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Author: Benjamin Ifor Evans
Publisher:
ISBN: 9780404183998
Category :
Languages : en
Pages :
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Author: Benjamin Ifor Evans
Publisher:
ISBN: 9780404183998
Category :
Languages : en
Pages :
Get Book Here
Book Description
Author: B. Ifor Evans
Publisher: Routledge
ISBN: 1351386158
Category : Literary Criticism
Languages : en
Pages : 371
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Book Description
First published in 1933, this study, which underwent revision in the 1960s, is a comprehensive survey of the verse of English nineteenth-century poets whose work appeared after 1860. A special feature is the full and critical treatment of minor writers. In no other book is their work so carefully evaluated. There is a full account of the minor Pre-Raphaelites, of James Thomson, the poet of The City of Dreadful Night, of Henley, Stevenson and George MacDonald. John Davidson is the subject of a long and revealing study. Evans suggests that poetry from the late nineteenth century is neglected in scholarly study, and that Victorian Romanticism deserves more attention than it has recently received.
Author: George Saintsbury
Publisher:
ISBN:
Category : Literary Criticism
Languages : en
Pages : 508
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Author: Benjamin Ifor Evans
Publisher:
ISBN:
Category : English poetry
Languages : en
Pages : 450
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Author: Etta Mae Jackson
Publisher:
ISBN:
Category :
Languages : en
Pages :
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Author: William Morton Payne
Publisher:
ISBN:
Category : English poetry
Languages : en
Pages : 404
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Author: A. N. Kapoor
Publisher:
ISBN:
Category : English poetry
Languages : en
Pages : 144
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Author: Joseph Bristow
Publisher: Ohio University Press
ISBN: 0821416278
Category : English poetry
Languages : en
Pages : 385
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Book Description
Featuring innovative research by emergent and established scholars, The Fin-de-Siecle Poem throws new light on the remarkable diversity of poetry produced at the close of the nineteenth century in England. Opening with a detailed preface that shows why literary historians have frequently underrated fin-de-siecle poetry, the collection explains how a strikingly rich body of lyrical and narrative poems anticipated many of the developments traditionally attributed to Modernism. Each chapter in turn provides insights into the ways in which late-nineteenth-century poets represented their experiences of the city, their attitudes toward sexuality, their responses to empire, and their interest in religious belief. The eleven essays presented by editor Joseph Bristow pay renewed attention to the achievements of such legendary writers as Oscar Wilde, John Davidson, Ernest Dowson, Lionel Johnson, and W.B. Yeats, whose careers have always been associated with the 1890s. This book also explores the lesser-known but equally significant advances made by notable women poets, including Michael Field, Amy Levy, Charlotte Mew, Alice Meynell, A. Mary F. Robinson, and Graham R. Tomson. The Fin-de-Siecle Poem brings together innovative research on poetry that has been typecast as the attenuated Victorianism that was rejected by Modernism. The contributors underscore the remarkable innovations made in English poetry of the 1880s and 1890s and show how woman poets stood shoulder-to-shoulder with their better-known male contemporaries.Joseph Bristow is professor of English at the University of California, Los Angeles, where he edits the journal Nineteenth-Century Literature. His recent books include The Cambridge Companion to Victorian Poetry, Oscar Wilde: Contextual Conditions, and the variorum edition of Oscar Wilde's The Picture of Dorian Gray.
Author: Peter McDonald
Publisher: OUP Oxford
ISBN: 0191637122
Category : Literary Criticism
Languages : en
Pages : 367
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Book Description
The rhymes in poems are important to understanding how poets write; and in the nineteenth century, rhyme conditioned the ways in which poets heard both themselves and each other writing. Sound Intentions studies the significance of rhyme in the work of Wordsworth, Keats, Tennyson, Christina Rossetti, Hopkins and other poets, including Coleridge, Byron, Elizabeth Barrett Browning, Swinburne, and Hardy. The book's stylistic reading of nineteenth-century poetry argues for Wordsworth's centrality to issues of intention and chance in poets' work, and offers a reading of the formal choices made in poetry as profoundly revealing points of intertextual relation. Sound Intentions includes detailed consideration of the critical meaning of both rhyme and repetition, bringing to bear an emphasis on form as poetry's crucial proving-ground. In a series of detailed readings of important poems, the book shows how close formal attention goes beyond critical formalism, and can become a way of illuminating poets' deepest preoccupations, doubts, and beliefs. Wordsworth's sounding of his own poetic voice, in blank verse as well as rhyme, is here taken as a model for the ways in which later nineteenth-century poets attend to the most perplexing and important voicings of their own poetic originality.
Author: Sir Ifor Evans
Publisher:
ISBN:
Category :
Languages : en
Pages :
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