, a key concept of legal and constitutionalist thought, shaped sixteenth-century literature, while this literature, in turn, transformed custom into an evocative mythopoetic.
Author: Todd Andrew Borlik
Publisher: Cambridge University Press
ISBN: 1108247008
Category : Literary Criticism
Languages : en
Pages : 626
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Book Description
Featuring over two hundred nature-themed texts spanning the disciplines of literature, science and history, this sourcebook offers an accessible field guide to the environment of Renaissance England, revealing a nation at a crossroads between its pastoral heritage and industrialized future. Carefully selected primary sources, each modernized and prefaced with an introduction, survey an encyclopaedic array of topographies, species, and topics: from astrology to zoology, bear-baiting to bee-keeping, coal-mining to tree-planting, fen-draining to sheep-whispering. The familiar voices of Spenser, Shakespeare, Jonson, and Marvell mingle with a diverse chorus of farmers, herbalists, shepherds, hunters, foresters, philosophers, sailors, sky-watchers, and duchesses - as well as ventriloquized beasts, trees, and rivers. Lavishly illustrated, the anthology is supported by a lucid introduction that outlines and intervenes in key debates in Renaissance ecocriticism, a reflective essay on ecocritical editing, a bibliography of further reading, and a timeline of environmental history and legislation drawing on extensive archival research.
