Author: HENRY R. PLOMER
Publisher: BEYOND BOOKS HUB
ISBN:
Category : Fiction
Languages : en
Pages : 87

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Book Description

Author: Henry Robert Plomer
Publisher:
ISBN:
Category :
Languages : en
Pages : 291

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Book Description

Author: Henry Robert Plomer
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 310

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Book Description

Author: Henry R. Plomer
Publisher: Forgotten Books
ISBN: 9780332493541
Category : Art
Languages : en
Pages : 306

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Book Description
Excerpt from English Printers' Ornaments In the following pages an attempt has been made to give an outline history of the introduction Of ornaments into books printed by English printers and the subsequent growth and development Of the art down to the present day. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

Author: Henry Robert PLOMER
Publisher:
ISBN:
Category :
Languages : en
Pages : 291

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Book Description

Author: Jonathan Sawday
Publisher: Oxford University Press
ISBN: 0192845640
Category : Literary Criticism
Languages : en
Pages : 593

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Book Description
Blanks, Space, Print, and Void in English Renaissance Literature is an inquiry into the empty spaces encountered not just on the pages of printed books in c.1500-1700, but in Renaissance culture more generally. The book argues that print culture in the sixteenth and seventeenth centuries helped to foster the modern idea of the 'gap' (where words, texts, images, and ideas are constructed as missing, lost, withheld, fragmented, or perhaps never devised in the first place). It re-imagines how early modern people reacted not just to printed books and documents of many different kinds, but also how the very idea of emptiness or absence began to be fashioned in a way which still surrounds us. Jonathan Sawday leads the reader through the entire landscape of early modern print culture, discussing topics such as: space and silence; the exploration of the vacuum; the ways in which race and racial identity in early modern England were constructed by the language and technology of print; blackness and whiteness, together with lightness, darkness, and sightlessness; cartography and emptiness; the effect of typography on reading practices; the social spaces of the page; gendered surfaces; hierarchies of information; books of memory; pages constructed as waste or vacant; the genesis of blank forms and early modern bureaucracy; the political and devotional spaces of printed books; the impact of censorship; and the problem posed by texts which lack endings or conclusions. The book itself ends by dwelling on blank or empty pages as a sign of human mortality. Sawday pays close attention to the writings of many of the familiar figures in English Renaissance literary culture - Sidney, Shakespeare, Donne, Jonson, and Milton, for example - as well as introducing readers to a host of lesser-known figures. The book also discusses the work of numerous women writers from the period, including Aphra Behn, Ann Bradstreet, Margaret Cavendish, Lady Jane Gray, Lucy Hutchinson, Æmelia Lanyer, Isabella Whitney, and Lady Mary Wroth.

Author: Elizabeth Carroll Reilly
Publisher: Worcester : American Antiquarian Society
ISBN:
Category : Crafts & Hobbies
Languages : en
Pages : 560

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Author: Dennis Duncan
Publisher: Oxford University Press
ISBN: 019254053X
Category : Literary Criticism
Languages : en
Pages : 351

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Book Description
What would an anatomy of the book look like? There is the main text, of course, the file that the author proudly submits to their publisher. But around this, hemming it in on the page or enclosing it at the front and back of the book, there are dozens of other texts — page numbers and running heads, copyright statements and errata lists — each possessed of particular conventions, each with their own lively histories. To consider these paratexts — recalling them from the margins, letting them take centre stage — is to be reminded that no book is the sole work of the author whose name appears on the cover; rather, every book is the sum of a series of collaborations. It is to be reminded, also, that not everything is intended for us, the readers. There are sections that are solely directed at others — binders, librarians, lawyers — parts of the book that, if they are working well, are working discreetly, like a theatrical prompt, whispering out of the audience's ear-shot Book Parts is a bold and imaginative intervention in the fast growing field of book history: it pulls the book apart. Over twenty-two chapters, Book Parts tells the story of the components of the book: from title pages to endleaves; from dust jackets to indexes — and just about everything in between. Book Parts covers a broad historical range that runs from the pre-print era to the digital, bringing together the expertise of some of the most exciting scholars working on book history today in order to shine a new light on these elements hiding in plain sight in the books we all read.

Author: Frederic Sutherland Ferguson
Publisher:
ISBN:
Category : Book ornamentation
Languages : en
Pages :

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Book Description

Author: Carol Belanger Grafton
Publisher: Courier Corporation
ISBN: 0486239446
Category : Design
Languages : en
Pages : 127

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Book Description
1,489 decorative ornaments for artists and craftspeople: headpieces, tailpieces, dingbats, lunettes, calligraphic and heraldic devices, and more, in Renaissance, Baroque, Victorian, Art Nouveau, and many other styles.